High Voltages After Headfirst Origin 50 Mod

Yeah, my feeling is that if you need to mod an amp to get it to sound the way you want you have the wrong amp and need to start searching for an alternative. Whether more gain, different EQ profile, better loop, whatever, if you have to open it up and dick around with the insides you've bought the wrong amp.

That‘s kind of the way I’m starting to feel, too. There was a day when the idea of digging in and modding an amp intrigued me. The YouTube vids had me kind of stoked and I did try a couple here and there.

Now, if I have to do anything more than speaker swaps or, perhaps, try different tubes, I’m not really interested in the amp. I’m kinda looking for my next amp to be my last amp.
 
That‘s kind of the way I’m starting to feel, too. There was a day when the idea of digging in and modding an amp intrigued me. The YouTube vids had me kind of stoked and I did try a couple here and there.

Now, if I have to do anything more than speaker swaps or, perhaps, try different tubes, I’m not really interested in the amp. I’m kinda looking for my next amp to be my last amp.

I think a lot has to do with genre. If you're a country picker, a Princeton and a Telecaster and you're set.

I've tried every amp you can name, even had the opportunity to play through some boutique amps owned by my colleagues, and I've never found an amp that has everything I want, but that's not a disappointment to me.

I like to color my tone with chorus, EQ and i require a fairly aggressive noise gate, so I expect that I'm gonna need FX to get me where I want to be.

The Jason Tong mod is a sound I've long been trying to achieve, but never quite got it. I'm impressed that he's able to pull this off without hitting it with an overdrive pedal.

I don't think that I'm ever gonna be satisfied, because everyday, I'm finding new challenges and they cause me to reach for something different.
 
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Through my friends and colleagues, I've played through Cat-5, Suhr, Diezel, Mad Professor, Dumbledores, Friedman, McIntosh, Tone King, Two Rock, Trainwreck, Mesa, Engl, Fargen, Victory, Magnatone, Milkman, Shaw and even an obscure VanWeelden.

These are no doubt fine amps, but out of all of them, the only one that truly impressed was the Engl Inferno.

Another interesting thing about many of these high dollar amps is, you see things you wouldn't expect on a high dollar boutique amp...things like less than stellar soldering, poorly folded/uneven tolex, crooked screws, just all those little things that show an oversight or a lack of attention to detail.

I think that once some of these builders make a name for themselves, they get comfortable and the QC is just no longer important to them.

Now for most people, they are so enamored by the name and the price tag that they will tolerate - even worship - anything that a given builder offers, but I'm not easily impressed by the nameplate or the pricetag.

I'd rather have an amp built (or modded) by a grass-roots amp guru, like our @ivan H, @syscokid or @Amp Mad Scientist, TBTH...
 
I'm probably not good enough to ever warrant any kind of high dollar amp, but I've never had the desire to try and impress anybody with my junk.

I've earned a good living with this Marshall Origin and my DSL40C before that.

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These guitars and amps are just tools i use to earn a living.

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The money isn't really what moves me, it's what we are able to do for people that gives me a feeling that I cannot put into words...

May all your dreams come true...
 
No personal experience with the Rivera's Venus series of amps, but the few videos I've seen are very impressive. I do own a Rivera Quiana (50 watt, 6L6's, 2 channel, 4x10 combo), that does the Fender/Marshall combo very well. The Fandango is about the same as the Quiana but operates on EL34's. Some Venus's are based on 6V6's, some are 6L6's, and some have EL34's. The Chubster and the Clubster have similar topologies too.

Have you ever tried the Clubster, specifically the 6V6 version?
 
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