Disagree. It is easy to beat. Unless the mixer does not have a good equalizer at hand, it is more or less the guarantee of non-understandable vocals. Which is actrually what You hear from most amateur bands.
Microphones with a smoother but slightly enhanced presence range usually cut better through the mix. A lot better. Even my cheap Beyerdynamic TG V35 cuts through better than any SM58.
And the overall quallity of microphone like the Sennheiser E935 / E945 or probably any other micro in this price range is way better than the SM58. IMO that's the quality any serious singer should seek for at least.
The SM57/SM58 have had their time - but it has reasons why there are other models. Even from Shure.
Fair enough. The SM58 is(and was) not my first suggestion in this thread...but budget was introduced in to the equation. I have one SM58 that has been in service constantly for 26 years. Two more that are approximately 20 years in use. They’ve traveled, and functioned well the entire time. They are currently set up, and ready to use as I type. The only maintenance/repair issues that have arisen in that time have been windscreen replacements. The windscreens can usually be found readily, for a reasonable price, without much difficulty.
Since I play guitar and sing, and prefer to use my own personal mic live(rather than share saliva with random strangers)...I’ve never had a sound engineer refuse to let me use my own SM58 at a multiple band show...they do, always, ask what kind of mic I’ve brought though.
Is it my first choice for tracking? No, not usually. But I have used them for studio tracking on occasion...those Death Metal guys that I’ve worked with in the past don’t seem to be comfortable cozying up to a nice condenser. They’re usually much more comfortable grunting into a 58.
Are there other, possibly better, options to be had? I’m sure there are. I have an old ElectoVoice dynamic that has great clarity and presence...but it’s no longer made. I’ve also enjoyed a few others from Audix, Audio Technica, and Sennheiser(but older Sennheiser models only-1980s, and 90s).
My original pick was a Shure SM7b. It has also been around for a looong time, and other mic’s are out there that will perform better/differently...but for male vocals...it can be a solid performer. I put off purchasing one for a long time. I wish that I had not. It has become my favorite personal vocal mic for my current set up. But vocal microphone choice is very subjective...too subjective to give a single, definitive, answer to what’s ”best”.
As to the venerable SM57...I’m not a big fan...I have one...it gets use(I actually like it under a snare drum)...but I prefer the Audix i5 on my guitar speakers.
@bea ...Perhaps you have inspired me to sample some of the newer tech available in microphones today. Maybe it has been too long, and I’ve been an “if it isn’t broken, don’t fix it” kind of guy for long enough now. I thank you for that.(I’m fairly certain my bank account will be disappointed though

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