WTF???

I had me a mess of those Gibson boxes....LOL

I had three sets of new Gibson 'humbuckers' that developed a lot of buzz/hum and also picked up local FM radio stations. Switched pickups and it went away. My brand new Gibson 50's Tribute Les Paul did the same thing. I even made a video of the noise and switched between guitars on the video and sent this to Gibson AR. Upon inspection, the Gibson warranty technician in Hollywood advised they've been seeing a lot of shorts and problems with both Gibson pickups and with the PCB's. He also showed me a rack of new Gibson's in his shop waiting for replacement pickups under warranty. I had no idea how many people were having the same problem until I started searching for You Tube videos of buzzing/humming Gibson's'.

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At that point, after three brand new Gibson's and 3 sets of new Gibson pickups, I set aside my historical fascination with the vintage Gibson's I grew up playing and decided to build my own guitars and have my own pickups wound for me. Even my first, totally unshielded prototype was dead quiet.

I only have one Gibson left that I cannot seem to find a home for. There's nothing Gibson in it anymore, but now it's totally quiet. It's only used by my music students now...

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It's popular with the student's who get a kick out of playing a "real" Gibson, well at least it's real Gibson wood anyways... :)
Oh yeah, thanks for sharing...again. :steping:
 
Some excellent points on this thread.

Maybe a Good Gibson Box would be nice sounding in a Cigar Box guitar.

A business opportunity there.

Of all the pickup boxes I've had, the best one is by far from Bare Knuckle. Great British tone cardboard.

British cardboard are world respected; our cars in the 1970s and 1980s used some fantastic cardboard.


Now, it' time to take this thread to the next level; there are PU boxes and then there are PU boxes!

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Not that I would ever sell this limited edition collectors piece, but as long as I threw that ugly looking metal thing away then this has to be worth $100.
 
Oh yeah, thanks for sharing...again. :steping:

No, no, no...I cannot take credit for that...You can thank Gibson... :) But seriously, all things seem to have a purpose. Had I not have gone through the frustration with my 3 Gibson's, I would have never built my own guitar line, so while it was certainly frustrating, it really was a reason to just invest in an idea and try something new.
 
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No, no, no...I cannot take credit for that...You can thank Gibson... :) But seriously, all things seem to have a purpose. Had I not have gone through the frustration with my 3 Gibson's, I would have never built my own guitar line, so while it was certainly frustrating, it really was a reason to just invest in an idea and try something new.

There you go again...changing the topic to fit, and plug, your agenda...let's stick to the OP's original intent...

Just last week I received this poor, not well known, obstructed beast...
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Rest assured that I have since cleared the offending obstructions...and all is well now!
:dood: This package is clean!
 
There you go again...changing the topic to fit, and plug, your agenda...let's stick to the OP's original intent...

Just last week I received this poor, not well known, obstructed beast...
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Rest assured that I have since cleared the offending obstructions...and all is well now!
:dood: This package is clean!


I should post some Virgil Arlo boxes. Handwritten data and he usually includes a handwritten note on a 3X5" card...
 
That's good to hear. I see your box has that foam in it, just like my Seymour Duncan box.

What's your opinion of the foam? I think it could make some boxes sound too muddy. But, for me, it took the brittle highs out of my box.

Well, I think that the foam can play a beneficial role depending upon the tonal characteristics of the box. Resin composition, cure times, and any weight relief measures would all come in to play. So...yes... I agree, some boxes would sound muddy... probably the Gibson ones, because they were designed to avoid foam-dependence. IMHO YMMV.
 
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