The Kemper Thread:

The bass stuff sounds great with the Kemper. It’s the Kemper speaker that I don’t trust to my bass punishment. The Kemper would probably sound great through my Peavey cabs....with a power amp.
You can always get a small power amp and use your bass cab. As you already know, FRFR is not essential other than if you endeavor to hear the profile as captured. But as long as a cab paring sounds good to you, rock on!

In addition to what Sysco recommended, here is another super lightweight solution that will allow you to use any cab
 
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The Boss or the Kemper???

The Kemper pedal-board is powered and can drive a cabinet or go direct out...
Late to this, I was out of town. Yes the Kemper. As you havefdound out it is not ppwered. I don't want to play aroumd with hauling PA cabs around I jusy want to run it into a guitar cab. Does it affect the tone? Sure. I dont care if a Kemper sounss exactly like XYZ, I just want it to sound good.
That SD amp looks interesting but as I am in no hurry I will await a powered floor unit. At least, I will wait for awhile!
 
Late to this, I was out of town. Yes the Kemper. As you havefdound out it is not ppwered. I don't want to play aroumd with hauling PA cabs around I jusy want to run it into a guitar cab. Does it affect the tone? Sure. I dont care if a Kemper sounss exactly like XYZ, I just want it to sound good.
That SD amp looks interesting but as I am in no hurry I will await a powered floor unit. At least, I will wait for awhile!
So the Stage is not powered, but the Head can be powered, just to be clear

I go back and forth between a cab and studio monitors. They are both nice.
 
My studio guy profiled all my amps and cabs over the years...could i slap those profiles in a kemper & put a Powered PA monitor anywhere i want on stage & call it a day ?

I have an over kill PA for hosting events.. with subs & all... we are setting the bandroom up soon for a new band & my conclusion from 30+ years .
proper stage volume..quite a bit of the nuances i prefer at home all go out the window anyways live..it would be mind blowing to have all my amps & cabs in the studio a stomp away...leave them in the studio& love em..but take a toaster tothe show.

man fender Super Six for massive cleans to the jcm 800 thump to the jtm45 haunting cleans to the brutality of the 5150, all on a stomp a single stomp?

is it really possible? what interests me..if i profile my amp..lets say when i am recording a song..say the DSL100h into the greenbacks..if i profile that right there & then..will it emulate it? if so... is it just a matter of using what i am recording ..mic's & pre's and all...if so, i am set up ready to profile right now

its game over in a way cause ..now ,my studio goes wherever i do & each new Album..just profile the whole process..sound exactly like yourself all the time..if its the case..ordering one today & start to capture this project as i go..with this many sounds going on & amp switches ..it would be mind blowing to have this tool..
 
My studio guy profiled all my amps and cabs over the years...could i slap those profiles in a kemper & put a Powered PA monitor anywhere i want on stage & call it a day ?

I have an over kill PA for hosting events.. with subs & all... we are setting the bandroom up soon for a new band & my conclusion from 30+ years .
proper stage volume..quite a bit of the nuances i prefer at home all go out the window anyways live..it would be mind blowing to have all my amps & cabs in the studio a stomp away...leave them in the studio& love em..but take a toaster tothe show.

man fender Super Six for massive cleans to the jcm 800 thump to the jtm45 haunting cleans to the brutality of the 5150, all on a stomp a single stomp?

is it really possible? what interests me..if i profile my amp..lets say when i am recording a song..say the DSL100h into the greenbacks..if i profile that right there & then..will it emulate it? if so... is it just a matter of using what i am recording ..mic's & pre's and all...if so, i am set up ready to profile right now

its game over in a way cause ..now ,my studio goes wherever i do & each new Album..just profile the whole process..sound exactly like yourself all the time..if its the case..ordering one today & start to capture this project as i go..with this many sounds going on & amp switches ..it would be mind blowing to have this tool..
I made a thread doing A/B comparisons of profiles to my amps. It captures those setting using those mics, and if done well, is an precise snapshot. Here is the thread

 
I made a thread doing A/B comparisons of profiles to my amps. It captures those setting using those mics, and if done well, is an precise snapshot. Here is the thread

Thanks RVA..shows ya where my head was at with new tech..must of let that one blow right on by

As i put the band back together.. if this Kemper will profile my gear..done deal...going to dig into the thread & watch clips..pertty sure i know the answer already..but gots to do some quick research..

Might just click the button today for one. It makes s much sense to profile as you go. I mean even to the point of leads & rhythm sounds. Man, the amps that have come through here last few years..could of had em all. profiled .brings a whole new game to town..buy a killer amp..profile it & sell it ...
 
Thanks RVA..shows ya where my head was at with new tech..must of let that one blow right on by

As i put the band back together.. if this Kemper will profile my gear..done deal...going to dig into the thread & watch clips..pertty sure i know the answer already..but gots to do some quick research..

Might just click the button today for one. It makes s much sense to profile as you go. I mean even to the point of leads & rhythm sounds. Man, the amps that have come through here last few years..could of had em all. profiled .brings a whole new game to town..buy a killer amp..profile it & sell it ...
My pleasure - juts know that I want those profiles!! I have about 14K profiles to share, many of them professional, many from some incredible amps. Check out some videos of Tone Junkie profiles (link below) and you will see what I mean. He is just one of about a dozen professional profilers who have great products

 
Whoa!!!!



Key Features

  • 200 Watts
  • Cab sim
  • 3 band EQ with presence control
  • Independent bypass switches for cab sim and EQ
  • 2 speaker outputs
  • DI (XLR) Output
  • Aux In
  • Internal power supply
  • Pre-amp and power amp clip lights to dial in your levels


PowerStage 200 is a compact 200-watt “pedal-sized” guitar amp designed for players looking for a powerful grab-and-go pedal amp for any gig, rehearsal, or studio session. The PS200 was created specifically for players who get their tone from modeling devices, stompboxes, or a combination of the two. It has all the features you need—reliability, clean power, switchable EQ, speaker simulation, Aux In, and headphone connectivity.



Like the PowerStage 170 and 700, the PowerStage 200 retains the hallmark characteristics of the PowerStage family—providing a platform that brings out the best qualities of your tone. Compact, clean, organic, and reliable power sits at the core of PowerStage family—once again, the PS200 delivers on that promise. Loud enough to match your drummer and fill a venue of just about any size, the PowerStage 200 provides clean, reliable amplification, and tons of headroom to let your pedals or modeler shine.



Like the PS170, we wanted to build a powerful pedal amp voiced specifically for guitar that players could mount directly on their pedalboard or toss in their gig bag. The width of the PS200 is about a thumb width larger than two standard pedals. A tube amp of similar power and wattage would require a second trip to your van and its own flight case. Moreover, the size of the PS200 makes fly dates a breeze and saves you money on cartage fees.



A clean (headroom) guitar amp is the best solution if you want to get the most from your pedals and modeling gear. Many tube amps break up too early, making it difficult to dial in a pristine, clean platform for your pedals (especially at higher volumes). Moreover, if you use modelers like a Kemper, Helix, or Axe FX, any unwanted distortion can ruin your carefully crafted patches. The PowerStage 200 addresses these concerns by providing you with 200 watts of crystal-clear power. But don’t get confused—crystal-clear power does not mean sterile or lacking in depth. The PS200 has a beautiful warmth and smoothness that will give you all the dimension and organic feel of a great tube amp.



Another challenge when using a tube amp is that they tend to have a certain “sweet spot” that you can only achieve at higher volumes. The PS200, however, has a rich tone throughout the entire volume range. So, from bedroom shredding to arena rocking, your tone will stay consistent without any loss in depth or warmth. Think of the PS200 as having one large sweet spot.



The PS200 features two ¼” speaker outputs, allowing you to run multiple cabinets. And, since impedance matching is done internally, you never have to worry about speaker impedance—just plug in and play.



The PS200 is slightly more powerful than the PS170 and differs a bit in its feature set. After listening to our customers and consulting with many of the biggest names in the industry, we narrowed down a feature set for the PS200 that is simple but flexible. We noticed that many guitar players perform in a variety of unpredictable venues. To minimize uncertainty, we included a cab sim (4×12 closed-back) with a DI (XLR) output jack. You can send your tone to front of house or to a monitoring system free of mic bleed or unwanted noise typical in traditional mic setups. What you get is your pure tone in any environment.



We included independent bypass switches for both the cab sim and EQ. This feature makes silent recording more flexible. When you bypass the cab sim you can use your own cab sim or IR device, which can expand your pallet of great cab tones to pair with the PS200. Bypassing the EQ section, you can pass the tonal shaping duties off to your modeling device or preferred EQ shaping tool.



To bring out more high-end sparkle we added a presence control giving you a total of 4 bands of EQ on the PS200. The presence knob is also a great tool to tame any harsh digital artifacts found in some modelers.



Aux In allows you to jam along with drum grooves, backing tracks, or your favorite albums while practicing at home or in a hotel room on the road. Just plug in your music player or computer audio and practice silently with full, speaker-emulated tone. Aux In is also a great tool during rehearsals when you need to review a part or practice without disturbing your band mates. The ¼” headphone jack has its own volume control located on the top of the amp.



The PowerStage 200—compact, musical power for pedals, modelers, and much more.
Like our award-winning pedals, the PowerStage 200 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

 
My pleasure - juts know that I want those profiles!! I have about 14K profiles to share, many of them professional, many from some incredible amps. Check out some videos of Tone Junkie profiles (link below) and you will see what I mean. He is just one of about a dozen professional profilers who have great products

I would absolutely share my profiles.. The Super Six is amazing in the room & JTM45 with 1966 fender Bassman power . Those 2 make cleans at a whole new level

Real quick question

Hands down..what would be THE best cab for stage use with the Kemper?
 
I would absolutely share my profiles.. The Super Six is amazing in the room & JTM45 with 1966 fender Bassman power . Those 2 make cleans at a whole new level

Real quick question

Hands down..what would be THE best cab for stage use with the Kemper?
If you read this thread, and then the entire Kemper forum, you will find that there is no agreement. That is like asking the best amp or best guitar. Luckily, there are enough options so that you are sure to find what is right for you
 
My intended use..would be for live & practice..carry a toaster to the place & thats it. My new thinking was what i was working on last last time around..i kept filling the practice room with more monitrs..so amp placement...the blowby..the directial issues..is taken out of the equation. My bass guy plugged into board with DI/Sansamp... turned my 4x12 backwards & mic'd it...way better balance & at the end of the day..it was quieter & less messy sounding stage but still at kick level..but the sound was full & completely balanced by the board. It's not about amp replacement..its about bringing your captured tone from studio to the stage as consistent as possible.
 
My intended use..would be for live & practice..carry a toaster to the place & thats it. My new thinking was what i was working on last last time around..i kept filling the practice room with more monitrs..so amp placement...the blowby..the directial issues..is taken out of the equation. My bass guy plugged into board with DI/Sansamp... turned my 4x12 backwards & mic'd it...way better balance & at the end of the day..it was quieter & less messy sounding stage but still at kick level..but the sound was full & completely balanced by the board. It's not about amp replacement..its about bringing your captured tone from studio to the stage as consistent as possible.
That is what the Kemper is all about! A good powered FRFR cab (or unpowered if you get a powered head @ 600W), or direct to house PA, will do the trick
 
Thanks RVA..shows ya where my head was at with new tech..must of let that one blow right on by

As i put the band back together.. if this Kemper will profile my gear..done deal...going to dig into the thread & watch clips..pertty sure i know the answer already..but gots to do some quick research..

Might just click the button today for one. It makes s much sense to profile as you go. I mean even to the point of leads & rhythm sounds. Man, the amps that have come through here last few years..could of had em all. profiled .brings a whole new game to town..buy a killer amp..profile it & sell it ...
Clarification. My A/B was not a comparison of amp to profile, but rather a profile direct or through the power section of an amp - they do not, and should not sound the same in those clips
 
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