I've been trying to do some research since I don't know Fender amps that well. I kind of really like the Harvard just like it is, but maybe it could be better? Maybe you can tell me how it would change?
I found this vid actually comparing the Harvard vs Deluxe. He talks a lot on this vid, the actual comparison doesn't happen until about 10 minutes in. Would you say this is an accurate comparison in tone? Every time he switches to the Harvard it's like he threw a blanket over it. The Deluxe is definitely more open sounding, bigger and brighter. But I'm not sure that's what I want, I really like the Harvard a lot, especially since I put it in the combo with an Alnico Blue.
Plus I put a twist on it to make it even more useable.

If the WGS ET65 is supposed to be a 65 Creamback clone it's seriously lacking. I bought a real Creamback and it killer. Its what I was hoping the ET65 was going to be.
Steve, what chassis do you have ??I found this vid actually comparing the Harvard vs Deluxe. He talks a lot on this vid, the actual comparison doesn't happen until about 10 minutes in. Would you say this is an accurate comparison in tone? Every time he switches to the Harvard it's like he threw a blanket over it. The Deluxe is definitely more open sounding, bigger and brighter. But I'm not sure that's what I want, I really like the Harvard a lot, especially since I put it in the combo with an Alnico Blue.
Edit: I found this video that is a speaker comparison with a Harvard, at 1:30 he switches to an Alnico Blue.
![]()
Harvard 5F10 speaker test G12M-65 Creamback, Alnico Blue, Eminence Josh Smith JS1250
Creamback (not alnico) 00:21Alnico Blue 1:41Eminence JS1250 (Josh Smith) 4:42Creamback and alnico blue 7:00youtu.be
Edit #2: I appreciate the offer, but I think the only thing I want to do is put it in a proper tweed cab. I'm looking at this and trying to figure out if it'll fit..


I don't know, Terry (T-Rex) built this amp for me. It's in a cab right now and from what I can tell the chassis is around 18 1/4" to 18 1/2" wide. The tubes are up inside, not hanging out the bottom like that one.
You will need a minimum of @ 18.5" between the finished inside edge of the rear cleats that the back panel bolts on to, for chassis length clearance and that is really tight on the selected model as it shows 20" wide so it's probably only 17" between the cleats. Modulus Amps list the length as @ 18.45" on your chassis. On tweed combos that can be a deciding factor. Also the rear upper panel is oval slotted for air holes to cool the tubes down, and the original tweed amp chassis width was 4" while the Modulus chassis is 6.5". You would need a vertical wider upper rear panel or the chassis guts will show.
I bought a combo cabinet from Mojotone and ran into similar problems, although the inside cleat distance cleared by about 3/8". I ended up buying tolex from them to match and cut a new wider rear upper panel and glued on the tolex so the panel covers correctly. I'll take a couple of pics tomorrow to show you what I'm pointing out. I need another hosting site other than Imgur as the last time I tried uploading pics the site had changed.
Also the 1955 and later 5E3 Tweed Deluxe sounds a lot different than the earlier 5D3 Tweed Deluxe. The later 5E3 version doesnt have NFB so no feedback to cancel out distortion. The earlier 5D3 also didn't have any NFB but it had a unique phase invertor that kept the clean up until you push into overdrive. The 5E3 uses cathodyne phase inversion while the 5D3 uses a version of a floating paraphase phase inversion.

I can’t stopping thinking that the guitar on the red chair looks like it somehow survived a great white shark attack.I guess I technically only have one amp right now. I have a kemper and a handful of amps I built, but I only have ONE amp that I'm confident will not burst in to flames at any given point.
It took me many years to track one down, the Reason Reato. It fits nicely under my little work desk
View attachment 98665
I'm a total Obeid Khan fan boy. I've had a few Reason Amps, one of his Khan Paks and one of the new Magnatones he designed, but this Reato is the only one I've kept. For me it's the perfect portable, powerful clean combo amp. The reverb is nice but the tube vibrato is just killer. I don't use it alot, but it gives a cool lo-fi swampy kind of sound.
Here is a quick clip of when I first got it

I can’t stopping thinking that the guitar on the red chair looks like it somehow survived a great white shark attack.![]()