aon
Well-Known Member
And doesn't that feel good?? Best of luck in your new job, aon!
Yes it does! Thanks!
And doesn't that feel good?? Best of luck in your new job, aon!
Yup, one finger instead of the academic three... If it works, it works...
And if it requires the 3rd or higher strings then the full meal deal it is.Definitely sounds fuller that way, Jethro. Especially if your chord focuses on the higher octave note, the lower root gives it heft. E.G.: G2, D3, G3. Boom! Instant fat power chord "triad".
Yep, eating at the barre :dood:And if it requires the 3rd or higher strings then the full meal deal it is.
Robert, glad your new jobs are working out for you!
I have to play the open A middle, ring, pinky too.
Picks were mentioned a while back - I use the blue Tortex 1.0mm mainly and re-shape the business end with sandpaper.
I put a few light scoring cuts across them with a utility knife too.
I commonly vary my power chord playing in sections of my own "songs" for variety, using the root and 5th, or root,5th and octave, or just the 5th and octave with the ring and pinky finger or double stop with the ring.
Sometimes I play the root and 5th then add/ remove the octave for emphasis.
Pretty common stuff I think as learned from others along the way.
Pulling off or releasing the 5th (or 5th and octave) and double stopping with the index finger becomes the 5th and octave chord of the string below 2 frets down - I find that really useful.
Easy in itself but also a good way to cheat and not move the fretting hand around as much for the fret-board challenged like myself.
I have noticed when intonation is just a little off it really stands out with 5th + octave / double stops.