ibmorjamn
Ambassador of Moar Jammin
That sounds very good. The rhythm track is the same pickup ?…and through the Kemper…just a first noodle, with a looper.
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All T-top tribute there.
Cool, kind of had Alex Lifeson vibe to it.
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That sounds very good. The rhythm track is the same pickup ?…and through the Kemper…just a first noodle, with a looper.
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All T-top tribute there.
In that guitar, the neck pickup is a Manlius T-Top type, and the bridge pickup is a Manlius Vinyl…same in the other video.That sounds very good. The rhythm teach is the same pickup ?
Cool, kind had Alex Lifeson vibe to it.
I like everything you play. UFO is kind of my aim but Michael is so hard to copy.
KK downing owned the exact same flying “V” from 1971 with T-tops.
Kk was JCM 800 I assume. Michael was 4 hole plexi back in the early 70’s
I know the effects he used for lead tone. It is the rhythm tone that is more basic.
So amp wise, either of those.
Not a big deal how you do it.
Awesome , I like them all. Thanks for putting that together. I saw all of these pickups on either MF or My Les Paul. The Vineham look interesting also.Here is a quick one I made this morning.
The Les Paul has Manlius Vinyls
The SG has David Allen Powerage
The Double Cut has Manlius Goat Vintage
Apologies for my butt hanging out between guitars lol, I just rolled out of bed on this beautiful brisk morning
But I think the description of the Vinyls is accurate. They are a bit hotter and a bit fuller compared to the Powerage set in the SG, which are a little more traditional t tops.
But as a side note, that Les Paul is a cannon and anything that I put in it just screams. Also the amp I was using I built to pair with my SG. It’s basically a Marshall on the edge of falling apart at any point lol. But the lower output of the Powerage set dances around that edge nicely.
The double cut p90 has a nice mix of the two. A little body of the vinyls and a little bite of the Powerage set.
I haven’t tried any yet but Vineham makes some T Tops too I believe that looked interesting.
Let me know if you want to hear anything else



67 Plexi, your are fortunate and quite the collector of all things classic.Were all different my first good Gibson guitar had PAF pickups 1961 LP SG I still own guitars with real PAF pickups
and pre T Tops and T Tops I like how clean they sound never bonded with ceramic magnets and over wound pickups
I got a good deal on my 2000 Gibson Explorer LE the pickups had been changed had a set of early T Tops sounds great now.
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I have Mick's pickups in several guitars. My first set was a "Franken-Tele" set in a Broadcaster build. Then I got Landmark PAFs in my Les Paul and "Fat Diane" humbuckers in my '69 SG. I've got another set of "Fat Diane" humbuckers in my '58 V build, as well as a couple of sets of P-90s and a Strat set in my mongrel sixties Strat. All of the pickups are Fralin or Lollar quality without the hefty price tag.I am aware of him and appreciate that Don.
He is priced reasonably . I just dislike it when people shoot up high cost , people pay and it becomes normal.
I spent $165 in 2019 for a custom wound pickup from SD. It sounds good but I asked for a T top. I don’t quite think it delivers imho.
But the price is with in reason.
For some reason I don’t like high output pickups much.
Wow , nice . Well done. Great tones, thanks for taking the time to post John.This one is the Fat Diane loaded SG into my DST30 and JTM45. No other guitars or overdubs, recorded live in the studio in one take.
I have heard Vineham many times so I looked up a video. Right out of the gate AC/DC no pedals.Here is a quick one I made this morning.
The Les Paul has Manlius Vinyls
The SG has David Allen Powerage
The Double Cut has Manlius Goat Vintage
Apologies for my butt hanging out between guitars lol, I just rolled out of bed on this beautiful brisk morning
But I think the description of the Vinyls is accurate. They are a bit hotter and a bit fuller compared to the Powerage set in the SG, which are a little more traditional t tops.
But as a side note, that Les Paul is a cannon and anything that I put in it just screams. Also the amp I was using I built to pair with my SG. It’s basically a Marshall on the edge of falling apart at any point lol. But the lower output of the Powerage set dances around that edge nicely.
The double cut p90 has a nice mix of the two. A little body of the vinyls and a little bite of the Powerage set.
I haven’t tried any yet but Vineham makes some T Tops too I believe that looked interesting.
Let me know if you want to hear anything else
I’m an ceramic fanMyth
Right on man. Here is another vid, same guitar and amp but with the amp set a little fatter@Aynirar27 , listened to the power age in the SG again with headphones. That might be the one.
Sounds good , Aerosmith ?Right on man. Here is another vid, same guitar and amp but with the amp set a little fatter
I won’t spam the thread with more clips but they do fine with more gain too
Yea the intro is definitely an Aerosmith riff, not sure which one though. I used to listen to Live Bootleg a lot so I’m guessing something off thatSounds good , Aerosmith ?
It’s Called “ Movin Out” Deep cut on the first album.Yea the intro is definitely an Aerosmith riff, not sure which one though. I used to listen to Live Bootleg a lot so I’m guessing something off that
I’m an ceramic fan
I have DF's in my Classic and '50s Standard. They are just phenomenal all-around pickups (Classic has a '61 in the neck and the Standard a BB-1 and they pair well with both) - monster output but clear and maybe the best string-to-string definition of any pickup I have used. I am a fan of the Gibson pickup "sound" and prefer them to any others that I have tried, maybe just because I have been playing Gibsons for so long, and these are among my two favorites of the modern pickups (T-Tops my all-time favorite for tone), the other being the 500T which I have in my '79 Custom, because in a lot of ways it sounds like a super-hot version of the very late T-Tops that had ceramic mags and I just wanted more oomph out of the guitar. I also have one in my Traditional.
High output Alnico pickups just have a sloppy low end that I can't abide. I like the overall tone of the 498T for example, but it can't hang with high-gain palm-muting and start/stop downstroking the way a good ceramic can.
I read somewhere to space with 3 nickels instead of the common 2.Being willing to admit I was wrong, just wanted to say that I was completely wrong about the 498T. I took some time over the weekend to really dial in the height of the 498T in my Studio, and all I can say is, holy hell! It is no mystery why they put these in Customs - what an incredible-sounding pickup, just takes a bit to really get it set up right.