Quit teasing me, Robert.![]()
Good points. It took switching to G&L's before I found a "Strat" that is a real keeper. I'm like you, not a fan of the scale length, and F-style guitars are the only ones I use 9's on to compensate. But...they have a sound you can't get anywhere else and can't be faked easily, so I've been through more Fender's than I can remember, a Suhr, and a few others. The only ones that have "done it" for me are the G&L's. They have that magic tone and are built incredibly well, plus are a downright bargain when you compare them to similarly-priced competition. And the icing is the bridge. Easily the best bridge design that any Strat-style guitar has (excluding Floyds and other similar contraptions - I won't do a traditional-styled guitar with one of those things).
Good points....some of the best sounding and playing guitars I have experienced were cheaper models that you wouldn't want anybody seeing you play....
I have to agree... G&L's are some of the the finest "Fenders" ever produced.Doesn't matter what it costs if it sounds good.
I wouldn't call the G&L's cheap (the two that I have were $1600 and $1800 new but I bought them both used and saved a ton) but they are as good build quality and better-sounding and better-playing than the Fender Custom Shop Strats I have owned. So I consider them quite a bargain.
Nice! Is that yours?Nice one biut there is also this:![]()
To be a bit more serious than in my last answer, think about why you want a Stratocaster. Is it because they look really cool or because of certain sonic qualities that you are looking for? If it's the former, just get whatever guitar you think looks best and mod it to your liking. If it's the latter, get one that comes close to what you are looking for and mod it to perfection!
If I wanted a Strat I would go for a rosewood neck. I wouldn't worry too much about the pickups, because they can be swapped. As for colors, I don't really have very strong opinions, although I prefer cream or Lake Placid blue, or maybe candy apple red, all with a white pickguard. Or a completely black one like David Gilmour (now there's a great Strat player!).
Having played a start for the first five years of my electric guitar "career", I have really come to the conclusion that I'm not the biggest fan in the world, but a few months ago I payed a Lake Placid blue Fender CS Strat that really blew me away. While I still prefer the Gibson scale length (how about that, @Robert Herndon?), this particular specimen had a fretboard radius that felt a lot closer to the SGs I normally play. It felt really smooth, and sounded, well, like a bloody nice Srat! I instantly felt like firing up the AC30 and a treble booster to do some Rory Gallagher.
Wow!Rory Gallagher 1961 Strat # 64351
My 1961 Strat # 63461
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I've seen those Channel Bound Strats at the local guitar shop. IMO, it's a very cool looking feature and feel very nice. I didn't know those come with compound radiused necks. But no wonder I like them... the Warmoth neck I installed in my Strat is a compound radius, 10" to 16", and me likey a lottie..
For me, the American Professional HSS, the first one you listed. It's the best combination of features and build quality IMO.
I have the S1 option and love it. Now that I am out of my funk, I will be happy to post sound clips for you.
Playing should be the final determining factor of course...you may find that you just don't jive with it.
"Mary Kay" Strat
Mr. Grumpy: Have you taken the time, as I have, to figure out what scale length you like best, what neck profile, what radius, what pickup ohms ratings, pot and cap values you like best???
I'm with Johnny Goo in that if you have a humbucker equipped guitar go for an SSS configuration.
If you get the Fender no load pot it has a detent when turned to 10 where it unloads. Regarding the strat with Texas Specials, if you haven't tried them, they are a "love/hate" type pickup. People seem to either love or hate them. I have a set of CS Texas Specials that I got really cheaply of a buddy who hated them. Had them wound up high looking for a lot of output. I tried them wound down low & found them a lot nicer there. Hope you find a good one.
I like the Desert Sand Classic Player 50's. To me that has the most vintage vibe and I like that in a strat. However I will say I am not a huge fan of gold hardware.
I payed a Lake Placid blue Fender CS Strat that really blew me away. While I still prefer the Gibson scale length (how about that, @Robert Herndon?), this particular specimen had a fretboard radius that felt a lot closer to the SGs I normally play. It felt really smooth, and sounded, well, like a bloody nice Srat! I instantly felt like firing up the AC30 and a treble booster to do some Rory Gallagher.
the guitar doesn't really come into its own until you put a 12" board on it