Off the path Guitar Tone

4406Pack said:
Also love the tone of Gary Richrath
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Being an Illinois boy I sorta grew up with REO. They were playing local bars and such before I was old enough to go see them…. But songs were getting played on the local stations. Lost track how many times I’ve seen them in concert. And yes. I am/was a fan of Gary. Always felt the heart and soul of REO left with him when he and the band parted ways.

And nothing really against Dave Amato. But it’s a little like the Ace v Tommy question. I still like Ace best.
 
iblive said:
Being an Illinois boy I sorta grew up with REO. They were playing local bars and such before I was old enough to go see them…. But songs were getting played on the local stations. Lost track how many times I’ve seen them in concert. And yes. I am/was a fan of Gary. Always felt the heart and soul of REO left with him when he and the band parted ways.

And nothing really against Dave Amato. But it’s a little like the Ace v Tommy question. I still like Ace best.
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Absolutely! One Gary and One Ace: there will never be another of each and no one could ever take their places.
 
smitty_p said:
It's a professional job, so my guess is that each instrument and voice was individually recorded and the mix of each track was done later in a studio.
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It was recorded live at Town and Country Club, London, England on November 11, 1992.

Gary talked about the performance in a few interviews stating "Aside from the usual mixing and mastering, what you heard in the club is what we put on the record."

This is a seriously phenomenal live sound.

Gary's volume levels are so astronomical that he has to sweep the volume off after every volley.
 
Inspector #20 said:
It was recorded live at Town and Country Club, London, England on November 11, 1992.

Gary talked about the performance in a few interviews stating "Aside from the usual mixing and mastering, what you heard in the club is what we put on the record."
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Interesting...cool.
 
Looks and sounds like Gary is using a pair of Fender Twin Reverb amps and a Colorsound Tone Bender
 
"On the live London sessions in 1992, i used a Soldano SLO-100 (serial #89258) on the clean channel with a Gov'ner pedal."

- Gary Moore (interview quote)
 
You can read several.interviews where he said the keyboard was running through a Twin Reverb, an ideal amp for this purpose.
 
Inspector #20 said:
"On the live London sessions in 1992, i used a Soldano SLO-100 (serial #89258) on the clean channel with a Gov'ner pedal."

- Gary Moore (interview quote)
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My grandma would sound good plugged into an SLO. But yeah, that is some phenomenal tone.
 
gball said:
This, to me, is even better tone. He's much more in control and its more dynamic.
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I agree 100%, but i get bored easily and i can only "dig" this kind of thing for short periods of time, any longer and i need mouth to mouth resesitation from the tailpipe of a taxi cab.

I love that shite on the ragged edge of control when everything is running balls out and you can feel the percussive effect of the speakers against your back....
 
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