1987 Squirecaster 2.0 Thread:

I remember reading someplace on the internet long ago (means its true, right?) that 1990 was the last year of production of Squier II in Japan and that some parts were shipped to Korea, and India even, to be assembled. The dates in the pocket for this one are early Jan 1990. I wonder if this could be one of those. Can anyone verify these rumors?

Not sure....

In the case of my 'E7' squire, they were made in Japan until early 1987 - at which time production shifted to Korea....Squire II I am not sure of....
 
That is some roadmap to confusion for me, Initially.

The way it should have been done.

The .047uf cap in series with the neck pickup broadens it's tonal spectrum, making it much more useful, even as a primary rhythm pickup. The result is phenomenal clarity.

Not only does this have a bridge tone control, but the "overlap" where both tone controls are active in position #2 also yields some great tonal possibilities.

The treble bleed also adds a real dimensional shift when turning down the volume to halfway while rolling back tones.
 
The way it should have been done.

The .047uf cap in series with the neck pickup broadens it's tonal spectrum, making it much more useful, even as a primary rhythm pickup. The result is phenomenal clarity.

Not only does this have a bridge tone control, but the "overlap" where both tone controls are active in position #2 also yields some great tonal possibilities.

The treble bleed also adds a real dimensional shift when turning down the volume to halfway while rolling back tones.

First thing I do before looking at all that is written on that cheat sheet,,,,,,,,,,,,,,,,,, I look at the pick guard and see a SSH config, ( EDIT, I saw a prior post with the SSH, NOW I am seeing a SSS. ) And having read IMPORT 5 way Switch, I now look to see what all the other spaghetti is all about.

BRB.
 
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I don't see any 500K pots.

Shouldn't a Humbucker have a 500K to sound more Humbuckery like?

The above question is posted before I realized the newest guard is an SSS

I posted the HSS pic to identify the wire scheme. I've used 250, 330, 500 and 1M on humbuckers.

A 250k pot step up to a 500 is more about tone/clarity and not punch.
 
Not only does this have a bridge tone control, but the "overlap" where both tone controls are active in position #2 also yields some great tonal possibilities.
I was seeing this on the cheat sheet. Let me read your statement above.

Believe it or not, I always did get my head turned around with 5 way Strat Switch wiring, HELL even Gib 3 way ones. I have soldered up wires from the jack and got 0 sound b4 on Gibbos.
 
Yes, disregard what is printed on that sheet, my wiring runs differently....I printed that sheet and didn't cross out the legend...yet
ACCCCCKkkkk

LOL I need the cheat sheet to know how the logic works.
From my amp studies, I learned first, Symbols, then hunted for the actual component to match the symbol, Like a Variable resistor, Trans, Cap, Resistor, Bridge Rectifier, etc. Then I would ASK Ivan or DonP to double check me.

NOW with your SSS guard, I can look at the components and follow the math and wiring, I can already see the logic and figured out the treble bleed and other caps yadda yadda
 
I am also confused, IS this a treble bleed and a cap on the Volume pot?

1658981666122.png

OR did you move the volume pot down to the point? I see the yellow wires for the JACK
 
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DID you change this too?

View attachment 84944

That's my sketch of how the wiring actually works, crude as it may be.

I am also confused, IS this a treble bleed and a cap on the Volume pot?

View attachment 84945

OR did you move the volume pot down to the point? I see the yellow wires for the JACK

The yellow jack wire (at the volume pot) is one of those found in some imports with two conductors inside it....user because it was there.
 
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