You can never have too many guitars…

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I don't have yer Les Paul.. But I could never have too many guitars...
I actually don't even have all of these any more. And there's one that isn't in this pic.

I'll have to take a new picture if the weather ever gets nice again.
I had fun setting this up and getting the shot. It's in my front yard,
and people driving by did double takes and went on down the road with
little balloons above their cars, which read "Far out..."

For those that don't know everything, the list reads Left to Right:

2006 Fender '72 Tele Deluxe replica
2006 Epiphone Wilshire replica, heavily modded
2012 Gibson SG special '70s tribute, lightly modded
2007 Gibson SG special faded brown, heavily modded
1975 Mossman Flint Hills dreadnought, well used but in great shape
1936 Martin 0-17 Manhogany parlor guitar, well set up, still gigging till I sold it at the end of 2017
2006 Martin XC1T 000 cutaway A/E
Old German made classical guitar (my dad's)
1997 Squier Precision bass, completely rebuilt by me
2009 Warmoth fretless Jazz Bass, assembled and finished by me
1966 Fender Jazz Bass, all stock except refinished by me
 
Welcome aboard; good bunch of regulars here as well as a lot of shared information.
All of the above sounds like just the normal noises in here as well.
 

Not to be all academic about it or anything but technically all 1959 LP's were cherry sunburst. There was no such thing as a "lemon burst" or any of the others until the guitars started to age/fade/darken and they began to try to replicate that aging. If you want your reissue to look like the real thing it should be loud and proud:

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