Yeah. It seems that what Fender resorted to (my opinion) when the HM Strats never really took off. The HM Strats had a slightly altered the control layout, no pickguard, and a black headstock. They also had 24 frets.
But, they ended up discontinuing the series, altogether. Today, you do see a few Fender Stratocaster models that are available stock with a Floyd. But, the rest of the guitar retains the traditional Stratocaster appearance.
In a way, I suppose it was inevitable. Other, newer, guitar makers had already become the predominant builders of the guitars that would be known as, "Superstrats." I can't blame Fender for wanting to capture part of that market, especially since the term, "strat" was such a common descriptor of the new breed of guitars! But, for better or worse, it was a bridge too far.
Good observations....
For me, the traditional "Strat-Esque" guitar has one major advantage - the body shape is super comfortable. While the bolt-on construction and top rout/pickguard configuration are also advantages, that's really all I consider good or desirable about any " Stratocaster. "
Having said that, its a great modification platform.
Starting with 100% high grade Mahogany construction, and then adding the fat 50's 'U' profile neck, with a 12" radius, 24.75" scale neck, thus begins the transformation, into one instrument, the only qualities of Gibson and Fender that I like.
And then there are the Wolftones.... the dreaded Strat anomaly.
I've endured Wolftones on my Squirecaster since 1988. I have changed pickups, lowered pickups, even used the weakest output/magnet neck pickups possible and still the Wolftones persist - and I regularly encounter them on other Stratocaster guitars too...and there are hundreds of videos of people trying to get rid of them, and still others say the Wolftone anomaly is just an endearing quirk of a Stratocaster, like the shrill single coil quick.
Wolftones are highly noticeable on the intro to Gary Moore's "Still Got The Blues," which I frequently play. I have to use constant vibrato to mask the anomaly and it detracts from the feel of the song.
Guess what??? With a 24.75" scale, even with the neck pickup 2/64" from the strings, there are no Wolftones - zero.
The Wolftones are a byproduct of the scale length and pickup placement - change these factors and every note is crystal clear and in perfect pitch.
That factor alone made my own "Studiocaster" (Strat Hybrid) project worthwhile. The functionality of the Stratocaster shape, seated playing comfort, bolt-on construction, ease of modification and vast amount of custom parts, make it a really excellent guitar.
More importantly, to me, is the ability to combine every feature I like into a single guitar...