The way I see it, I think the whole superstrat genre, with its more aggressive styling, has an inescapable association with metal. The older brands, Jackson and Charvel, seem pretty tied to the hair-metal era. That’s just not where a lot of people are musically.
So, it seems the more traditional models of Fender, Gibson, and similar brands tend to be favored by those who don’t want the “guilt by association” and to be visually pigeon-holed into a stereotype.
Of course, this is just my take on things as I look around.
Smitty, this I can see. However, when it came to quality of instruments and the specs, how they play etc. we all likely agree those "non historically traditional" guitars are excellent instrument choices for those who worry more about getting well made guitars to sound the best on and not worry what others SEE and might make snide comments about.
I particularly tried to figure out what made one similar shaped guitar " fast fretboard" "good for metal" "good shredder", "good drop tuning" etc. and best I could come up with was, if the board had a pretty flat radius and could be thus having a dead straight neck and buzz free super low action, one could shred as fast as their fingers could go. Of course there are some with 7 strings, different switching etc etc.
Also, we all know the Stay in Tune benefits of Floyds and Floyd type trems,,,,,,,,, Then again, what's wrong with Hair Metal?
As a side note,,,,,,,,,,, There are Space Age looking guitars like the Destroyers, Parker Fly, V, etc etc. Oh and Headless ones too, Steinbergers etc. To me, they all have their place. I am glad for the variety of choices.