TVvoodoo's Straplab

Today in the StrapLab we are manufacturing felt washers! OH RAPTURE! OH JOY!!!

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I looked far and wide for a supplier to make these for me, could never get anyone to come in at a respectable price point and get me exactly what I wanted. So, necessity becomes the Mother of Invention as they say.

What I need, and is only good enough for Well-Hung Pro-Pin users, is genuine animal fur felt washers and absolutely NOT some poly fall-apart crap you find with most storebought and stock installed strap buttons. You may have experienced where they can melt right into the finish of your guitar due to some plasticizers in the washer, the finish or whatever. Usually the bottom of the button will hide the damage, but stick with me like those buttons to your guitar, and agree this is in no way any sort of optimal situation.

Now what often is the case is where fellas (like me in the past) who refin a gat and just cannot wait long enough for the finish to cure. We get all in a hurry to do mockups, install the hardware and take photos to show it off, set it up etc. With a rushed finish line, even these washers will stick to that, so FOR GOSH SAKES BE PATIENT!!!!
I have done this to myself in the past. Also, word is, even some big name G brand users have recently caught washers sticking to new guitar nitro, because, claims go, they've been shipping before finishes are fully cured. Another take on it is perhaps they're adding plasticizers to the nitro to minimize checking and cracking, which will also extend cure time. Who can say what the exact situation is? Trade secrets. Anyway, could be a combination of sticky cheap poly washers, and/or sticky finishes, and how fast the Earth is tilting on it's axis.

All things considered, leaning towards natural materials is far superior, in my opinion. NO plastic. These last longer, don't compress quite so much/so easily and are not so dang thin to disintegrate if you use 'em more than twice.

I source my felt by purchasing quality cowboy hats at thrift shops, cut 'em into pieces, then punch 'em out. I can get a lot of washers of out one lid. Stetson, Biltmore, Resistol, Akubra etc. Says right on the label, genuine fur felt, rabbit, beaver or whatever. I bang 'em out with 7/16" hole punch, then another 1/16" inch hole "roughly" in the center. Bang, bang, bang, bang. OMG it's pretty tedious work, but I only have to do it maybe four times a year. Today I had me some Black Sabbath on, Heaven and Hell, and seemed to help it all go a bit faster, made about 150 or so. Didn't count exactly. Figured I'd take pics. Somebody else must be interested in this right? OMG LOL!

Here are some brand new sest of Well-Hung Jumbo Oversize strap buttons sporting my fresh-made fur felt ring washers. I call 'em Pro-Pins and these three pairs are Alabama bound tomorrow morning. If customers don't specify, I'll normally send one pair with white, one with buff, and a set with black. I also entertain requests for super OG leather washers if someone wants 'em.

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These jumbo strap buttons of my own design are milled from solid aluminum, and nickel finished. They have roughly twice the hold-back surface area of regular stock buttons, and a nice smooth bell that slips a strap on easier without cutting and grabbing. They work quite easily with every storebought strap I have tried. The button is also deeper, and will accommodates your precious beer gaskets AND a good strap end easily. These are also a great solution if you are tired of doing the old toothpick and gluethery process, or maybe you have some straps that are a getting a bit worn, seem a bit iffy on a regular button.

Some fellas just like the heavy duty look, I think they are quite beautiful. One guy called them "bulletproof." Several luthiers like these for new custom builds, as do a few working big name guitar techs.

The screw I send with come with is a manly screw, the best kind, and a genuine fur felt washer, made by hand by ME! The shaft is tight! tight! tight! No wibble/wobble like other buttons, which will always 100% result in a loosening button/screw.

Adopting a set of Well-Hung Pro-Pins oversize strap buttons will most likely steer you clear of all kind of frustration, and wean you off mechanical strap gadgets forever due to many reasons you've seen discussed before. Plus, every time I see attempted guitar pr0n with clunky straplock mechanisms on, I die a little inside.

Oh, and here's a "plywood" bass (you know I'm only joking buddy) sporting a 1969 strap, recently sent in...

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And, since you are here for the pr0n, how about this great bound tele matchup?

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Pretty darn slick.
 
So this guy in Florida whom I affectionately refer to as Johnny Z, asked me a while back if I do impressions. I though, "Hell Yeah", I've always done a pretty good Spicoli, and a half decent Beavis & Butthead (but not both at the same time).

Welp, turns out I heard him wrong. He wanted "Impressionistic." Like Vinnie Van Go the kooky Dutch Master guy.

The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an idealized village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. It is regarded as among Van Gogh’s finest works, and is one of the most recognized paintings in the history of Western culture.


I told him I'd think on it, and finally after putting some thought into it, I said give it a Gogh

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Problem is, trying to fit the “Sterrennacht” on a guitar strap ain't easy... I mean the shape is ALL WRONG!
Lets fix that by picking it apart, and putting it back together.

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Once we get that figured, I can trace it onto some clear acetate

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And transfer to a strappy-shaped piece of vegtan, oh about 57 inches long and 3 inches wide

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Now we can commence cutting... but have to remember to hold back on hacking off body parts for now...
The swivel knife is perfect for such a chaotic and highly textured piece, so many lines and texture... really, it's plainly obvious that this Starry night picture was probably painted in like five minutes or something

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Then we get to beveling, and some detail work, shading etc...

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Now to dye some base coat colours, before we attack it with a paintbrush in an attempt to replicate the bold and unique style. I mean how hard can it be to replicate the work of a dude who went completely batshat crazy? It's not like he was any kind of important genius master painter or anything. But the best part is, I looked on the web, and while it's impossible to place a value on such a famous and treasured work of art, others by Van Gogh have sold for more than 80 million dollars at auction. As arguably Van Gogh’s most famous work of art, it is safe to estimate the value of Starry Night at well over 100 million dollars.

So I figure this strap would be worth maybe 1% of that? I'd be happy!

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I think we managed to capture some of the movement of the cosmos here, all swirly-whirly

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And that's where it ends for the day... full "Bologna Casserole" recipe available upon request
Molson Time! Happy Friday the 13th my bros
 
So this guy in Florida whom I affectionately refer to as Johnny Z, asked me a while back if I do impressions. I though, "Hell Yeah", I've always done a pretty good Spicoli, and a half decent Beavis & Butthead (but not both at the same time).

Welp, turns out I heard him wrong. He wanted "Impressionistic." Like Vinnie Van Go the kooky Dutch Master guy.

The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an idealized village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. It is regarded as among Van Gogh’s finest works, and is one of the most recognized paintings in the history of Western culture.


I told him I'd think on it, and finally after putting some thought into it, I said give it a Gogh

8hJrwNYH_o.jpg


Problem is, trying to fit the “Sterrennacht” on a guitar strap ain't easy... I mean the shape is ALL WRONG!
Lets fix that by picking it apart, and putting it back together.

i22QtzAS_o.jpg


Once we get that figured, I can trace it onto some clear acetate

eiVNlUJd_o.jpg


And transfer to a strappy-shaped piece of vegtan, oh about 57 inches long and 3 inches wide

ZUFAOccp_o.jpg


Now we can commence cutting... but have to remember to hold back on hacking off body parts for now...
The swivel knife is perfect for such a chaotic and highly textured piece, so many lines and texture... really, it's plainly obvious that this Starry night picture was probably painted in like five minutes or something

3IeBrj7i_o.jpg


Then we get to beveling, and some detail work, shading etc...

M13kw0KS_o.jpg


Now to dye some base coat colours, before we attack it with a paintbrush in an attempt to replicate the bold and unique style. I mean how hard can it be to replicate the work of a dude who went completely batshat crazy? It's not like he was any kind of important genius master painter or anything. But the best part is, I looked on the web, and while it's impossible to place a value on such a famous and treasured work of art, others by Van Gogh have sold for more than 80 million dollars at auction. As arguably Van Gogh’s most famous work of art, it is safe to estimate the value of Starry Night at well over 100 million dollars.

So I figure this strap would be worth maybe 1% of that? I'd be happy!

KQFCsUMH_o.jpg


I think we managed to capture some of the movement of the cosmos here, all swirly-whirly

jF68XlEG_o.jpg


And that's where it ends for the day... full "Bologna Casserole" recipe available upon request
Molson Time! Happy Friday the 13th my bros
Oh, I’m interested in one of these. That is my FIL most favorite painting. My wife made him a quilt from similar fabric.
 
Update.... Got a couple hours in on Starry this afternoon. New dye stages of darker green, darker blue, and some black.

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after i got the edges all nicely rounded/trimmed, I decided i needed to go even darker with some bits. The original

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The original is quite dark in the background, I mean, it's a nighttime scene, right? Then the light bits of the stars etc, painted on top become the hi-contrast stars of the show so to speak. Whatever that dude was on to see what he was seeing, well I'll take two, please. One each for me and a friend.

I'm no painter, never had one lesson, but I'm trying to get into this crazy dude'[s head... apparently he painted this work as the view outside his asylum window. That's pretty effed up, right? It's said he added the village though. Just staring at this and trying to get a flow for what he was doing/feeling is a seriously a little bit unsettling.

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Normally I'd oil the whole thing at this point, but I plan to do some painting on top of the to get stars and wind and stuff, and I don't think oil will do the paint stickability any favours, so I'm holding off on that for now.

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Next up, we unwrap a couple of barley sandwiches, enjoy a gorgeous saturday night while it dries, maybe do a firepit or something, and do some thinking. Some various greys and browns and some dark dark blues are coming up next via paint brush, I think.
 
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100% genuine "Artist Brush Set" for $2 from the dollar store! So, first off, this probably makes me 100% legit as a real professional artiste! Secondly, basically bulletproof as well... how can I go wrong with such an arsenal of tools at my disposal? Should preface here I haven't ever really painted anything before, maybe a fence or two, some walls, a number of guitars. I did send a daughter to art school, that cost me a frickin' bundle... that's gotta count for something, right?

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I decided to work on the village scene ends front and back first. These are not really the big stars of this show, but still important to the masterpiece - a chance to find my legs a little bit with the whole painting thing. Looking pretty rough here, but a lotta dark moody colours. I know hardly anything about colour theory, or even proper brush strokes which are likely a pretty big deal, just wingadinglinging it. Sometimes the less a fella knows the better, right? I did watch more than a few "put a happy little bush right here" vids in my time.

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Feeling like I'm getting a tiny bit of a feel for it... lotta blending, and "smooshing." I'm sure there's an actual art term for that move. By now, I can see where better quality brushes could probably make a difference for someone who actually knows what they are doing.

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All the colours are mostly muted, blues, greens, grays. Super drab nighttime colours. I do think I will have to add a bit more brighter blue on a second pass when I do the sky stuff, so I can pick up the exact colours I mix for that.

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Particularly happy with the big cypress tree. I know it's rather dark and simple, but it pleases me how it's coming.
In real life it's got some nice undertones of rust and green under the black. Next up, gonna deal with the blues.

new in the Reverb Shop... Stand up 'n Shooooooooouuuuuuuut for Steel Dragon!

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Very kind of you to say @syscokid ...its funny if you look back at my guitar forum history... I've always done these project threads... but for many years it was about guitar refinishing, builds etc... I got bored of that... and ran out of room for more guitars as well as scared of all the chems, so I moved towards strapcraft.

I look at it all as 3 parts creative / communication outlet (I was a tv producer / journalist / photographer for much of my life), and now truth to tell, it has become somewhat of a sales tool.

I'd still be doing it I wasn't selling anything though!

@Don O can you wait a few weeks? After this one is done I have to take some time off to move my son to college.. .its going to be super wierd as an empty nester
 
Very kind of you to say @syscokid ...its funny if you look back at my guitar forum history... I've always done these project threads... but for many years it was about guitar refinishing, builds etc... I got bored of that... and ran out of room for more guitars as well as scared of all the chems, so I moved towards strapcraft.

I look at it all as 3 parts creative / communication outlet (I was a tv producer / journalist / photographer for much of my life), and now truth to tell, it has become somewhat of a sales tool.

I'd still be doing it I wasn't selling anything though!

@Don O can you wait a few weeks? After this one is done I have to take some time off to move my son to college.. .its going to be super wierd as an empty nester
Brad, certainly no hurry. Congrats on your son going to college !
 
Brad he do great work. Hey Brad you make those old Tandy Leather tooled leather wallets ???? Love those things .I just love tooled leather in general. Your new straps look awesome by the way.
 
@JohnnyGoo I have made one of those about a year ago, as a birthday gift for my son. It was fun, I tooled some crazy math equation on it, something about the calculation of waves.
It was my first try at whip stitching, and I did ok, though I don't have a stitching horse. Hasn't fallen apart yet! and he uses it every day.

If you would like one, pick one up on amazon and send it over my way, I'll tool it however you like, probably only like $20 US for the wallet. Be a bit more for tooling and assembly, but if you picked up a strap or something we could combine shipping

tandy top notch wallet kit
 
Haven't painted me no pictures Since grade school

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But i think did ai'ght!!!
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Not Sure how I got the moon backwards though LOL...

just makin' it my own, I guess.

Now to nicely burnish those edges before clearcoatin', paddin', linin', sewin' 'n sendin'!!

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Here's a few more after it got all done up and clearcoated proper...

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I do love this flushing toilet of sanity vortex bit

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This cypress tree is still my favourite part. I think i was channeling ol' Vinnie while this was happening. Or, could be it was all that yellow paint I was eating. Van Gogh was famous for wanting to eat yellow paint, some say because he thought it would make him happy. Others say it was because he was trying to off himself... yellow paint (probably with tons of lead) in it, with a turpentine chaser was kind of his thing. Had some issues, he did.

Could have made it a bit more bluey overall in the village and sky. With all the chaos and paint strokes, so much going on, I wonder if all the texture tooling work underneath the paint was even worth it. But it does add a lot of interesting texture when the light hits it from different angles. And it does make it feel fantastic, helps it catch the light in different ways to add interest. Seems like it's going to hold up very well too, flexes nice without crackage, though I don't know if i'd make this my every day strap. More for special, I think.

Didn't get the blues quite as vivid as what you see of the painting on a computer screen, but anything lit up on a computer screen is going to be a lot brighter and more colour saturated than what it looks like in real life. Next time I will try to make it a bit more bluey.
 
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