TTR Recording Studio
- Thread starter Sargeant Preston
- Start date
I need this pedal.
Apparently so have I ,, lol
Ps. 37
Well-Known Member
I've listened to your clips Mitch. That pedal is definitely not on your pedalboard.
I, on the other hand, have them stacked!
We keep trying to tell him that. Maybe he'll listen to a new guy.I've listened to your clips Mitch. That pedal is definitely not on your pedalboard.
Ps. 37
Well-Known Member
Last edited:
BFT Gibson
Ambassador of Originality
No way man, the Garage jams rule ! Inspiring me since 2018
Well..... at least I'm modest. It's the trait that make me so great.
Ps. 37
Well-Known Member
And I'm very proud of my humility.
Seamus OReally
Well-Known Member
Diogenes the philosopher visited Plato, who was very well-to-do. As he entered the home, he angrily ground his dirty sandals into Plato’s expensive carpet and said, “Thus do I trod on the pride of Plato!”
“With greater pride,” replied Plato.
“With greater pride,” replied Plato.
Thanks guys for the boost of confidence, it is greatly appreciated.
@BFT Gibson , @iblive , @Ps. 37 ..
@BFT Gibson , @iblive , @Ps. 37 ..
Ps. 37
Well-Known Member
The Focusrite Scarlett 2i2 came in today. Set it up with Reaper and, lo and behold, the process went smoothly.
Now to get familiar with the "auto" and "safe" gain settings on the interface and with the features on Reaper.
Big "thank you" to @Thatbastarddon and @iblive for putting up with my incessant questions via PM.
Now to get familiar with the "auto" and "safe" gain settings on the interface and with the features on Reaper.
Big "thank you" to @Thatbastarddon and @iblive for putting up with my incessant questions via PM.
Happy I could offer even a little bit of help. Pretty sure Don had way more helpful answers than I did. But that’s why this place works. Someone will have an answer and be happy to share.The Focusrite Scarlett 2i2 came in today. Set it up with Reaper and, lo and behold, the process went smoothly.
Now to get familiar with the "auto" and "safe" gain settings on the interface and with the features on Reaper.
Big "thank you" to @Thatbastarddon and @iblive for putting up with my incessant questions via PM.
Excellent news sir!!! Congratulations, and welcome to the world of computer based recording!The Focusrite Scarlett 2i2 came in today. Set it up with Reaper and, lo and behold, the process went smoothly.
Now to get familiar with the "auto" and "safe" gain settings on the interface and with the features on Reaper.
Big "thank you" to @Thatbastarddon and @iblive for putting up with my incessant questions via PM.
I sincerely hope that your journey is joyous!
Ps. 37
Well-Known Member
Thanks again guys. Your knowledge and encouragement really helped me feel more comfortable taking the leap.
Working on same very basic stuff at the moment. One step at a time.
BFT Gibson
Ambassador of Originality
Here is the recording amp line up as major gear moves are being made. Choosing to learn to record-track- mix- master has really opened my ears up ! The room is turn key band practice room, Ludwig kit, full PA set up for when needed.
Ampeg mini SVT rig, my fav cabs ever to record,
Supro Black Magick - Immediately became where headed next sound wise in recording. This Friday the Supro songs start to roll out, The speaker is the best, the combo is huge sounding, sometimes wonder how it does it.
Bug V22 - first amp ever recorded with & still is my set up tone, know this amp well. It is on my oversize homemade semi open cabs , 11 1/2 depth, and messed with how much open in the back for a long time to get it. Top cab has Marshall Celestion Vintage(very early one) bottom cab has Eminence Swamp Thing. Have British cut & huge American style for mic'ing
SL 100 R/T 3 modes , SL 100 - Super Bass - R/T brownish aggressive, MV, 3 tone shifts on switch, 1/2 power switch. Top cab Peavey V30 & t75 been my Marshall standard for recording. Bottom Cab has Celestion Type V & Crate branded Celestion V12, this rig sound so good in the room, it is dimensional & punchy. Loves the Plexi & DSL's
Have homemade pedal boards everywhere. Have main one with my OD's on but have what i call "flavor" boards like to set up , just a few pedals to inspire.
The 2 most import things in the room, TC Ditto looper & Wiretap looper. When i get a chorus & verse tied to some words in it goes, then drum to it. Once i have a song, 100% focus on the drum track till its ready to go into Reaper, then its on. Like to react very quickly in a 2-5 day period emotionally vs thinking the song out ( ruin them when i do that) Now i learned to do different part in tracking each day, so i feel like a bass player, rhythm player, lead player. That allows for more objective approach then making it so tight in the groove it is sterile.
Having a pretty much treated room for mixing & mastering and the ability to run 50' cables out to the room allows these amps to be wound up in the zone they belong in. It is a joy, long journey to get here. It was always about the songs to me first. The gear is fun but the song recording is a lasting time capsule of life & all the emotions that surround it.
Ampeg mini SVT rig, my fav cabs ever to record,
Supro Black Magick - Immediately became where headed next sound wise in recording. This Friday the Supro songs start to roll out, The speaker is the best, the combo is huge sounding, sometimes wonder how it does it.
Bug V22 - first amp ever recorded with & still is my set up tone, know this amp well. It is on my oversize homemade semi open cabs , 11 1/2 depth, and messed with how much open in the back for a long time to get it. Top cab has Marshall Celestion Vintage(very early one) bottom cab has Eminence Swamp Thing. Have British cut & huge American style for mic'ing
SL 100 R/T 3 modes , SL 100 - Super Bass - R/T brownish aggressive, MV, 3 tone shifts on switch, 1/2 power switch. Top cab Peavey V30 & t75 been my Marshall standard for recording. Bottom Cab has Celestion Type V & Crate branded Celestion V12, this rig sound so good in the room, it is dimensional & punchy. Loves the Plexi & DSL's
Have homemade pedal boards everywhere. Have main one with my OD's on but have what i call "flavor" boards like to set up , just a few pedals to inspire.
The 2 most import things in the room, TC Ditto looper & Wiretap looper. When i get a chorus & verse tied to some words in it goes, then drum to it. Once i have a song, 100% focus on the drum track till its ready to go into Reaper, then its on. Like to react very quickly in a 2-5 day period emotionally vs thinking the song out ( ruin them when i do that) Now i learned to do different part in tracking each day, so i feel like a bass player, rhythm player, lead player. That allows for more objective approach then making it so tight in the groove it is sterile.
Having a pretty much treated room for mixing & mastering and the ability to run 50' cables out to the room allows these amps to be wound up in the zone they belong in. It is a joy, long journey to get here. It was always about the songs to me first. The gear is fun but the song recording is a lasting time capsule of life & all the emotions that surround it.