gball
Ambassador of Boogie
I didn't notice the twist on that one. I have seen many that do have a more pronounced shape change across the top. Still a cool guitar.
It was very subtle but if you angle them in the light you can see it.
I didn't notice the twist on that one. I have seen many that do have a more pronounced shape change across the top. Still a cool guitar.
I think those are coming from Faber for Gibson. MojoAxe has been making these compensated apex bar bridges for a while now. The Faber's cost about $60... The MojoAxe's cost $130... !!!!Keep in mind, that bridge isn't just a stop bar with a couple of adjustment screws added at the back end - there seems to be a subtle twist in the apex of the arch across the top of them which no doubt was added to aid intonation.


I think those are coming from Faber for Gibson. MojoAxe has been making these compensated apex bar bridges for a while now. The Faber's cost about $60... The MojoAxe's cost $130... !!!!
MojoAxe Custom Guitar Parts
www.mojoaxe.com
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@shreddy benderHi guys. What I saw was they got the original guitar from the Hard Rock Cafe and did a scan of it. They got John Birch's apprentice to wind the pickups so it should be pretty close to the original.
I agree though signature guitars are silly!View attachment 37278
CRAP! Never mind!













BEST BRIDGE EVER!
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1970 Harmonica Bridge on the Gibbos -- you can kill a mugger JUST WITH THE BRIDGE!
How can that bridge even get close to intonating properly?


I think it's about neck angle and just generally everything made correctly.
Gibsons obviously (due to the set neck, headstock angle, other) really need more time to get the neck angle right at production time than say a set neck Fender with a lower angle headstock. But, if done right, like my 2018 junior, then it all comes together perfectly. My 2018 had that bridge and intonated far better than my 2019 lightening bridge Special - I notice the Special neck angle is slightly more than the junior, the bridge is thus slightly raised to compensate, etc, and you just don't get perfection. But, when a Gibson is made right, even that simple looking bridge gets you intonating fine (perhaps knowing where to fret with slightly less pressure on the neck).
If you then add a slight metal shaping as per the Faber/MojoAxe to a '61 style bridge then it's very good, imho. Shame Gibson can't fix their crap lightening bridges on the Specials! (Thomann are sending me a new one which they have to get through their distributor warranty program from Gibson, so they warned me it may take some time; a mojoaxe is on the way anyways, but bloody Gibson should be aware of their issues and make it right until they fix their production problems, imho; so even though I was tempted to tell Thomann not to bother, I decided to go through with the warranty claim, so it adds to Gibsons, no doubt long, list of lightening bridge problems, and maybe they will get in better quality bridges in future...).
An interesting observation is:
Look at old '61/'62 Juniors/Specials - most of them still have the original bridges.
Look at old '63 Juniors/Specials - 70s(?) until that monstrosity harmonica thing eESGe posted (it may be good but it's fugly, I would never have it anywhere near my guitar...), so many have had new bridges fitted.
To me, that suggests the earlier design is better - the angle on the bridge studs is needed (add to that the twist or lightening to the bridge and combined you get where you need to be), Gibson should have kept that perhaps...
Edit, BTW, I've noticed a couple of interesting guitars for sale in Seoul, I may go and have a look; 2018 LP Junior for US$1190 and a 2019 SG SG Junior for US$1357:
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Both of the Juniors 2018 are great guitars, love mine
So, is anybody going to buy the $18,000 guitar?