To What Are Yee Listenin' Right Now?

[ibmorjamn]

Metal here.

Kid is is a hell of a player. I have posted that elsewhere a while back.
Hard to realize but Randy would appreciate his playing if he was still here.

 

[ibmorjamn]

I have never been a huge fan of Yngwie but his early stuff is phenomenal.

 

[chilipeppermaniac]

Kid is is a hell of a player. I have posted that elsewhere a while back.
Hard to realize but Randy would appreciate his playing if he was still here.

I really thought the same about what you said about Randy

 

[chilipeppermaniac]

I have never been a huge fan of Yngwie but his early stuff is phenomenal.

How I popped my Malmsteen cherry circa 1984 when my buddy Jeff brought his copy over to my house when we got together to jam one day.

 

[froman5150]

 

[DirtySteve]

 

[froman5150]

 

[WavMixer]

 

[67plexi]

 

[67plexi]

I wounder if Mike Judge still plays bass ??

 

[SG John]

The new Jane Lee Hooker cd has been spending a lot of time in my car's cd player lately.

Hoping to see Alejandro Escovedo when he plays central Mass. in September.

 

[SG John]

Some more Alejandro.

 

[67plexi]

Makes me want to dig out this old blister

 

[SG John]

Makes me want to dig out this old blister

View attachment 85394

'54 was such a great year for Les Pauls. Staple P-90s and a tunable bridge for the Customs, and then the stop-tailpiece with P-90s on the Standards. Would love to own a '54 Standard.

 

[Inspector #20]

It was an easy one. Scrolled back thru till I found a post. Avatar gave it away.

Should have used this one...

 

[iblive]

Should have used this one...

View attachment 85401

Yes you could have. I’d still know it was you.

 

[iblive]

Yes you could have. I’d still know it was you.

I mean…. Come on. When y’all took the job at Fender you posted you were inspector# 20. I may not remember what I had for lunch yesterday, but the memory isn’t completely toast at my advanced age.

 

[Inspector #20]

'54 was such a great year for Les Pauls. Staple P-90s and a tunable bridge for the Customs, and then the stop-tailpiece with P-90s on the Standards. Would love to own a '54 Standard.

I could never live with P90/P94. Far too narrow tonal response, too much floor noise and the lack of precise "intonability" from the wrap around tailpiece kills it for me.

 

[67plexi]

'54 was such a great year for Les Pauls. Staple P-90s and a tunable bridge for the Customs, and then the stop-tailpiece with P-90s on the Standards. Would love to own a '54 Standard.

John the one I have is a 1954 LE year 1972 Les Paul told me it was a great guitar one of the good ones in his own words.

Gibson Les Paul Custom Limited Edition '54 Reissue 1972 - 1973 | Reverb

Reverb is a marketplace bringing together a wide-spanning community to buy, sell, and discuss all things music gear.

reverb.com

 

[SG John]

John the one I have is a 1954 LE year 1972 Les Paul told me it was a great guitar one of the good ones in his own words.

Gibson Les Paul Custom Limited Edition '54 Reissue 1972 - 1973 | Reverb

Reverb is a marketplace bringing together a wide-spanning community to buy, sell, and discuss all things music gear.

reverb.com

I've always loved that style and if I was to get a Custom, it would have to be one like that. It is such a sexy looking guitar with the black P-90 covers and gold screws and staples with the gloss black body. When Les played my '82 Standard, he liked it and thought it was a good one. He said he could see why I had no intention of selling it. Especially since it was my first Les Paul Standard.