Glad to hear you like them. When Morphine started in the late eighties/early nineties, it was more or less a side project by Treat Her Right's bassist, Mark Sandman. By the time the first record was released the lineup of Sandman, Colley, and Conway was pretty solid. I thought they were a huge breath of fresh air musically, considering what was out there at the time. He also changed the way people looked at playing bass by only using an A and D string, and then using a slide quite often. It was a tragic loss to the Boston music community when Mark died on tour in Italy. I've recorded at his studio, which is a huge open room. There is no hiding behind punching tracks there, or layering. Because it's a live room, you needed to get your first takes right, or start over again. Billy kept the studio going many years after Mark passed away. Both were incredibly nice people.That puts a new spin on a three piece band. I'm just kind of scanning thru the video. That solo at about 1 hour 32 minute mark pretty cool.
Three Alien Thumbs Up !!!
I don't think I've ever heard of them before this - I like the line up - different. I stated many times in the past, play what you like and want and play for those who will listen. Of course, if your looking for money only - well... that 'might' be different, depending on what your playing. I can dig the record live thing - I miss those days. Man, we use to get together and practice as a band, not to mention members getting together to get down certain parts, etc, and getting together for the fun of it too (friends, other band members, etc).Glad to hear you like them. When Morphine started in the late eighties/early nineties, it was more or less a side project by Treat Her Right's bassist, Mark Sandman. By the time the first record was released the lineup of Sandman, Colley, and Conway was pretty solid. I thought they were a huge breath of fresh air musically, considering what was out there at the time. He also changed the way people looked at playing bass by only using an A and D string, and then using a slide quite often. It was a tragic loss to the Boston music community when Mark died on tour in Italy. I've recorded at his studio, which is a huge open room. There is no hiding behind punching tracks there, or layering. Because it's a live room, you needed to get your first takes right, or start over again. Billy kept the studio going many years after Mark passed away. Both were incredibly nice people.
So John Madden also passed away the same day as LemmyBeen listening to Motὂrhead all day. RIP Lemmy, 12/24/45 - 12/28/15