The dreaded Fender Strat knob inadvertently moving.....

Fenders are far easier to setup as they lack a truss rod cover. I like that.

I always add a bridge tone control and a treble bleed on Stratocasters. I feel as though they really benefit from these modifications.

I've played plenty of guitars in sessions over the years, but I just really could never warm up to the tone and feel of the 25.5" scale. The feel of the string tension and the sharp attack caused me to get rid of all my 25.5" guitars except YelloStrat.

Because my Stratocaster has a 1-3/4" neck, I typically use it only on studio recordings where lots of open chords are used, because it has much more room for my fingers. (Think of a 12 string strung with only 6)

Beyond that, I'm generally playing 24.75" guitars.

I think it's preference in many respects...and perhaps a bit of history too.

I tend to favor "big" sounds and Gibsons with Humbuckers have always appealed to me for those reasons. Listen to the difference between Randy Rhoads and when Bernie Torme took over for him in April, 1982 with a single-coil Stratocaster. The difference in tone is really something, and it wasnt a favorable thing either.

Some play the guitar made famous by a performer they admire or because it looks cool and even that's OK, but to me, it's the sound.

I recall what Angus Young said in a 1980's interview, “I liked the SGs because they were light. I tried Fenders but they were too heavy and they just didn’t have the balls. And I didn’t want to put on them DiMarzios because then everyone sounds the same. It’s like you’re listening to the guy down the street. And I liked the hard sound of the Gibson.”
 
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I have no problem myself with the Strat volume knob. It's Teles that give me ergonomic trouble.
Of course, I've been playing Strats a lot longer than Teles.

PS: For any knobs that may turn too easily to suit you, there are little O-rings that fit a 1/4" shaft and will give you a little more friction.
I have a few old Bourns pots that turn super easily. Still smooth after more than forty years though - quality stuff.
 
While it is true that Leo wasn’t really a guitarist, it would be inaccurate to think he developed it by himself, which is the impression I think some people have.

The Stratocaster was not just the product of Leo, but also George Fullerton, Freddie Tavares, and close collaboration with some guitarists, one of whom was popular guitarist of the day, Bill Carson.

So, it seems that the Stratocaster design actually met the needs and preferences of some guitarists (those who were involved in its development) while not necessarily addressing the preferences of others (those who were not involved).

In effect, then, it’s really no different from today! It satisfies some people’s preferences; not so much other’s.

This is true. For surf and country, the Stratocaster and Telecaster are still top choices it would seem...same as can be said for Twin Reverbs.

It's nice to see that the new ones (Stratocasters) have evolved to include a bridge tone and coil split, treble bleed features and even delta tone circuits, plus a move away from the early 7.25/9.5 neck radii.

I find any radius under 12" very limiting.
 
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This is true. For surf and country, the Stratocaster and Telecaster are still top choices it would seem...same as can be said for Twin Reverbs.

It's nice to see that the new ones (Stratocasters) have evolved to include a bridge tone and coil split, treble bleed features and even delta tone circuits, plus a move away from the early 7.25/9.5 neck radii.

I find any radius under 12" very limiting.
I would never, ever accuse a telecaster being good for surf music. The “go-to“ guitars have always traditionally been Strats, Jazzmasters, and Jaguars.


Actually, a friend’s surf band loves to annoy the purists by performing with Gibson SGs, ES models, and Firebirds. They still use the old Bassmans and reverb tanks, and you’ll never hear the difference. Just needs a wiggle stick.
 
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Most of mine are locking and can put every string completely slack. No need for deeper arm.

Anybody can do it with a Floyd.

I can do that with a stock Fender non locking tremolo, as demonstrated in this clip...the strings literally flopped on the magnets, but a re-worked arm would be better...

Listen to Perfect Strangers - Tremolo Dive - Isolated Tracks by Von Herndon on #SoundCloud
 
I know, right?

If you like it, great. If you don't, play something else.

There really doesn't need to be an argument about such things.

I was asked to play an old Broadcaster during a recording session last night. The idiosyncrasies of those guitars never crossed my mind. I just played what the producer asked.
 
I was asked to play an old Broadcaster during a recording session last night. The idiosyncrasies of those guitars never crossed my mind. I just played what the producer asked.
Guess I’m either not good enough or smart enough to notice the idiosyncrasy of any given guitar. They all have a body, neck and strings.
 
Guess I’m either not good enough or smart enough to notice the idiosyncrasy of any given guitar. They all have a body, neck and strings.

I hate narrow, thin necks and necks with a radically curved radius...that's typical of early Fenders.

I really dislike the noise and twang from the single coils and the unnatural "bright snap" of the 25.5" scale.

While I can play on them, I don't play real confidently and I struggle with open chords on those narrow necks.
 
I hate narrow, thin necks and necks with a radically curved radius...that's typical of early Fenders.

I really dislike the noise and twang from the single coils and the unnatural "bright snap" of the 25.5" scale.

While I can play on them, I don't play real confidently and I struggle with open chords on those narrow necks.
I have small hands for a guy. Narrow necks always seemed better to me…. But I now have a couple guitars with wider necks and I have adapted…. But just the opposite of you. I can do things on the narrow neck I can’t reach on the wider neck.
 
I have small hands for a guy. Narrow necks always seemed better to me…. But I now have a couple guitars with wider necks and I have adapted…. But just the opposite of you. I can do things on the narrow neck I can’t reach on the wider neck.

I got a Squire Strat I'm restoring for a guy and it has a 40mm nut width!!!!!
 
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