sounds like....teen spirit????
- Thread starter eSGEe
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Guitar World Interview - August 4, 1982
"On Randy's white Jackson Concorde, the neck joined the body at the 14th fret, and it featured 22 frets on a compound radius ebony fretboard with pearl block inlay and binding. The frets were Dunlop 6230s, which is considered a small fretwire in comparison to Gibson frets. This was basically Dunlop’s version of early Fender fretwire.
(Robert's Note: Randy had small Fender fretwire put into his 1974 Les Paul Custom)
Tim Wilson recalls how certain things were done by hand back then that would be considered obsolete by today’s standards: “Compound radius makes the surface of the fretboard flatter as you move up the neck, which goes from 12" to 16" in radius. We shaped that by hand. The neck shape was thick, somewhat like a fifties-era Gibson Les Paul, which is what Randy specified, and it was 25 1/2" in scale and, like a Gibson, the nut width was 1 11/16". In contrast to the Sandoval V, this time Randy’s aim was to have a guitar that had a Gibson sound and Fender playability. Like the Sandoval V, it also had a tremolo bridge. Made by metalsmith Bill Gerein for Charvel, this bridge was a production standard on many Charvel guitars at the time. It was made of brass with a heavy brass sustain block...."
(Robert's Note: Randy had small Fender fretwire put into his 1974 Les Paul Custom)
Tim Wilson recalls how certain things were done by hand back then that would be considered obsolete by today’s standards: “Compound radius makes the surface of the fretboard flatter as you move up the neck, which goes from 12" to 16" in radius. We shaped that by hand. The neck shape was thick, somewhat like a fifties-era Gibson Les Paul, which is what Randy specified, and it was 25 1/2" in scale and, like a Gibson, the nut width was 1 11/16". In contrast to the Sandoval V, this time Randy’s aim was to have a guitar that had a Gibson sound and Fender playability. Like the Sandoval V, it also had a tremolo bridge. Made by metalsmith Bill Gerein for Charvel, this bridge was a production standard on many Charvel guitars at the time. It was made of brass with a heavy brass sustain block...."
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Rhoads on his gear: “I have a pedalboard and in it there’s a Distortion Plus, a 10-band equalizer – they’re all MXR, by the way – a chorus, stereo chorus, Cry Baby wah pedal and, umm, a Roland volume pedal. I used to use them all a lot more, but now our sound man is starting to add a lot more up front, so I don’t really use them all as much as I used to. Just sometimes. I use them more for quiet rhythm parts just to enhance the sound. I don’t really use any echoes or anything for leads, ever....”
Rhoads on speakers: "Yeah, see, if you play and you use Marshalls..I had to change the speakers over to Altecs (Altec Lansing 417 8-Hs,) Cause they’re a very bright, clean speaker. Yeah, because the celestions are really dirty anyway and if you start adding a fuzzbox to them, it’ll sound terrible.But I, uh..I like that added treble and dirt to it...."
Rhoads on Tremolos: "Well, the main flying V is the white one, if you’re seeing..is a Charvel. It says Jackson. Everybody thinks, “What’s a Jackson?”, but Grover Jackson owns Charvel and he builds them himself for me. And, um, I use his tremolo units. I, I think they’re very good. Um, other than a Floyd Rose, there’s no perfect tremolo, but his are very good and he’s just about to release a brand new one he invented that’s supposed to be equal to a trem..uh, Floyd Rose. But it works with ball bearings and as, he’s just doing a prototype and he’s doing a guitar for me now and it’ll be the first to use it. So real soon I’ll start experimenting with it.
Uh, I have another flying V with the…it’s polka dotted. That isn’t a Charvel and I do have tuning problems with that one, all the time...."
Interview at Music City - Greenburg, PA - February 2, 1982
Rhoads on speakers: "Yeah, see, if you play and you use Marshalls..I had to change the speakers over to Altecs (Altec Lansing 417 8-Hs,) Cause they’re a very bright, clean speaker. Yeah, because the celestions are really dirty anyway and if you start adding a fuzzbox to them, it’ll sound terrible.But I, uh..I like that added treble and dirt to it...."
Rhoads on Tremolos: "Well, the main flying V is the white one, if you’re seeing..is a Charvel. It says Jackson. Everybody thinks, “What’s a Jackson?”, but Grover Jackson owns Charvel and he builds them himself for me. And, um, I use his tremolo units. I, I think they’re very good. Um, other than a Floyd Rose, there’s no perfect tremolo, but his are very good and he’s just about to release a brand new one he invented that’s supposed to be equal to a trem..uh, Floyd Rose. But it works with ball bearings and as, he’s just doing a prototype and he’s doing a guitar for me now and it’ll be the first to use it. So real soon I’ll start experimenting with it.
Uh, I have another flying V with the…it’s polka dotted. That isn’t a Charvel and I do have tuning problems with that one, all the time...."
Interview at Music City - Greenburg, PA - February 2, 1982