So Anyway...

Hey! This is a cool site with lots of interesting amp info... Thanks for posting... :yesway:

The link to the beginning of Rob Robinette's amp pages:
Amp Stuff

Yes, there is a lot of good stuff there for less informed tube amp geeks like myself.
I have incorporated some of his mods, maybe he too is just passing along info, into my builds.
 
So anyway, Goldmember is home from work today. Daughter has a low-grade fever, but she's doing well
with meds to reduce the fever.

I've had some time this morning to think about completing my home recording setup. I'm in need of a
good vocal mic and a mic preamp/channel strip. I already have a SM57, but I'm thinking of buying a
SM58 along with a dbx286s. Pre's go from the hundreds to the thousands, and beyond, but I'm
looking at $200 for the pre.
 
Thanks, Don. My signal will run from vocal mic to mic pre to Zoom r24, and I'll need the
pre to have a channel strip (compressor, de-esser, etc.), since the Zoom's is lackluster.
Does Focus make a Scarlett with these features?
 
The 2i2 has none of those - it's just a pre, with either line or USB output. They do a channel strip with that stuff - the Platinum. The used price is about $180 - double that for new.
 
So anyway, Goldmember is home from work today. Daughter has a low-grade fever, but she's doing well
with meds to reduce the fever.

I've had some time this morning to think about completing my home recording setup. I'm in need of a
good vocal mic and a mic preamp/channel strip. I already have a SM57, but I'm thinking of buying a
SM58 along with a dbx286s. Pre's go from the hundreds to the thousands, and beyond, but I'm
looking at $200 for the pre.

I can’t speak highly enough of the Shure SM7b. A totally worthwhile investment for me.
I recently posted a song in the members performances room here that I used an SM7b in to an Apogee Jam(yes a guitar interface) using a converter/adapter for impedance matching...like this one... Whirlwind Little IMP
I was experimenting to see how basic a kit I could record a decent quality piece with, without any need for power, or a power hungry interface.
I guess my point is... A really good mic can make a huge difference...I don’t feel too much need for any other external processing(compression, gating, de-essing)with the SM7b. This is probably because I don’t need much preamp gain for my loud mouth to print to digital. A little, light, compression over the mix is all there is on my recording.
The settings used across the mixdown master channel were: ratio 1.93:1 threshold @-14.3db done in software on an iPad app.
No eq at all on the vocal track...just a reverb send.
Could I get good results with an SM58? Yes, but not nearly as easily.
 
Thanks, Don. My signal will run from vocal mic to mic pre to Zoom r24
That R24 looks like a pretty cool little rig! I don’t readily see specs on the preamp gain available, but it looks like a neat interface/control surface. It can be plugged in to a computer, to record in a DAW, and can control the DAW using Mackie control surface protocol. That’s pretty darned cool.
 
Thanks, @Thatbastarddon ! I'm a bit ol' school, so I wanted a stand-alone multri-track, rather than depending on DAW with my Mac.
I know it limits me greatly, but I dig the ability to go mobile. Probably it's weakest link is the mic preamp and the level
meters. I've seen/heard the SM7b on several YT demos, and it's used on many talk shows and podcasts, too. You got me thinking!
Also, I've never tried this Shure 55SH, just to channel my inner Dino:

max_desktop_55SH_high_res.jpg
 
Thanks, @Thatbastarddon ! I'm a bit ol' school, so I wanted a stand-alone multri-track, rather than depending on DAW with my Mac.
I know it limits me greatly, but I dig the ability to go mobile. Probably it's weakest link is the mic preamp and the level
meters. I've seen/heard the SM7b on several YT demos, and it's used on many talk shows and podcasts, too. You got me thinking!
Also, I've never tried this Shure 55SH, just to channel my inner Dino:

View attachment 20021
It’s a dressed up SM58 mic element IIRC. They’re nice.
 
Thanks, @Thatbastarddon ! I'm a bit ol' school, so I wanted a stand-alone multri-track, rather than depending on DAW with my Mac.
I know it limits me greatly, but I dig the ability to go mobile. Probably it's weakest link is the mic preamp and the level
meters. I've seen/heard the SM7b on several YT demos, and it's used on many talk shows and podcasts, too. You got me thinking!
Also, I've never tried this Shure 55SH, just to channel my inner Dino:

View attachment 20021
Oh yeah, and I’m with you on the portable, simple rig. I do have a stand alone DPS24 still, but it’s not very portable. It does interface with a computer in a roundabout fashion...either file transfer or adat.
But iPad/iPhone with an interface is my current favorite.
 
Sheesh! ...The Recording World! It's too far and mind-boggling for me.
It has become easier, over the past decade, to achieve good results with a modest investment in gear. Today’s home computers, and tablets have plenty of horsepower to keep the average singer/guitarist/songwriter satisfied. Look at Robert, and Ray, and DonP, and others...Ray’s root recording interface can be had for well under $500, and can record up to 8 mic’s at once without any peripherals...12 with external preamps, or line level sources. The only time I need to do that is when I’m recording a drum set....maybe. I can get by with 4 mic’s on a kit, and be ok with it most of the time though. My band usually takes 10 to 16 tracks to record live(depending on how detailed I want to be with drum mic’ing)...we are two guitars, bass, three vocals, and a drummer on a fairly large kit(7 piece, plus percussion, and cymbals). I could get by with Ray’s rig, and a two channel mic preamp, or two.
Robert, and DonP’s interfaces can be had for less than $200, and would easily keep me happy doing solo stuff, no real drums, or really basically mic’d drums maybe.
The finalists in my “dirt cheap, but passable, portable recording rig” quest were my under $80 ART USB DualPre, an old iPad2, and the camera connection kit(USB adapter). It all runs off the available battery power of the iPad, unless I need phantom power...then I need to add a single 9volt battery.
I can use most any mic’s, plug instruments in direct, monitor with headphones, or speakers, and record up to 24 tracks to mix with ease. It all fits in my old lunchbox, and I can take it on vacation in to the woods, or mountains, with an acoustic/electric guitar a vocal mic, and a backup battery pack or two(if I’m at the off grid cabin). It would work fine with an iPhone, but I like the screen real estate on iPad. I’m sure that there must be some Android based programs that would allow a similar set up with an Android based rig, but Apple is definitely a front runner in this arena, has reliable hardware, and plenty of good developers on tap in the program department.

Sorry to babble, but I’m an enthusiast in this arena. I used to record demos for a few local bands, and enjoyed the heck out of it...back when this digital recording stuff was not as commonly available. Now good stuff can be done with the phone in ones pocket, and a reasonably modest investment in some sensible gear.
 
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