I forgot to ask...is your Les Paul chambered like mine? I love the acoustic sound you get from a chambered guitar.
;>)/
Not chambered...Swiss cheeses.
I forgot to ask...is your Les Paul chambered like mine? I love the acoustic sound you get from a chambered guitar.
;>)/
Not chambered...Swiss cheeses.

I forgot to ask...is your Les Paul chambered like mine? I love the acoustic sound you get from a chambered guitar.
;>)/
I don't know about Robert's, but my LP Studio is so heavily chambered that I consider it to be a closed-top, semi-hollow guitar.
This isn't mine, but I've sounded mine out with a stud-finder and it pretty much much matches this:
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I don't know about Robert's, but my LP Studio is so heavily chambered that I consider it to be a closed-top, semi-hollow guitar.
This isn't mine, but I've sounded mine out with a stud-finder and it pretty much much matches this:
![]()
So are you having SD custom wind you pickups? I have considered it for when I redo my SG circuit board wiring. Angus Young actually uses a custom wound set of SD's now. Give it a little wipe down with some Virtuosos polish while you got it a part.
I have a 50's tribute (2010) that is (I think) chambered. Its also very resonant acoustically & sounds great through an amp. I looked for Gibson weight relief & chambered diagrams & found thisI don't know about Robert's, but my LP Studio is so heavily chambered that I consider it to be a closed-top, semi-hollow guitar.
This isn't mine, but I've sounded mine out with a stud-finder and it pretty much much matches this:
![]()
I've had that exact x-ray image saved for almost a year now. I have timber seasoning for my first body build. It "probably" will be double cut and internally worked similar way.
The weight relief definitely changes the tone. Not for better or worse, they all sound great, but it is different from the non-relieved guitars.
I've found the weight relief brings out some midrange and the non-relieved/traditional have a little bit of scoop. I personally like the scoop better, even at the expense of the extra weight, but all of the weight-relieved ones I have owned sounded fantastic too.
Funny...I get a lot of compliments on my ugly, flat black Les Paul...
It wasn't because it's ugly in flat black but the finish is thin and will wear away quicker. Oh and it looks oh so nice shinyFunny...I get a lot of compliments on my ugly, flat black Les Paul...
I dig that flat black look. Keep telling myself I am gonna get one but never seem to have the extra cash.
And perhaps strangely, one of the very best sounding Les Pauls I have ever owned was a Studio Lite, the one with a block of balsa in the middle. Thing was light as a feather but sounded HUUUGE.
I’ve been pleased with the sound and response of the guitar. I was suspicious of the extreme chambering. But, it’s proven to be pretty nice.
I always shied away from chambered LPs too. Looking for a P90 equipped guitar kinda limited the field & as it was available I tried it. The rest is history, as they say.
@gasket, here's another pic, a cutaway view showing differing heights of the chamber floor
View attachment 16213
Looking between the control cavity & cutout you can see different floor height too. Cheers
Pretty interesting. Which model LP is that? A Studio?