As much as i love performing, i love this one more...the music, the recording, the playing....i literally do it to make a great life for us.
Pictures of AMPS
- Thread starter cdawg22
- Start date
As much as i love performing, i love this one more...the music, the recording, the playing....i literally do it to make a great life for us.
Ghostman
Ambassador of the SuperNatural
OP
cdawg22
Well-Known Member
Is that 3 JVM410Hs?Here's a few of mine ..
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Sapient
Ambassador of Vocal Inspiration
Not sure if I pictured all 3. I think one is just the 410H.
JVM410HJS, I know 2 are there but there is 1 more.
OP
cdawg22
Well-Known Member
The Satriani model? I couldn't tell the difference on my phone.
SG John
Ambassador of Cool Guitars and Amps.
Here's a few of mine ..
I love those offset early models. I wish that I had the cash to grab one of the reissues when they came out.
Jethro Rocker
Ambassador of Live & Loud Action
Here are mine. Some together, some separate.
Bought new in 1987. I sadly sold my 1983 2203 half stack to fund it.
Jubilee 2558.
Fantastic little mini stack for small stages.
Bought new in 1987. I sadly sold my 1983 2203 half stack to fund it.
Jubilee 2558.
Fantastic little mini stack for small stages.
Jethro Rocker
Ambassador of Live & Loud Action
Group shot of some. Remove Traynor head off silver 2x12, it's gone.
Latest ones.
SG John
Ambassador of Cool Guitars and Amps.
My DST Engineering collection.
U84-TNT sitting on a 2x12 with Celestion Anniversary series speakers.
U34CL with KT66s, 50 watt head that's a Hiwatt/Marshall hybrid on a Solera 50 that is a Soldano SLO50/Marshall JMP hybrid on a 4x12 with Green backs and Anniversaries.
In front, a DST15 (AC15 with EF86 preamp circuit and Ampeg Reverb).
DST30 that's a copy of Rory Gallagher's AC30 with EF86 Preamp circuit in the normal channel.
U84-TNT sitting on a 2x12 with Celestion Anniversary series speakers.
U34CL with KT66s, 50 watt head that's a Hiwatt/Marshall hybrid on a Solera 50 that is a Soldano SLO50/Marshall JMP hybrid on a 4x12 with Green backs and Anniversaries.
In front, a DST15 (AC15 with EF86 preamp circuit and Ampeg Reverb).
DST30 that's a copy of Rory Gallagher's AC30 with EF86 Preamp circuit in the normal channel.
Jethro Rocker
Ambassador of Live & Loud Action
Some in action.
OP
cdawg22
Well-Known Member
Nice! Everything is all uniform. I'm impressed.
SG John
Ambassador of Cool Guitars and Amps.
I don't have a photo of all my Fender amps, so here's a shot of my favorite. '63 Bandmaster with all early sixties RCA tubes in it. It is a fantastic sounding amp. Even my bass player who hates Fenders loves the sound of this amp. Headroom, headroom, and more headroom. Really fun to play.
Except for a small number of private clients, here's the amp/cabinet setup used in the modern studio.
We never see amps/cabs being lugged into the studios anymore.
We've had established artists come in and set up an elaborate amp/cab/mic arrangement to take photos of, then record all the instruments virtually.
We have also seen artists posing with a particular guitar for a promotional photo, then put that instrument back in the case and record on a Squire.
It's exceptionally rare to ever see an amp used on a commercial recording these days.
For example, at Capitol, studio time is sold only in pre-paid, $3,000 blocks called a "lock out," which is 10 hours in duration. The clock never stops running once the doors are closed.
Even established artists don't have unlimited time to burn, as the label representative is always present and monitoring the project.
If you have enough money, you can do what you want...
We never see amps/cabs being lugged into the studios anymore.
We've had established artists come in and set up an elaborate amp/cab/mic arrangement to take photos of, then record all the instruments virtually.
We have also seen artists posing with a particular guitar for a promotional photo, then put that instrument back in the case and record on a Squire.
It's exceptionally rare to ever see an amp used on a commercial recording these days.
For example, at Capitol, studio time is sold only in pre-paid, $3,000 blocks called a "lock out," which is 10 hours in duration. The clock never stops running once the doors are closed.
Even established artists don't have unlimited time to burn, as the label representative is always present and monitoring the project.
If you have enough money, you can do what you want...
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I would post a pic of my amps. But it would literally be “a” pic.
That's me since downsizing....