More On Tone Wood...

In the end, why do we freaking care about “tone wood?” We all know that, regardless of our opinions, that every Strat and every Les Paul is a bit different from every other, and you have to play the guitar before you know whether or not it’s good. So what good does it do to know (or believe) that mahogany sounds darker than ash? Knowing that does you no good, because you still cannot predict the sound of a guitar by listing its components.

So pick a guitar that suits you, and then shut up and play the damned thing.
 
In the end, why do we freaking care about “tone wood?” We all know that, regardless of our opinions, that every Strat and every Les Paul is a bit different from every other, and you have to play the guitar before you know whether or not it’s good. So what good does it do to know (or believe) that mahogany sounds darker than ash? Knowing that does you no good, because you still cannot predict the sound of a guitar by listing its components.

So pick a guitar that suits you, and then shut up and play the damned thing.

Great question. For me, it's just academics. I don't really care if the wood affects the tonality of an electric guitar or not. I'm interested in it from an academic perspective just 'cuz I'm weird, like that! I get into the "sciencey" aspect of it just because I like learning stuff that kind of gets into the weeds. Call it an illness! But, from a purely personal point of view...I don't have a dog in the fight. Like you, I'm going to play the guitar and just work with what I've got!

For some, I think there is a desire to have some sense of what to expect from a guitar, based on it's composition, so the wood influences the predictive expectation. For others, I honestly think there is an emotional or nostalgic attachment to the idea of wood influencing the sound of an electric guitar. Perhaps there is some desire to share in the importance of materials in much the same way we see with acoustic instruments. I don't know; speculating about motives is a risky affair.

Now, do I think knowing to what extent wood makes a difference to sound is worthwhile? Yes, I do. Even though I don't feel personally constrained to one side or the other, I do think there is a value in the research study I linked and posted about (Post #6). The purpose of the study was not to settle any disputes among guitarists. Whereas the research study dealt with identifying if wood can influence the sound of an electric guitar, the overarching concern was that any observed differences could serve as motivation to find sustainable substitutes which have a similar tonality as the endangered, at-risk woods we currently use. Now, THAT does matter to me.
 
Great question. For me, it's just academics. I don't really care if the wood affects the tonality of an electric guitar or not. I'm interested in it from an academic perspective just 'cuz I'm weird, like that! I get into the "sciencey" aspect of it just because I like learning stuff that kind of gets into the weeds. Call it an illness! But, from a purely personal point of view...I don't have a dog in the fight. Like you, I'm going to play the guitar and just work with what I've got!

For some, I think there is a desire to have some sense of what to expect from a guitar, based on it's composition, so the wood influences the predictive expectation. For others, I honestly think there is an emotional or nostalgic attachment to the idea of wood influencing the sound of an electric guitar. Perhaps there is some desire to share in the importance of materials in much the same way we see with acoustic instruments. I don't know; speculating about motives is a risky affair.

Now, do I think knowing to what extent wood makes a difference to sound is worthwhile? Yes, I do. Even though I don't feel personally constrained to one side or the other, I do think there is a value in the research study I linked and posted about (Post #6). The purpose of the study was not to settle any disputes among guitarists. Whereas the research study dealt with identifying if wood can influence the sound of an electric guitar, the overarching concern was that any observed differences could serve as motivation to find sustainable substitutes which have a similar tonality as the endangered, at-risk woods we currently use. Now, THAT does matter to me.

Alls I know is this: Les Pauls with maple necks sound better than ones with mahogany necks. I said it and I mean it. I have been thinking of ordering a M2M just so I can get a new guitar with a maple neck and higher-end appointments. It drives me crazy that they won't give us a maple option on at least one line.
 
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