Mississippi Queen New Demo Track for New Singer featuring Gibson Les Paul Goldtop:

Inspector #20

Ambassador of Tone
Fallen Star
Country flag
The song 'Mississippi Queen' was a huge motivation for me, ever since I first heard it around 1975. Ever since that time, I have been chasing that overdriven sound.

Our new singer and I have been working on creating a couple of demos. Naturally, I wanted to add 'Mississippi Queen' to the list. So, Wednesday, my colleague was kind enough to lay down drum tracks for the song and bang out they bass parts on his Kurzweil. When I got home Wednesday night, I plugged in my 2021 Gibson Les Paul 50's Standard (Burstbucker 1 & 3) direct into my Blackstar ID-Core 100 Watt, added a touch of reverb and tracked the song.

Here are the amp settings used for this impromptu recording:

20211126_072248.jpg

I started with two rhythm guitar tracks, played in different registers, panned left and right. I doubled the iconic phrases at the beginning of the track, which re-appear throughout the song.

The solo was recorded in a single take on the right channel. It was copied and pasted into the left channel and panned out fairly wide.

I kinda screwed up on how I played the improvised parts of the solo. Since it was recorded without vocals, I played over the areas where the vocals will later be placed, rather than playing in between them, so the solo will need to be re-tracked.

The intro solo was recorded on the neck pickup (Burstbucker 1) but the remainder of the solo parts were recorded on the bridge only. All the rhythm parts were recorded on the bridge Burstbucker 3.

This should at least give you an idea of how the Goldtop and Burstbuckers sound on a recording.

I'll be replacing this file with the updated version once we get Chuck to lay down the vocals, I re-track the solo parts and replace the synth-generated bass track.

 
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The song 'Mississippi Queen' was a huge motivation for me, ever since I first heard it around 1975. Ever since that time, I have been chasing that overdriven sound.

Our new singer and I have been working on creating a couple of demos. Naturally, I wanted to add 'Mississippi Queen' to the list. So, Wednesday, my colleague was kind enough to lay down drum tracks for the song and bang out they bass parts on his Kurzweil. When I got home Wednesday night, I plugged in my 2021 Gibson Les Paul 50's Standard (Burstbucker 1 & 3) direct into my Blackstar ID-Core 100 Watt, added a touch of reverb and tracked the song.

Here are the amp settings used for this impromptu recording:

View attachment 76292

I started with two rhythm guitar tracks, played in different registers, panned left and right. I doubled the iconic phrases at the beginning of the track, which re-appear throughout the song.

The solo was recorded in a single take on the right channel. It was copied and pasted into the left channel and panned out fairly wide.

I kinda screwed up on how I played the improvised parts of the solo. Since it was recorded without vocals, I played over the areas where the vocals will later be placed, rather than playing in between them, so the solo will need to be re-tracked.

The intro solo was recorded on the neck pickup (Burstbucker 1) but the remainder of the solo parts were recorded on the bridge only. All the rhythm parts were recorded on the bridge Burstbucker 3.

This should at least give you an idea of how the Goldtop and Burstbuckers sound on a recording.

I'll be replacing this file with the updated version once we get Chuck to lay down the vocals, I re-track the solo parts and replace the synth-generated bass track.


There's a sound that a cranked Plexi makes - it's an extra (added) lower bass octave, below the normal sound of guitar.
My friend calls this sound the "hunk." It's like a subsonic low frequency (listen for it you will hear it).
It's not just the bass guitar, but from the over-driven guitar amp cranked up.

When you listen to Leslie playing a cranked amp, you will hear this (subsonic) hunk from the guitar.

 
There's a sound that a cranked Plexi makes - it's an extra (added) lower bass octave, below the normal sound of guitar.
My friend calls this sound the "hunk." It's like a subsonic low frequency (listen for it you will hear it).
It's not just the bass guitar, but from the over-driven guitar amp cranked up.

When you listen to Leslie playing a cranked amp, you will hear this (subsonic) hunk from the guitar.


I EQ high mids notoriously, but I dig what you are saying.

Keep in mind that Leslie recorded that on a Sunn Colesium PA Amp....and this is well documented.
 
The song 'Mississippi Queen' was a huge motivation for me, ever since I first heard it around 1975. Ever since that time, I have been chasing that overdriven sound.

Our new singer and I have been working on creating a couple of demos. Naturally, I wanted to add 'Mississippi Queen' to the list. So, Wednesday, my colleague was kind enough to lay down drum tracks for the song and bang out they bass parts on his Kurzweil. When I got home Wednesday night, I plugged in my 2021 Gibson Les Paul 50's Standard (Burstbucker 1 & 3) direct into my Blackstar ID-Core 100 Watt, added a touch of reverb and tracked the song.

Here are the amp settings used for this impromptu recording:

View attachment 76292

I started with two rhythm guitar tracks, played in different registers, panned left and right. I doubled the iconic phrases at the beginning of the track, which re-appear throughout the song.

The solo was recorded in a single take on the right channel. It was copied and pasted into the left channel and panned out fairly wide.

I kinda screwed up on how I played the improvised parts of the solo. Since it was recorded without vocals, I played over the areas where the vocals will later be placed, rather than playing in between them, so the solo will need to be re-tracked.

The intro solo was recorded on the neck pickup (Burstbucker 1) but the remainder of the solo parts were recorded on the bridge only. All the rhythm parts were recorded on the bridge Burstbucker 3.

This should at least give you an idea of how the Goldtop and Burstbuckers sound on a recording.

I'll be replacing this file with the updated version once we get Chuck to lay down the vocals, I re-track the solo parts and replace the synth-generated bass track.



Very well done Robert!!!! Ahh the SS amp great tones and wouldn't have sounded any better with a Marshall , Great job on this song Rob!!!!!!!
 
The song 'Mississippi Queen' was a huge motivation for me, ever since I first heard it around 1975. Ever since that time, I have been chasing that overdriven sound.

Our new singer and I have been working on creating a couple of demos. Naturally, I wanted to add 'Mississippi Queen' to the list. So, Wednesday, my colleague was kind enough to lay down drum tracks for the song and bang out they bass parts on his Kurzweil. When I got home Wednesday night, I plugged in my 2021 Gibson Les Paul 50's Standard (Burstbucker 1 & 3) direct into my Blackstar ID-Core 100 Watt, added a touch of reverb and tracked the song.

Here are the amp settings used for this impromptu recording:

View attachment 76292

I started with two rhythm guitar tracks, played in different registers, panned left and right. I doubled the iconic phrases at the beginning of the track, which re-appear throughout the song.

The solo was recorded in a single take on the right channel. It was copied and pasted into the left channel and panned out fairly wide.

I kinda screwed up on how I played the improvised parts of the solo. Since it was recorded without vocals, I played over the areas where the vocals will later be placed, rather than playing in between them, so the solo will need to be re-tracked.

The intro solo was recorded on the neck pickup (Burstbucker 1) but the remainder of the solo parts were recorded on the bridge only. All the rhythm parts were recorded on the bridge Burstbucker 3.

This should at least give you an idea of how the Goldtop and Burstbuckers sound on a recording.

I'll be replacing this file with the updated version once we get Chuck to lay down the vocals, I re-track the solo parts and replace the synth-generated bass track.

Sir.................you cant RECORD WITH THAT AMP --- WTF are you thinking you MUST HAVE 10000000 watts of TUBE POWER blessed by the godz from 1960 and only worth a BILLION dollars ---- GAH!@#%#&^!%^#%^&$%^@% POSER --- Imposter--- !!! POSER -- your musician card needs revoked!!!!!! (actually you should get a raise!)
Well done ROCKIN BOBBY!!! sounds great dude well done Lesley would be proud ;)
 
Sir.................you cant RECORD WITH THAT AMP --- WTF are you thinking you MUST HAVE 10000000 watts of TUBE POWER blessed by the godz from 1960 and only worth a BILLION dollars ---- GAH!@#%#&^!%^#%^&$%^@% POSER --- Imposter--- !!! POSER -- your musician card needs revoked!!!!!! (actually you should get a raise!)
Well done ROCKIN BOBBY!!! sounds great dude well done Lesley would be proud ;)

I think my Ivanberg Modded ORI50 sounds better, but the Blackstar is hooked up to the DAW and it's faster to setup.
 
Excellent! Really done well, would love to hear it with singing. Love Mountain, and Leslie West. Luckily when I was young my sisters boyfriend left the first LW (album called Mountain-technically a LW solo album) over my house...I had no idea who LW was then and that album blew me away. I'm 63 so this was like shortly after the album came out. I have been a huge fan and seen LW many times over the years. I also got to meet him a few times, and met Felix when he did the album "The Day That Football Died" which was about the NFL strike...very rare album. Also turned out my sister worked with his sister in law and her husband (at the time) was LW brother Larry (from The Vagrants)...through her LW would send me some CD's, this was like during the 90's I guess. RIP Leslie West, you were never the fastest, but you always played the tastiest. Luckily, I never could play fast, so I truly learned a lot from LW.
 
Excellent! Really done well, would love to hear it with singing. Love Mountain, and Leslie West. Luckily when I was young my sisters boyfriend left the first LW (album called Mountain-technically a LW solo album) over my house...I had no idea who LW was then and that album blew me away. I'm 63 so this was like shortly after the album came out. I have been a huge fan and seen LW many times over the years. I also got to meet him a few times, and met Felix when he did the album "The Day That Football Died" which was about the NFL strike...very rare album. Also turned out my sister worked with his sister in law and her husband (at the time) was LW brother Larry (from The Vagrants)...through her LW would send me some CD's, this was like during the 90's I guess. RIP Leslie West, you were never the fastest, but you always played the tastiest. Luckily, I never could play fast, so I truly learned a lot from LW.

Vocals coming soon....
 
An all time favorite. First time I heard it I was completely floored and slack jawed. Such a massive tone. I have never heard a guitar sound so massive, rude, jagged, and beatiful all at the same time before. It still knocks me back.

You acquitted yourself very well. (y)

RIP Leslie
 
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