Aaaaand finally, ladies and gentlemen, please join me in a pictorial presentation as I take this project across the finish line.
You've seen my teaser posts above showing the pickups. Unlike the original thought in my OP, I ended up using a Seymour Duncan Custom 5 (SH-14) in the bridge, and I used a Seymour Duncan '59 bridge pickup (SH-1B) in the neck. The Custom 5 is quite a bit hotter than a '59. In the end, this gamble paid off. It wasn't too hard to get them to balance and they split well. So far, I'm quite pleased with the results.
The split is more noticeable when playing clean. It is a really nice effect. Of course, it doesn't sound like Strat...I never expected it to. But, I think it's a very useful tone.
Here is the finished wiring. As I indicated in my OP, I set this up with push-pull pots so I can coil split both the bridge and neck pickups.
View attachment 9788
Everything all covered up awaiting the next step:
View attachment 9789
Here's a shot, showing the bridge pickup, bridge, and tailpiece. The bridge and tailpiece are a little different. I got them from Philadelphia Luthier Tools. The bridge is adjusted with a small allen wrench. It fits very snugly onto the posts and exhibits no slop or play. The saddles were also practically perfect just as it came! Very little adjustment was required to get the intonation set.
The plating also seems pretty good.
View attachment 9790
So far, so good. Now, it's time to get artsy!
A shot from the left....
View attachment 9791
A shot from the right...
View attachment 9792
And finally, the fully complete frontal shot!
View attachment 9793
All in all, this was a very enjoyable project and I thank all of you for sharing in it with me!
Gather round, chil'ren. Uncle Smitty has updates!
I installed the electronics and knobs. As usual, the process is documented below:
These are the newly-arrived parts from Stew-Mac. I have CTS push-pull pots for the volumes. These will be used for coil splitting. Then I have two regular CTS pots for the tones. The capacitors are .015 mfd orange drops. Finally, the black speed knobs will finish things off.
You will notice this guitar required the long-shaft pots.
![]()
Here are the parts installed on my wooden template. You can see Smitty_p's own Super Buss Wire of Grounding Awesomeness which I've soldered to all the pots. All those little loops and hooks you see formed in the buss wire are eyelets and mounting points that I will use to solder the grounds and braids from the various wires. I prefer to do this rather than bunch everything onto the back of a pot. This allows me to get the same grounding result while subjecting the pots to a LOT less soldering heat throughout the installation. The buss wire takes most of the heat, not the pot.
The little black wire with the eyelet will be screwed to the inside of the control cavity to make a solid contact with the copper shielding.
![]()
Here is everything soldered in, awaiting the pickups. It's a little hard to tell from this pic, but I'm wiring for 50's Wiring.
![]()
As per usual, we finish up with a full-frontal of the guitar, with knobs installed:
![]()
Oh my Smitty--- that is gorgeous --- simply GORGEOUS-- sleek lean mean and all LESTER
Wow, this was a fun project to follow. Great work Smitty. You have a sharp looking LP there. If that thing plays half as good as it looks...jackpot!!
Real nice....congrats!!
Aaaaand finally, ladies and gentlemen, please join me in a pictorial presentation as I take this project across the finish line.
You've seen my teaser posts above showing the pickups. Unlike the original thought in my OP, I ended up using a Seymour Duncan Custom 5 (SH-14) in the bridge, and I used a Seymour Duncan '59 bridge pickup (SH-1B) in the neck. The Custom 5 is quite a bit hotter than a '59. In the end, this gamble paid off. It wasn't too hard to get them to balance and they split well. So far, I'm quite pleased with the results.
The split is more noticeable when playing clean. It is a really nice effect. Of course, it doesn't sound like Strat...I never expected it to. But, I think it's a very useful tone.
Here is the finished wiring. As I indicated in my OP, I set this up with push-pull pots so I can coil split both the bridge and neck pickups.
View attachment 9788
Everything all covered up awaiting the next step:
View attachment 9789
Here's a shot, showing the bridge pickup, bridge, and tailpiece. The bridge and tailpiece are a little different. I got them from Philadelphia Luthier Tools. The bridge is adjusted with a small allen wrench. It fits very snugly onto the posts and exhibits no slop or play. The saddles were also practically perfect just as it came! Very little adjustment was required to get the intonation set.
The plating also seems pretty good.
View attachment 9790
So far, so good. Now, it's time to get artsy!
A shot from the left....
View attachment 9791
A shot from the right...
View attachment 9792
And finally, the fully complete frontal shot!
View attachment 9793
All in all, this was a very enjoyable project and I thank all of you for sharing in it with me!