And so, it begins...
I just paid for a Les Paul Studio husk, in alpine white, with ebony fret board. My Stratocaster project has given way to a Les Paul project.
This is the plan:
I will install my never-used gold Kahler trem on it. Yes. I will finally put that piece of hardware to use! I am currently getting the plans together for routing templates. I'll be getting a brand-new carbide bearing router bit to do this.
Given that the Kahler is gold, all the remaining hardware will be gold. All plastics will be black. I will install black speed knobs.
I am still undecided on pickups. I am very fond of Seymour Duncan '59s. If I go with that, I'll probably install a bridge pickup in both the bridge and neck positions. Their DC resistance and marketing would lead you to believe they are really just good for classic rock and lesser gain use. I've found them to retain a lot of clarity under pretty high gain. They're an all-round great pickup.
I may do push-pull pots for a coil-split set up. Regardless, I'll use 500K pots and .015 mfd capacitors.
I also intend to go with the current TTR trend and fully shield it with copper tape.
Being a Studio, it will have no binding, and no nibs. The plan is to make a sleek, street-rod of a guitar.
I just paid for a Les Paul Studio husk, in alpine white, with ebony fret board. My Stratocaster project has given way to a Les Paul project.
This is the plan:
I will install my never-used gold Kahler trem on it. Yes. I will finally put that piece of hardware to use! I am currently getting the plans together for routing templates. I'll be getting a brand-new carbide bearing router bit to do this.
Given that the Kahler is gold, all the remaining hardware will be gold. All plastics will be black. I will install black speed knobs.
I am still undecided on pickups. I am very fond of Seymour Duncan '59s. If I go with that, I'll probably install a bridge pickup in both the bridge and neck positions. Their DC resistance and marketing would lead you to believe they are really just good for classic rock and lesser gain use. I've found them to retain a lot of clarity under pretty high gain. They're an all-round great pickup.
I may do push-pull pots for a coil-split set up. Regardless, I'll use 500K pots and .015 mfd capacitors.
I also intend to go with the current TTR trend and fully shield it with copper tape.
Being a Studio, it will have no binding, and no nibs. The plan is to make a sleek, street-rod of a guitar.
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