It's all about the Rrrrrriiiffffffss!

Tonight I was bouncing back and forth between explorers, trying to decide which one I will play on stage next weekend... Made up this riff.
I realized I've never tried to slide a pinch harmonic before.... Sounds cool I think.

Sounds good to me. I can’t even do a proper pinch harmonic…. So doing a sliding pinch harmonic makes you my hero.
 
Thank you sir! It's a beautiful thing feeling the instrument resonate under its own frequencies through the room! Whatever magic that entails... I really like it! It's literally what drives me in my tonal searching... Pickups and tubes and amps and pedals and all of the things! So fun for me!
A few months back I was reading a piece on Ted Nugent. His favorite guitar is an old Gibson semi hollow. Don’t remember model. Pickups were very microphonic so feedback was easy. But his deal was…. He knew exactly where on the stage to stand in relation to the amps/cabinets to get exactly the feedback he wanted.
 
Thank you sir! It's a beautiful thing feeling the instrument resonate under its own frequencies through the room! Whatever magic that entails... I really like it! It's literally what drives me in my tonal searching... Pickups and tubes and amps and pedals and all of the things! So fun for me!
I know exactly what you mean.
 
Volume and placement is a key factor in the success of the feedback .
It can be done at lower volumes, but not as much fun.
 
A few months back I was reading a piece on Ted Nugent. His favorite guitar is an old Gibson semi hollow. Don’t remember model. Pickups were very microphonic so feedback was easy. But his deal was…. He knew exactly where on the stage to stand in relation to the amps/cabinets to get exactly the feedback he wanted.
Yes. I'm pretty sure he likes the Gibson Byrdland models the most. They have almost a violin like quality to them.
 
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