Of course $1000 is a great deal for this package you're offering. I mentioned this before, but you're going to have to sit on this deal till the right person comes along. You'll always get the annoying low ballers no matter what price your asking.
I agree with everyone else, keep the attenuator.
A grand for the Marshall & SG with case is right in the ballpark pricewise.
My thinking individually is about $600 for the guitar and $400 for the amp.
Yes, this is really true. It'd probably be easier to move them separately than as a package.

The prices are fair, but hard to obtain in the real world of guitar sales. I know because I have moved a LOT of guitars and they have been languishing lately.
I have had to take bottom dollar to move a guitar or wait a long time...the Attenuator made the package sweeter, but I can understand keeping it.
I've always taken huge losses on musical gear. Check this out...
I paid $730.00 for the SG, $135.00 for the case, $599.00 for the DSL40C and about $200.00 for the attenuator....all brand new at at full retail....and I will NEVER do it again.
My #1 guitar is my 2016 Gibson Les Paul 50's Tribute. I traded a music store a one-off custom Ibanez DT555 replica for it and got $400.00 cash to boot.
First of all, I earn a comfortable living with ONE guitar. I don't need any more than ONE. I have an extra Les Paul Custom Replica my Mom gave me back, (good for the rougher and/or outdoor venues) and I have the double neck, which does see use on SOME studio projects, but I don't need - or want - any more guitars....ever. New guitars don't make me a better player, neither do they offer me an instant bond. I trust my Les Paul implicitly.
I no longer see guitars that excite me. I see gig opportunities....my weekly salary from my studio work..that's what I get excited about...performing and getting paid to do it.
Amp wise, I am very happy with my 1997 Marshall Valvestate VS265 2X12 Stereo Chorus Combo. I have a line on a Marshall 8280 2X12 that is like new. These two amps will give me just about everything I need, plus two amps are REQUIRED for my doubleneck with separate inputs.
Next will be a 1x12 Marshall Valvestate VT50 as a portable practice amp, then an AVT50H or VS100H head to mate with my pair of 1985 Jackson 4X12 cabinets.
I am very patient and if these things don't seel, they will just keep sitting covered until someone needs them...![]()
I've always taken huge losses on musical gear. Check this out...
I paid $730.00 for the SG, $135.00 for the case, $599.00 for the DSL40C and about $200.00 for the attenuator....all brand new at at full retail....and I will NEVER do it again.
My #1 guitar is my 2016 Gibson Les Paul 50's Tribute. I traded a music store a one-off custom Ibanez DT555 replica for it and got $400.00 cash to boot.
First of all, I earn a comfortable living with ONE guitar. I don't need any more than ONE. I have an extra Les Paul Custom Replica my Mom gave me back, (good for the rougher and/or outdoor venues) and I have the double neck, which does see use on SOME studio projects, but I don't need - or want - any more guitars....ever. New guitars don't make me a better player, neither do they offer me an instant bond. I trust my Les Paul implicitly.
I no longer see guitars that excite me. I see gig opportunities....my weekly salary from my studio work..that's what I get excited about...performing and getting paid to do it.
Amp wise, I am very happy with my 1997 Marshall Valvestate VS265 2X12 Stereo Chorus Combo. I have a line on a Marshall 8280 2X12 that is like new. These two amps will give me just about everything I need, plus two amps are REQUIRED for my doubleneck with separate inputs.
Next will be a 1x12 Marshall Valvestate VT50 as a portable practice amp, then an AVT50H or VS100H head to mate with my pair of 1985 Jackson 4X12 cabinets.
I am very patient and if these things don't seel, they will just keep sitting covered until someone needs them...![]()
I think it's very good, and very healthy, to view these instruments as what they are: tools for making music. There was a time in my life when I shared your view on this, but as I evolved away from playing in a band, and gigging, I started to view them more and more as simply my hobby and in turn, like so many others, began to fetishize them a bit. I'm not going to overthink it because I really do enjoy them for the objects they are individually and I like that they all sound and feel so different, but I will admit there is a part of me that wishes I could get back to that one amp/one guitar ideal.
I went nuts with the collection phase of my journey to guitar playing. It was way more of a collection than useful tools. I found out after time that the thrill of the chase was not worth the payoff.
Boutique guitars never felt or played any better for me at my low skill level, but they nice to own and show off. I think I had at least 25 at one point. I'm down to about 9 or 10 now and I'm still
selling them off. I think when I hit 6 or 7 I'll be where I want. The reason for that # is there are a few that are just not worth anything $$$ wise.
Amps were the same to a lesser degree. I went through a lot of them, but never owned 20 at a time. I have 1 Tube Amp, 1 Solid State Amp, I Modeler with a Power Amp, and I Pedal Board Direct to Power Amp.
I don't see myself with any more amps unless I win the lottery...
I think it's very good, and very healthy, to view these instruments as what they are: tools for making music. There was a time in my life when I shared your view on this, but as I evolved away from playing in a band, and gigging, I started to view them more and more as simply my hobby and in turn, like so many others, began to fetishize them a bit. I'm not going to overthink it because I really do enjoy them for the objects they are individually and I like that they all sound and feel so different, but I will admit there is a part of me that wishes I could get back to that one amp/one guitar ideal.
this is great forum functioning at its best.
a fascinating thread, with no snarky comments, no arrogance and a very companionable tone.
I played most of my career with one or two six string acoustics, one bass and one amp
(at a time).
Never needed or wanted more diversity because I felt like I was doing it with the
songs, and the gear was just to make it possible. Also, I felt that my instruments were
among the best. Other guys would talk about their gear, and I'd nod and look wise...
Also, (importantly) I didn't think I could afford buying expensive instruments
and I knew the cheap ones didn't interest me. So I didn't look.
It wasn't until I turned 60, in 2008, that I decided I was in a rut, and needed something
to break out of it. I chose a Gibson SG, and this opened a whole 'nother world.
Which is what I wanted. That thing about getting set in your ways when you're older is
no joke. And an SG is just radical enough to bust all that up.
View attachment 24436
Now it's ten years later and I've finally sold all my 'vintage' instruments and am
working with newer ones. My career has changed, I'm now a care giver and can
only play short range gigs. Lucky me that I still have a gig now and then. I'm very
grateful for everything the music has given to me. I'm sure I made hundreds of dollars
playing all those places.
Since I've been selling my stuff, I read this thread with interest.
This is a great forum, thanks for inviting me here.
I went nuts with the collection phase of my journey to guitar playing. It was way more of a collection than useful tools. I found out after time that the thrill of the chase was not worth the payoff.
...


I did the same with guns in the '70s and '80s,
and then again with fishing lures in the '80s and '90s.
And yes, maybe it's the thrill of the chase... but we call it G.A.S.
I suffered from it before I knew how to name it.
But my condition has always been mild. My gun collection is modest
and utilitarian, and I discovered that I really like wooden fishing lures
with glass eyes. *shrugs
View attachment 24443
I collected these antiques before they became outrageously priced. But I also like the modern replicas if
they are well made.
View attachment 24444
Now I get to sell off some or all of these things, and turn them into money we'll need later.
I have a garage full of stuff, some of it excellent. So I might become the local garage sale guy,
with a big sign that says "GUY STUFF"... If that don't fetch 'em, I don't know rural Michigan.
Sorry if I deflected this thread... let's get back to encouraging our colleague Robert
to get a good price for his gear. I too believe the offered price is very fair, and any of our
members could buy that guitar and that amp and rock. Somebody here ought to pounce.
I went through a phase with a HUGE collection of old Aurora H.O. Scale slot cars. I must have had
well over 1000 of them. I did make a lot of money when I sold them off though...no so with guitars!