True. I recognized that a long time ago, too. But, I still disagree with the idea that he has to "make room" for anyone. His type of work in the industry does not obstruct others from pursuing a digital approach.
But, I do totally respect his decision to close up shop. I don't walk in his shoes and I don't live his life, so I am thoroughly unqualified to judge what decisions are best for him. I've never owned a single Fulltone product, but I do respect the entrepreneurial spirit and risk acceptance that it took to start Fulltone in the first place.
I certainly hope for the best for his employees, too.
I tried really hard to make guitars a few years back, 100% made in USA.
I contracted with B. Hefner in Whittier, CA., for all the wood, cutting out the shapes, routing, fret slotting, etc. I designed and trademarked a headstock shape and drew up plans. Initially, I had B. Hefner do the binding and finishes on the first 5 guitars. After that, I started doing the binding and finish with the help of a local luthier, eventually doing more of the woodworking in his home workshop.
In the end, it was a fiscal disaster. I made 28 guitars, which were basically custom Tele/Strat shaped instruments with '58 Les Paul profile necks and 24.75" scale lengths. All had different pickup and wiring combinations.
This wasn't a very original approach. Marty Sturart got one and the rest went to session players and musical friends in L.A., but TBTH, most people would rather have a Chinese made Jackson costing $400.00 retail.
Just the wood and machining on these 28 guitars cost well over $400.00 per unit. I had to pay my wife back the offset amount that I lost on this venture.
I even tried designing new shapes, but never saw anything that I liked, so I finally pulled out.
The best thing to come out of the project was that I developed the skills to build the 28th and final guitar - the VonHerndon DoubleNeck.
I've had people from all over the world email me from the address on the control cavity cover, asking if I would build them one, but that interest is very small and I always tell them I am grateful for the email, but I won't be building any more of them.
Now, having said that, I did design - and am in the process of building - a tounge-and-groove, neck though SG, but that's just for personal use as a stage/studio guitar.
