Working as a studio musician has given me the opportunity to play many coveted relics, like 59' Les Pauls, ancient ES-335's and the like, by virtue of my professional association with colleagues. I am yet to play one of these coveted relics that even remotely piqued my interest. No phenomenal feel or tone, just a guitar, often times, not as nice as more modern versions. Even my Mom's 1979 les Paul Custom, aside from being a nice relic, is not a phenomenal guitar in terms of irreplaceable tone, ridiculously low action, or anything one could quantify as "special" aside from the fact it is a 1979 Gibson Les Paul Custom.
View attachment 11039
View attachment 11040
View attachment 11041
View attachment 11042
In fact, we felt the same way about Mom's 1960 Gibson Les Paul, which we sold a few years back, and her rare Gibson les Paul Recording Model. Great conversation pieces, but nothing remarkable other then the fervor surrounding the old Gibson - and we were happy to capitalize on that phenomenon.
Fortunately, for me, at this point in my life, I am blessed to be able to buy anything I want, and yet, I still wouldn't spend the $$$$ on something that held nothing more than hailing from Gibson's glorious Norlin era. I'm not saying they are bad guitars, or that people shouldn't buy whet they truly like and desire, but I have played enough "Holy Grails" to discover they are, after all, just a guitar in my hands.
Now, having said that, and having allowed many colleagues to play my Doubleneck out of curiosity, all have reported a very unique feel and tone, and whether that be by virtue of the 100% mahogany construction, extra thick/wide necks, or the Thro-Bak SLE-101's, or the wiring, or K40Y capacitors, it was satisfying that this guitar at least stood out as remarkable to them - many of whom play these relics for a living.
I hope this guitar will give you everything that you seek.
All the best!!!!