Yeah, there are advantages to that. You can build it up the way you want it. Plus, since someone else already parted it out, you can pretty much ignore originality, if you care about that sort of thing.
I'm really looking forward to the end result of my project...which is getting rather involved!
But, for me I'm not as concerned about certain specs and tolerance. I care if it plays well, sounds good, stays in tune, looks good, and feels nice to me. For example, if the neck angle varies by a degree one way or the other, but I find that the resulting instrument feels good, I'm happy. In fact, if there is some "anomaly" that actually makes the guitar feel better to me, I'll look at it as a bonus!
In total agreement, Smitty...
I guess, if you consider the nearly 1/2" of Faber shims under my SG tailpiece, as long as the strings clear the bridge, it's ok, but I had to use longer tailpiece studs too because I was running out of thread and the tailpiece was tilted towards the bridge.
It just really bugs me to see things out of whack when the manufacturers tolerance is so precise... 5 degrees +\- 15 seconds...it makes me doubt everything about the instrument.
Then, I look at my Les Paul Custom 'R'...tailpiece on the body, bridge has only two threads exposed and action is in the .050's on the bass side and .030's on the treble side.
The Les Paul Custom 'R' reminded me of a time when guitars were fun to play. This thing has been pure enjoyment. From watching its build progress, to the first strum, just an absolute pleasure...everywhere I check intonation, its in and when I play it, there is a feeling of sonic freedom...a confidence if you will, that surfaces in my playing.
I'm not the best guitarist. I'm quite musically illiterate, but when a guitar sounds right... is in pitch, has a nice, thick tone, good sustain and rich, stinging harmonics, I find myself playing a little more aggressively....a little more fluidly....
Its certainly not a perfect guitar, but it is well balanced in every regard....
