His CS-3 is a compressor/sustainer pedal![]()
Oops...my bad!
I saw the "CS" in the name and immediately thought of chorus because my chorus pedal is an Ibanez CS-9.
That saying about making assumptions comes to mind!
His CS-3 is a compressor/sustainer pedal![]()
I had to check too. The funny part to me was that I actually owned one for a few yearsOops...my bad!
I saw the "CS" in the name and immediately thought of chorus because my chorus pedal is an Ibanez CS-9.
That saying about making assumptions comes to mind!

Ive never tried a FX loop for pedals.I think my Orange 15 is the only amp i got with one.Ill have to give it a go some day.Sooooo the Send jack is where the FX chain starts and Return is where the FX chain goes back in ??????
Indeed sir!Ive never tried a FX loop for pedals.I think my Orange 15 is the only amp i got with one.Ill have to give it a go some day.Sooooo the Send jack is where the FX chain starts and Return is where the FX chain goes back in ??????
It's not so much a question of which is quieter, it's a question of where in the chain to deploy your pedals for best effect. I'd say you are a prime candidate for using an effects loop, since your distortion is coming from the amp. In this scenario, you are introducing distortion (via the amp) after the delay and chorus. Try putting the chorus and delay pedals in the loop, with the delay last in the chain. The EQ pedal is a matter of taste. Some put them early in the chain...others put them later. I really can't say, as I don't own one and have never played around with it.
BTW, I do just what you do. I don't use any distortion pedals, aside from a Tubescreamer that I use to put a little hair on the clean channel of my amp. I have a small, 5 watt Marshall DSL-5C. I use it's effects loop all the time. I run to an external speaker in my isolation cabinet. With a mic in the iso-box running to the PA, it sounds huge. You'd never believe you're listening to a 5 wattt amp.
I'm definitely going to try that.
I agree with smitty, I think you will be happy with the results - the loop can cure a lot of strange artifact problems when using a delay. Not everything sounds best in the loop, so best to experiment. I have found that I prefer phasers and flangers in front of the amp, chorus and delay in the loop. I use an overdrive set for a (mostly) clean solo boost and get my distortion from the amp, and this setup allows me to use any amount of delay I want without it getting harsh.
As for noise, not all loops are created equal, but the one in your Marshalls is a great one so nothing to worry about there. Just use high quality cables and you will be fine. I ended up with George L's cables for my loop and there is basically no signal loss.