Everything you never wanted to know about Guitar Bridges

chilipeppermaniac

Ambassador of Decibels
Country flag
Don O said elsewhere, "I guess I need to read up on bridges now."


We have mentioned ABR vs Nashville, slotted vs slot your own, Nylon vs Chrome, vs Brass vs Aluminum/Zamick, screw heads forward or rearward, etc so here we go.

My extent of experiences with SOME of my Gibson equipped guitars.

2003 Memphis made ES 135, ------------PW Bridge, ( jacked up saddle slot placement positions)
1979 Gibson LP----------------------------Schaller Bridge with age wear and a couple poorly placed/spaced slots
1987-2009 SG 3 knob, Faded, Classic-----Bridge maker and condition of saddles to be determined due to these 3 guitars at dad's house.


SO, to address the wear and tear on the 1979 Nashville Bridge, my first remedy was to buy a pre slotted Kluson Brand Nashville bridge.
This bridge is a satisfactory drop in replacement, but Kluson Thumbwheel must be swapped in place of the smaller post Schaller ones. In my case the Kluson thumbwheel has same thread pitch as the Gibson bushings so this did not require a bushing swap which would be simple enough to do since Kluson includes the complete assembly.

My next issue addresses possible difficulty in finding a supplier of the various finishes of standard ( pre or post 2001 saddles) This seemed like such a simple replacement part to find, but adding pre and post 2001 differences adds complexity. Prefer aluminum or chrome, nickel or brass, adds to difficulty in locating suppliers of the ones you want.
This is my experience so far with Nashville style. Not had to hunt for any ABR style parts yet, so info about these is forthcoming or you guys can add details.

To be continued... as I also learned quite a bit about Floyd Rose trems when I was looking for parts for my Jackson Licensed by FR model on my Japan made RR3 V.
 
Last edited:
I started using the Pinnacle machined bridges that Philadephia Luthier sells many years ago and have been extremely happy with them. No fitment issues whatsoever and complarable quality to anything on the market at extremely reasonable prices. Most recently I removed the silly ABR-on-Nashville-bushings bridge that came on my goldtop and replaced it with a Pinnacle machined bell brass one and it was a drop-in upgrade.
 
I've had 4 different bridges on my LP and each one of them makes the guitar sound/feel different. I'm kind of blown away that the bridge choice makes such a difference. I was most happy with the aluminum Nashville bridge from Philadelphia luthier, but the G string saddle has an annoying ping that I need to address if I'm going to use it. It took me a while to figure out the ping was coming from the saddle.
 
Gball, is this a Pre Slotted one or slot yourself to suit?

Pre-slotted.

I've had 4 different bridges on my LP and each one of them makes the guitar sound/feel different. I'm kind of blown away that the bridge choice makes such a difference. I was most happy with the aluminum Nashville bridge from Philadelphia luthier, but the G string saddle has an annoying ping that I need to address if I'm going to use it. It took me a while to figure out the ping was coming from the saddle.

Agreed for sure. The bridge material and design makes a huge difference in tone. On most guitars I don't like the aluminum ones for the reason you mention - there always seems to be some kind of pinginess and overtones that I don't like. I used the bell brass one this time and am very happy; it made the mids a bit more punchy and smoothed out the high end just a bit.
 
I was going to agree with Bdon, Dono.

Man that bridge looks like it spent 20 years of life in Ohio to Maryland winters after road salt hit the metal bits.
 
Looks like a Nashville. Yeah, that has seen better days…I’d love to see a straight edge held against the top to see if there’s any sign of collapse…just for morbid curiosity sakes.

One reason I stick with aluminum bridges - no collapsing.

Aluminum bridge and tailpiece were standard equipment on my 2021 Gibson Les Paul 50's Standard.

 

 
I was going to agree with Bdon, Dono.

Man that bridge looks like it spent 20 years of life in Ohio to Maryland winters after road salt hit the metal bits.
From the guy I bought it from:

I bought it from Willies American Guitars in Saint Paul MN in 1993. It was originally owned by a female shredder which back then was quite rare.
 
Bell brass wrap around from Philadelfia Luthiers.was 175$ like a couple years ago.Best wrap around ive had and ive tried many.
 
Only experience I have is on my G400. Figured out most my tuning/intonation issues was the stock Epi bridge. Did minimum research and came up with the TonePros bridge and tail piece. That fixed my issues. 1644849303822.jpeg
 
Stock Epi bridges are garbage enless its some special model with some sort of high end hardware on it.Buying a Epi ? Good guitars just throw there hardware out and start over wirh some quality parts.
 
Stock Epi bridges are garbage enless its some special model with some sort of high end hardware on it.Buying a Epi ? Good guitars just throw there hardware out and start over wirh some quality parts.
Roger that. I discovered the saddles were actually moving. No wonder I’d get intonation set and it wouldn’t stay tuned. Everything else about the guitar was fine.
 
Back
Top