Epiphone HOTH8B/HB6N:

Dang.... Watching and hearing these two videos sounded real good. Looked into the following comments to find out the source of the amp that was used for the videos...:
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Ha ha, go figure!

You can, absolutely, get some great tones with the newer style modeling programs and effects. I just never could get a tone or 'feel' that I liked better than my old amp arrangements...
 
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You can, absolutely, get some great tomes with the newer style modeling programs and effects. I just never could get a tone or 'feel' that I liked better than my old amp arrangements...
I'm not sure what you mean by "newer style", but to clarify, I used to have the Zoom G2.1u... about 13 years ago!! Was having a lot of fun with it for about a couple months. Then I got bored with it, and put it away till I sold it a few years ago.
 
I'm not sure what you mean by "newer style", but to clarify, I used to have the Zoom G2.1u... about 13 years ago!! Was having a lot of fun with it for about a couple months. Then I got bored with it, and put it away till I sold it a few years ago.

Well, I suppose I been out of the loop a very long time, because it all seems "newer style" to me.

Years ago, a music chum loaned me a DOD VGS-50 pedal board, which was new at that time, and it was really cool and condensed a lot of gear into one board, but I always went back to something more traditional.
 
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You can, absolutely, get some great tomes with the newer style modeling programs and effects. I just never could get a tone or 'feel' that I liked better than my old amp arrangements...

Totally love what you are saying there, brother. I even have an anecdote from a very good friend of mine, a guy in a well-known band that records an album every year and then spends the following 6-8 months touring the World to support it, at least pre-Covid (I may have relayed this story in the past here but it bears repeating): He writes with a Kemper but won't use it to record or for live use. Why? Feel.

And in another related instance, when the band went into the studio about 2 or 3 years ago to record a new album they found that the Neve console they were used to had been removed for servicing . Because the record company needed the new album and was footing the bill they started recording the new material using a digital console. They had gotten about 4 or 5 of the basic tracks down before scrapping everything. All of it. They felt it all sounded terrible going direct to digital. Sure the final mastering was being done in Pro Tools, but the difference in sound quality between going from an analog Neve to whatever digital console into the computer was enough that they scrapped it all and waited for the servicing to be done on the Neve, then recorded everything over along with the rest of the album.
 
Totally love what you are saying there, brother. I even have an anecdote from a very good friend of mine, a guy in a well-known band that records an album every year and then spends the following 6-8 months touring the World to support it, at least pre-Covid (I may have relayed this story in the past here but it bears repeating): He writes with a Kemper but won't use it to record or for live use. Why? Feel.

And in another related instance, when the band went into the studio about 2 or 3 years ago to record a new album they found that the Neve console they were used to had been removed for servicing . Because the record company needed the new album and was footing the bill they started recording the new material using a digital console. They had gotten about 4 or 5 of the basic tracks down before scrapping everything. All of it. They felt it all sounded terrible going direct to digital. Sure the final mastering was being done in Pro Tools, but the difference in sound quality between going from an analog Neve to whatever digital console into the computer was enough that they scrapped it all and waited for the servicing to be done on the Neve, then recorded everything over along with the rest of the album.

I must have my Neve! Neve snobs.
Check this me Buckos.
8 in, 2 out - $11,300.00
(Randy Bachman's Private Collection.)
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48 X 16 X 2 :
$ 233,366 .00
Drop a quarter mil on a mixer.
Iv'e seen Peaveys more seaworthy than that ! arrrrrggg... :pound-hand:
Lots of knobs I love the knobs. I guess it's OK because it has enough knobs.
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I have found very little difference in digital vs. analog as far as consoles go, but I don't get too deep into all that because of so much sonic subjectivity...
 
I have found very little difference in digital vs. analog as far as consoles go, but I don't get too deep into all that because of so much sonic subjectivity...

I like analog British. It has the sweet EQ.
That's for the track input, mic preamps.
I really want an EQ I can work w/ my fingys. Allen Heath is my idea of low budget goodness.
 
Most times, I just throw down a microphone and hit record. One of my colleagues likes the 'Decca Tree' arrangement, with super trick mikes and all the old tape delays, but its time consuming.

If you want to use all the old gear, go to ES Studios in Glendale.
 
whats an "EQ" again?

dont need those with bass do you? -- bass-- amp-- big speaker go boom -- boom ---boom ....rumble floor -- good :)
 
whats an "EQ" again?

dont need those with bass do you? -- bass-- amp-- big speaker go boom -- boom ---boom ....rumble floor -- good :)

I especially EQ the bass guitar...the bass has many facets of its tone...not as simple as one might expect.
 
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Yep... that’s my “convention”.

It's a methodology that is still practiced.

I prefer to record my live rig with my usual EQ from the pedalboard and just throw a mic in front of it and just capture it without measuring distances or searching for an elusive "sweet spot" that probably doesn't exist.

That's how we recorded Ghost's "Dance Macabre" and I like these off-the-cuff tones the best of all.
 
It's a methodology that is still practiced.

I prefer to record my live rig with my usual EQ from the pedalboard and just throw a mic in front of it and just capture it without measuring distances or searching for an elusive "sweet spot" that probably doesn't exist.

That's how we recorded Ghost's "Dance Macabre" and I like these off-the-cuff tones the best of all.
That’s recording for you.., I prefer dry...but others do not....whatever works....
 
That’s recording for you.., I prefer dry...but others do not....whatever works....

I am seldom allowed to do it, sadly...which is why I love recording my demos. Most of the time, the producer has such an ironclad vision and direction, that every aspect of the production is tightly orchestrated.
 
Whatever Kev does, I think he makes pretty songs, and they sound good to me on my laptop through headphones.

This Tele, really rings and shines with its chimey tones for this tune.

 
I have never played any Dimarzio pickups, Kev says this guitar has some. MY friend Pete always said Dimarzio knew his stuff pickup wise. In my playing, a cheap Squier or less pickup would suffice for my skill.

 
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