Interesting responses...
I don't get emotionally attached to guitars or amps and I don't name them with conventional names. There are some i like better than others however.
All mine are meticulously set up to as high a degree of perfection as is humanly possible, and all play splendidly, but to me, they are just tools I use to earn a living, although I take great pride in the setup.
The highest compliment I ever received was when I let a musical colleague play my fake Chinese 59 Les Paul I got from Adrian, which is now owned by
@Sp8ctre.
He owns a real (documented) 59 Les Paul and he asked me, "Could you set up my 59 Gibson to play and feel like this one? I've never felt anything that slick..."
(I eventually did a fret level and crown on his '59 Gibson to the absolute best of my ability.)
My nicest guitar is my 2019 Schuster Purple Burst C1 Hellraiser FR. Absolutely perfect, right out of the box.
I got a nice Jackson San Dimas Floyd Rose that I got from Adrian, which stays in perfect tune...plus my homemade double neck.
Interestingly, I seem to gravitate towards my black homemade Les Paul. It's the guitar that I play the most. It has that well broken-in boot feel to it. Perfect "lightning bolt" intonation, frets only .036" tall, hand-crowned and polished, action .060" @ the 12th and .015" @ the 1st fret, aluminum tailpiece, 4mm small pin, gold plated aluminum roller Nashville Bridge, fully copper shielded and just effortless to play.
Besides looking like a $4,000 Gibson Les Paul Custom on stage, I like the visual reference of the big, block inlays, when I glance down from the Mike to get my bearings.
There are more expensive guitars, but none that I have played that are better...it works everyday.