Thanks. I thought it was pretty smart...until I realized I just made a patchbay I could have bought for $80 ! I am pretty sure I will order one soon and use this one just for Hello Kitty stufff!
Although I probably should have paid closer attention, nothing was going to stop me from finishing! That said, I do not think the Hosa would work because it does not have a "pass thru" setting. i got this Berhinger PX3000See post #7![]()
Although I probably should have paid closer attention, nothing was going to stop me from finishing! That said, I do not think the Hosa would work because it does not have a "pass thru" setting. i got this Berhinger PX3000
Although I probably should have paid closer attention, nothing was going to stop me from finishing! That said, I do not think the Hosa would work because it does not have a "pass thru" setting. i got this Berhinger PX3000
The Behringer has 3 mode selections on top, which makes labeling easier. It is also cheaper.I like the ease of switching modes on this one....
Samson S-Patch Plus
I’ve had one for many years now. Very flexible, especially when changing things up often.
Of course, mine is tucked in a rack, tightly....top access switching would be impractical for me.
Yeah, but when it’s stuffed in to a rack you can’t get at the switches. It’s all well, and good sitting on a counter/desk top....but... actually mounted in a rack, with something above, and below, the switches are not accessible.The Behringer has 3 mode selections on top, which makes labeling easier. It is also cheaper.

See that...experience. That makes perfect sense if you tend to switch modes on the fly. (FYI - I am guilty of not fully reading your original posts)Yeah, but when it’s stuffed in to a rack you can’t get at the switches. It’s all well, and good sitting on a counter/desk top....but... actually mounted in a rack, with something above, and below, the switches are not accessible.
View attachment 15375
Just sayin'
The Behringer is up top because of the “top switching”...the rack has pins to release, and allow access to patching...if necessary.
See that...experience. That makes perfect sense if you tend to switch modes on the fly. (FYI - I am guilty of not fully reading your original posts)
I think like a home user, which this is really not for. In my case, I will not be switching after it is set and I do not own a rack...yet!
Oh, nice rack! I never had that that phrase enter my mind toward a male before now.
For linking up gear that exists separately. In my set up that means linking the live mixer to external, rack mount, effects units, and back...live mixer channel direct outputs can be sent, in any combination, to an 8 channel analog to digital preamp(to adat) that runs off to another recording interface, and on in to a computer...or a stand alone recorder. Live mixer inserts have six channels of compression, and multiple noise gates available via the patchbays too.Can someone explain what these patchbays are used for? ...![]()

For linking up gear that exists separately. In my set up that means linking the live mixer to external, rack mount, effects units, and back...live mixer channel direct outputs can be sent, in any combination, to an 8 channel analog to digital preamp(to adat) that runs off to another recording interface, and on in to a computer...or a stand alone recorder. Live mixer inserts have six channels of compression, and multiple noise gates available via the patchbays too.
The switches on the Behringer and Samson units mentioned make the groups of jacks behave in different ways.
Here’s a big read on the subject....
How to Use a Patchbay | Ledger Note
That explains how to take advantage of the availability of these modes...
View attachment 15376

Can someone explain what these patchbays are used for? ...![]()
Alright, it’s subjective because of the sheer quantity of choice, but...are you using an example consisting of two units being fed by/feeding the same bay block(#4)?
Sorry, I should have specified. I was trying to understand the example from the link you included aboveAlright, it’s subjective because of the sheer quantity of choice, but...are you using an example consisting of two units being fed by/feeding the same bay block(#4)?
The way I might run would be:
Pre amp out to top rear bay block #4-half normal(edit:in this mode, all three remaining jacks can serve as outputs for this preamp)
Reverb bay block #5-through...5 bottom rear to reverb unit input...5 top rear to reverb unit output.
Then- patch cable from top front of #4, to bottom front of #5.
Reverb is being fed here...
Send the wet reverb where you like(another block of the patchbay, or a mixer channel/return)
Since you have half normaled #4, you can pull the dry preamp to another channel of the mixer from the bottom front of block#4. If desired.(assuming you were using a stand alone preamp in the first place)
I’m just not sure what exactly was desired in your example.
Patchbays are freaky.

WHERE is the FLUX CAPACITOR???????
![]()
why are their doorstops on the drawer? --- a BRUINS COASTER??????
Seriously do you know what ALL THOSE BUTTONS DO????????
just looking at it gives me a migraine........please make it go away .....
Sorry, I only skimmed the article to verify key points were there.Sorry, I should have specified. I was trying to understand the example from the link you included above
View attachment 15380
