Blackmore:

Inspector #20

Inspector #20

Ambassador of Tone
Fallen Star
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When writing, or when engaged in preproduction for an album, do you work solos out in advance?


"I never work out my leads. Everything I do is usually totally spontaneous. If someone says, 'That was good; play that again,' I'm not able to do it. The only solo I've committed to memory is Highway Star [from 1972's Machine Head]. I like playing that semitone run in the middle."

What do you think of Stevie Ray Vaughan?

"I knew that question was coming. His death was very tragic, but I'm surprised everybody thinks he was such a brilliant player when there are people like Buddy Guy, Albert Collins, Peter Green and Mick Taylor – Johnny Winter, who is one of the best blues players in the world, is also very underrated. His vibrato is incredible.

"Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing."
 
It think solos really depend regarding "arrangements". From what I understand EVH used to lay random licks only. Then he'd call them up as he liked them to suite a complete guitar solo. If you listen to him a lot of times the old solos sound that way - very much come out of nowhere and don't necessarily "rhyme" with the preceding part.

Anyway, aside from Ed, you have the Randy Rhoads/Vivian Campbell type solos, and the more improved blues "jams" breaks that they often call a solo. They are two different breeds of "guitar solos" to me. I'm more of an improver but if a song called for it I would certainly arrange one. You will never get a Neil Schon, REO type solo out of just laying down a mid tune jam. I don't think. Even Angus is very arranged to maximize the peaks and valleys of the progressions. He rides a great arranged solo that even has an improved feel to it that is awesome.

Stevie? I never liked him. I'd say overrated but I don't think the world has him on their mind very much at all. His seeming fascination with "trying the be a Black man, or somehow feels he was born inside of one" always has cracked me up. I personally don't have a lot of respect for White salad tossers Lol, that feel they have to get all "Black" so they can somehow earn more acceptance in the blues community. Clapton is another one of these. Peter Green and Danny Kirwin never resorted to these tactics. Be who you are and let it flow.

.02
 
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Robert Herndon said:
When writing, or when engaged in preproduction for an album, do you work solos out in advance?


"I never work out my leads. Everything I do is usually totally spontaneous. If someone says, 'That was good; play that again,' I'm not able to do it. The only solo I've committed to memory is Highway Star [from 1972's Machine Head]. I like playing that semitone run in the middle."

What do you think of Stevie Ray Vaughan?

"I knew that question was coming. His death was very tragic, but I'm surprised everybody thinks he was such a brilliant player when there are people like Buddy Guy, Albert Collins, Peter Green and Mick Taylor – Johnny Winter, who is one of the best blues players in the world, is also very underrated. His vibrato is incredible.

"Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing."
Click to expand...

I agree in a sense. I can hear a lot of Albert King in SRV's work. But, I don't say that disparagingly. In a very real sense, nobody is truly, 100% original in anything they do musically. There is always an element of something that came before. And, that is totally okay.

SRV was unique in his persona. He did bring a new vibe to the Texas-based blues.

And, to be fair, we do base a lot of what we like about a band or individual on their personal presence and vibe and the energy they bring to the table. I don't see anything wrong with that.
 
smitty_p said:
I agree in a sense. I can hear a lot of Albert King in SRV's work. But, I don't say that disparagingly. In a very real sense, nobody is truly, 100% original in anything they do musically. There is always an element of something that came before. And, that is totally okay.

SRV was unique in his persona. He did bring a new vibe to the Texas-based blues.

And, to be fair, we do base a lot of what we like about a band or individual on their personal presence and vibe and the energy they bring to the table. I don't see anything wrong with that.
Click to expand...

I Iiked SRV's energy. That was my number 1 thing with regards to his performances.
 
smitty_p said:
I agree in a sense. I can hear a lot of Albert King in SRV's work. But, I don't say that disparagingly. In a very real sense, nobody is truly, 100% original in anything they do musically. There is always an element of something that came before. And, that is totally okay.

SRV was unique in his persona. He did bring a new vibe to the Texas-based blues.

And, to be fair, we do base a lot of what we like about a band or individual on their personal presence and vibe and the energy they bring to the table. I don't see anything wrong with that.
Click to expand...

I'm not "preaching" anything by posting this, i just pulled some interesting things from the interview.....
 
I never got into Blackmore much, being more of an '80s guy. He seems oddly sadistic though from what I've seen and heard in interviews. Maybe a little Ted Bundy in there it seems like. He bragged about aiming his cabs at the singer to make them deaf instead. o_O
 
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