In the 10.6 pound 1987 Squirecaster... 
Now Smitty has me thinking about trying 52mm spacing humbuckers in both neck and bridge positions...
Silly I suppose...but I got this vintage cloth Tone Man harness just laying around and need something to put it in...
It's not so much the 52mm spacing, it's the output. The cool thing about using a "bridge" pickup in the neck is that you can lower the pickup a bit more than you would normally do with a "neck" pickup and get the same signal strength from the neck, but you'll get a little more note clarity because the pickup is lower. Leads will still be full, but they sing a little bit more.
Believe it or not, I have gotten more compliments on the tone from my Washburn, with "bridge" Seymour Duncan 59's in both positions than I have with any other guitar I own.
It's kind of funny when you think about it. The guitar was $278.00 on eBay. I spent about $50.00 on new electronics (pots, caps, and switch), and the pickups retail for about $75.00 each.
Not a bad deal for a guitar that sounds sweet and plays like buttah!
BTW...go check out the Seymour Duncan Custom 5. I just discovered that p'up and I'm contemplating it for my Les Paul Studio project.
Sorry, I'm going with neither. Way way too hot.
To me, the answer to all humbucker questions is "T-Tops" and they run in the mid 7's, so....
I got 10 tons of gain in my Mesas (I'm in modern metal territory with the gain at 1:00), no need to push the front with the pickups. I just don't find high-output pickups to have enough dynamics for my taste. And I don't necessarily think "PAF tone" is the end all. Virtually all the music I listened to as a kid was made by guys using contemporary equipment, and that meant T-Tops, so that is the sound I will always hear in my head and compare everything else to. Even Jimmy Page had a T-Top in his #1 after the crummy PAF died, haha!
I've tried a few GFS pickups and liked them a lot. Not more than Gibson pickups, but damn close and one helluva bargain.
I got 10 tons of gain in my Mesas (I'm in modern metal territory with the gain at 1:00), no need to push the front with the pickups. I just don't find high-output pickups to have enough dynamics for my taste. And I don't necessarily think "PAF tone" is the end all. Virtually all the music I listened to as a kid was made by guys using contemporary equipment, and that meant T-Tops, so that is the sound I will always hear in my head and compare everything else to. Even Jimmy Page had a T-Top in his #1 after the crummy PAF died, haha!
I've tried a few GFS pickups and liked them a lot. Not more than Gibson pickups, but damn close and one helluva bargain.
SO those are not the pickups that made you swore off boutique pups?Very happy with the sound of the Lollar Imperials in my PRS.
Neck 7.6K, and a pair of Bridge 8.4K
Glad those Dragons found a good home.SO those are not the pickups that made you swore off boutique pups?
BTW, the Dragon IIs work well in the Agile LP - man, they are HOT!
I really like the Sanford Magnetics P90s, but our resident P90 expert, BGood has said that Booy's Tonelab pups beat them out. Tom Anderson PQs sound great, but they do not have much growl.Glad those Dragons found a good home.
I love the tones from the Lollar buckers.
Those were the Lollar P90's, that left me feeling uninspired, Ray.
Not crap, but I was expecting so much more of a change from what I previously had.
DiMarzio DP100 Super Distortion Clean Tone: