Well, Ladies and Gentlemen, here we are again. There's been a pause of a few years, but those that know me, know that I can't leave well enough alone and I take a certain degree of masochistic fulfillment in taking something that is designed for something, and making it do something else.
So, if you're the type who can sit in a perfectly good airplane and think, "Y'know, it would be fun to jump out of this!" this thread is for you! If you're the type who cheers for the guy who brings a knife to a gun fight, this thread is for you!
What we're gonna try and do here, boys and girls, is turn a humble, Washburn HB-30 semi-hollow guitar that was just minding its own business in a Guitar Center into a hard rock/metal guitar.
I can hear the naysayers now. "It'll feed back!" To this I say, "YUP!!!" Seriously, though, I realize I may have to address that at some point, so I do have that in mind..
So, without any further adieu, let's get started.
There won't be much in this first post. Just laying some groundwork.
By way of reminder, here is the unsuspecting guitar as it was when I got it home yesterday:

First, I wanted to put my preferred gauge of strings on to get a baseline of the sound. I was all out of my Stringjoy strings, but I picked up of some of these. They'll do for now.

With the strings off, I decided to pull the pickups to see what I was dealing with. The last HB-30 I had used a set of Washburn 621/623 pickups. These are something called "Custom 62N" and "Custom 62B".

Any the who...
After reassembling and restringing, I plugged in to see what I was working with here.
As expected, when used with a lot of distortion, the sound is very flubby with a wooly bass response. So, these have gotta go. The clean sound is, as expected, suitable for a smooth, warm, jazz sound - not what I'm after with this project!
I know from my prior HB-30 that this guitar used 250 kOhm pots and .033 mF capacitors. So, those will have to be replaced, too. Normally, I'd just do the pots and caps to see what that does, but since it is more of an effort to make these sorts of changes to a semi-hollow guitar since everything has to be fished through the F-holes, I'll wait until I get everything I want and only go through the effort once.
There will be some aesthetic changes, too.
So, sorry I don't have more, but the journey has begun!
So, if you're the type who can sit in a perfectly good airplane and think, "Y'know, it would be fun to jump out of this!" this thread is for you! If you're the type who cheers for the guy who brings a knife to a gun fight, this thread is for you!
What we're gonna try and do here, boys and girls, is turn a humble, Washburn HB-30 semi-hollow guitar that was just minding its own business in a Guitar Center into a hard rock/metal guitar.
I can hear the naysayers now. "It'll feed back!" To this I say, "YUP!!!" Seriously, though, I realize I may have to address that at some point, so I do have that in mind..
So, without any further adieu, let's get started.
There won't be much in this first post. Just laying some groundwork.
By way of reminder, here is the unsuspecting guitar as it was when I got it home yesterday:

First, I wanted to put my preferred gauge of strings on to get a baseline of the sound. I was all out of my Stringjoy strings, but I picked up of some of these. They'll do for now.

With the strings off, I decided to pull the pickups to see what I was dealing with. The last HB-30 I had used a set of Washburn 621/623 pickups. These are something called "Custom 62N" and "Custom 62B".

Any the who...
After reassembling and restringing, I plugged in to see what I was working with here.
As expected, when used with a lot of distortion, the sound is very flubby with a wooly bass response. So, these have gotta go. The clean sound is, as expected, suitable for a smooth, warm, jazz sound - not what I'm after with this project!
I know from my prior HB-30 that this guitar used 250 kOhm pots and .033 mF capacitors. So, those will have to be replaced, too. Normally, I'd just do the pots and caps to see what that does, but since it is more of an effort to make these sorts of changes to a semi-hollow guitar since everything has to be fished through the F-holes, I'll wait until I get everything I want and only go through the effort once.
There will be some aesthetic changes, too.
So, sorry I don't have more, but the journey has begun!
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