AAAWW the Stones

only because of the members

really? --

blur?

but but ...... they both rawk

totally different -- how are they even a VS?

;)

-Thrash and they released albums within months of each other for years ( and yes the Mustaine vengence)

-First Metal Act/ Mysterious British 4 pieces( i disagree with Zep being metal at all but thats the popular argument among critics)

-Britpop (battled very publicly and bitterly for supremacy on British radio, TV and concert attendances)

-NWOBHM ( Both are amazing and perfectly matched but im a devout Maiden fanatic)

-Psychedelic Blues/Rock Power Trios lead by a virtuoso guitarist
 
Stones put out some good songs. I acknowledge the mark they made on rock history. Their contributions. That somehow, Mick can still dance around the stage like a 20 year old.

Sorry boys and girls. But I don’t own a single 45 or LP or CD of their music. Was just never that into them.
 
I always dug the B side Stones as much as the popular ones myself. One of my favorite lines ever was in this one: " Gonna Find My Way To Heaven, Cause I Did My Time In Hell. Wasn't Looking Too Good, But I Was Feelin Real Well!"
 
I always dug the B side Stones as much as the popular ones myself. One of my favorite lines ever was in this one: " Gonna Find My Way To Heaven, Cause I Did My Time In Hell. Wasn't Looking Too Good, But I Was Feelin Real Well!"
I get that. Listened to a radio station out of Muscatine IA when I was a kid. They played lots of “B” side songs. Cost me money since then I’d have to go buy an album I probably wouldn’t have bought.
 
Never got into the vs thing either.
As is pretty well known, Stones management marketed them specifically to be the bad boy alternative to The Beatles.

Love both of them, would be hard to pick because of lots of specific songs from both.
If I HAD to pick, it would be Beatles.

Though I dig almost the entire Beatles catalogue, as a whole I prefer the early Beatles up through Revolver.
I'm not at all averse to Sgt. Peppers forward though.
White Album, Abbey Road, and Let it Be are also favorites, especially the emergence of more of Harrison's writing.

Oh, this is a Stones thread, sorry.
Goo goo g'joob.
 
Never got into the vs thing either.
As is pretty well known, Stones management marketed them specifically to be the bad boy alternative to The Beatles.

Love both of them, would be hard to pick because of lots of specific songs from both.
If I HAD to pick, it would be Beatles.

Though I dig almost the entire Beatles catalogue, as a whole I prefer the early Beatles up through Revolver.
I'm not at all averse to Sgt. Peppers forward though.
White Album, Abbey Road, and Let it Be are also favorites, especially the emergence of more of Harrison's writing.

Oh, this is a Stones thread, sorry.
Goo goo g'joob.
The funny thing about the bad boy image was like how Lemmy commented on it: The Stones were from rich London and The Beatles were from down and dirty Liverpool/Merseyside. In reality, The Beatles had a cleaner image but were really from the rougher area and John was even a Teddy Boy ( British greaser gang)
 
Stones put out some good songs. I acknowledge the mark they made on rock history. Their contributions. That somehow, Mick can still dance around the stage like a 20 year old.

Sorry boys and girls. But I don’t own a single 45 or LP or CD of their music. Was just never that into them.

Stones put out some good songs. I acknowledge the mark they made on rock history.

I think a better term of words would be, still making their mark on Rock history.:)
 
Yeah, when did all this vs. this or that come from anyway?

I guess I am so well rounded music wise and enjoyment of many styles or types of music because I really had no vs. anything growing up, unless it was me vs my A hole dad and all the strife he caused our family.

Although, I might admit, I do have a ME vs. Opera or Show Tunes type music type thing going on as the only vs. I currently admit to.
 
One thing I can tell you. It took VERY BIG balls to sing some of their late 60s/early 70s songs live, I wonder how they haven't gone to jail even more times.

Especially considering that back then rock and roll had this effect over young people:

 
-Thrash and they released albums within months of each other for years ( and yes the Mustaine vengence)

-First Metal Act/ Mysterious British 4 pieces( i disagree with Zep being metal at all but thats the popular argument among critics)

-Britpop (battled very publicly and bitterly for supremacy on British radio, TV and concert attendances)

-NWOBHM ( Both are amazing and perfectly matched but im a devout Maiden fanatic)

-Psychedelic Blues/Rock Power Trios lead by a virtuoso guitarist

Not sure I would put Judas Priest in the NWOBHM category as they predated it by quite a bit. I was a huge fan of Priest in their early days and remember distinctly when the first Maiden album came out, and I would have never lumped them into the same category in real-time. Loved them both but never felt they were contemporaries as much as the old masters (Priest) passing the baton to the next generation (Maiden).
 
Not sure I would put Judas Priest in the NWOBHM category as they predated it by quite a bit. I was a huge fan of Priest in their early days and remember distinctly when the first Maiden album came out, and I would have never lumped them into the same category in real-time. Loved them both but never felt they were contemporaries as much as the old masters (Priest) passing the baton to the next generation (Maiden).
Z
Priest dates back to Black Sabbath actually when they were still called Earth. Even shared a band member in Ernest Chataway between bands for a brief period. Obviously they existed throughout the 70s with massive albums like Rock N Rolla, Sad Wings Of Destiny, Sin After Sin Hellbent for Leather and Stained Class but when NWOBHM broke out, they were at the forefront alongside another 70s band in Motorhead. Iron Maiden was born out of the 80s along with Saxon, Angel Witch, Diamond Head, Tygers of Pan Tang, etc.

But the two clear leaders of NWOBHM were always Priest and Maiden. The comparisons were obvious as well: theatrics, a frontman with operatic vocals, twin guitar harmonies, huge rhythm section. Hard to not see the similarities
 
Z
Priest dates back to Black Sabbath actually when they were still called Earth. Even shared a band member in Ernest Chataway between bands for a brief period. Obviously they existed throughout the 70s with massive albums like Rock N Rolla, Sad Wings Of Destiny, Sin After Sin Hellbent for Leather and Stained Class but when NWOBHM broke out, they were at the forefront alongside another 70s band in Motorhead. Iron Maiden was born out of the 80s along with Saxon, Angel Witch, Diamond Head, Tygers of Pan Tang, etc.

But the two clear leaders of NWOBHM were always Priest and Maiden. The comparisons were obvious as well: theatrics, a frontman with operatic vocals, twin guitar harmonies, huge rhythm section. Hard to not see the similarities

This is the music I listened to at the time; I first fell in love with Priest in about 1975 and was blown away by Maiden in 1980. Neither I nor my buddies who also love(d) these bands saw any similarities, then or now.
Not even the NWOBHM Encyclopedia lists Judas Priest among the ranks: J • (nwobhm.com)

Not trying to argue, just stating my contemporaneous memories from long ago. We can definitely agree to disagree if you remember it differently.
 
No clue what a nwbgbmshjw-aow xyz is. but like Gball No arguin here.

Friggin music is Music. If you like it, and it makes you happy, that should be enough. If you dig show tunes or Gay Ricky Martin, whatever floats your boat. But if you like the Stones, that is valid and is within your freedom to do as well. Conversely if you hate the Stones, but love NIN, or KISS or Mudvayne, Weezer, Moby, Cher or Sepultura, but can't stand Dream Theater or Roy Orbison, then you are not wrong or right for doing either of those either. This is not modern music Communism or anything.
 
No clue what a nwbgbmshjw-aow xyz is. but like Gball No arguin here.

Friggin music is Music. If you like it, and it makes you happy, that should be enough. If you dig show tunes or Gay Ricky Martin, whatever floats your boat. But if you like the Stones, that is valid and is within your freedom to do as well. Conversely if you hate the Stones, but love NIN, or KISS or Mudvayne, Weezer, Moby, Cher or Sepultura, but can't stand Dream Theater or Roy Orbison, then you are not wrong or right for doing either of those either. This is not modern music Communism or anything.
Lol but you said you were well rounded musically NWOBHM: New Wave of British Heavy Metal;)
 
Mike, Yeah I know that term New Wave of... I am a tad slow witted lately. Working on legal, physical, mental and emotional ordeals for the futures of my aging parents, plus struggling to find just the right lutherie resources such as Milliput epoxy putty, a Floyd B saddle for my newest guitar with a broken string retainer bridge screw, threaded inserts and the right tools to install them in my Jackson V's neck, getting 2 cars ready for niece and her husband after their parked cars were wrecked by hit n run driver while they slept one night last week, has taken its toll on my sharp mind here recently.


Mike, I am well rounded Musically,,,,,,,,,,, maybe just not well rounded "Labelsly"
 
Mike, Yeah I know that term New Wave of... I am a tad slow witted lately. Working on legal, physical, mental and emotional ordeals for the futures of my aging parents, plus struggling to find just the right lutherie resources such as Milliput epoxy putty, a Floyd B saddle for my newest guitar with a broken string retainer bridge screw, threaded inserts and the right tools to install them in my Jackson V's neck, getting 2 cars ready for niece and her husband after their parked cars were wrecked by hit n run driver while they slept one night last week, has taken its toll on my sharp mind here recently.


Mike, I am well rounded Musically,,,,,,,,,,, maybe just not well rounded "Labelsly"
I was just kidding lol
 
I was just kidding lol

I know.


According to Wiki

The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in the United Kingdom in the late 1970s and achieved international attention by the early 1980s. Journalist Geoff Barton coined the term in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music.

Although encompassing diverse mainstream and underground styles, the music of the NWOBHM is best remembered for drawing on the heavy metal of the 1970s and infusing it with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the new metal bands led to the spread of raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes such as mythology, fantasy, horror and the rock lifestyle.

The NWOBHM began as an underground phenomenon growing in parallel to punk and largely ignored by the media. It was only through the promotion of rock DJ Neal Kay and Sounds' campaigning that it reached the public consciousness and gained radio airplay, recognition and success in the UK. The movement involved mostly young, white, male and working-class musicians and fans, who suffered the hardships brought on by rising unemployment for years after the 1973–75 recession. As a reaction to their bleak reality, they created a community separate from mainstream society to enjoy each other's company and their favourite loud music. The NWOBHM was heavily criticised for the excessive hype generated by local media in favour of mostly talentless musicians. Nonetheless, it generated a renewal in the genre of heavy metal music and furthered the progress of the heavy metal subculture, whose updated behavioural and visual codes were quickly adopted by metal fans worldwide after the spread of the music to continental Europe, North America and Japan.

The movement spawned perhaps a thousand heavy metal bands, but only a few survived the advent of MTV and the rise of the more commercial glam metal in the second half of the 1980s. Among them, Iron Maiden and Def Leppard became international stars, and Motörhead and Saxon had considerable success. Other groups, such as Diamond Head, Venom and Raven, remained underground, but were a major influence on the successful extreme metal subgenres of the late 1980s and 1990s. Many bands from the NWOBHM reunited in the 2000s and remained active through live performances and new studio albums.
 
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