

View attachment 4349
View attachment 4349
Contrast that first picture to this 2nd one. As one can see, the smaller nibs/longer frets in pic one give more playable surface area while the larger nibs leave less flat area for a string to be played on. Thereby large nibs leave a propensity and condition by which by the mere geometric shape of the shortened fret and widened nib/binding a joint that is closer to the string occurs which often causes it to catch in the now created gap between fret and binding.
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Smitty....on your LPC I noticed the "I always thought it was odd" white switch tip....significance???
Robert, Smitty etc, do all my pics show up? I am pulling them off the web and sometimes I post things and I see them fine. In some cases other members here can't see everything sometimes.
No significance. That's just how it came.
But, now that you mention it, I should probably change it to black since all the other plastics on that guitar are black.
Robert, Smitty etc, do all my pics show up? I am pulling them off the web and sometimes I post things and I see them fine. In some cases other members here can't see everything that I see from my end.
Well, I've always liked the speed knobs. So, I'm glad mine has them. I'll be doing black speed knobs on my Studio project, too.
Ya i see the reverse wind on the E there Robert.The little white SG JR is the real 62 Les Paul SG JR.it looks as if i reverse wound the E strings they would be slightly over the other direction
I'm a fan of speed knobs too. Both of the LPC's I have owned, both Norlin-era, came with white tips and gold reflectors, a-la:
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