Line-6 Amps:

gball said:
My personal favorite Metal amp

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I would try that...
 
Robert Herndon said:
I would try that...
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If I had a need for this amount of firepower I would already have one. But even in "low power" mode it's a 60-watt amp and although Mesas have, IMO, the best master volume in the business, it's still too much horsepower for what I am doing these days. My 25-watt Mark is more than loud enough through my 4x12 for my needs but trust me, if I started gigging again my first stop would be Mesa Hollywood for a JP2C.
 
gball said:
If I had a need for this amount of firepower I would already have one. But even in "low power" mode it's a 60-watt amp and although Mesas have, IMO, the best master volume in the business, it's still too much horsepower for what I am doing these days. My 25-watt Mark is more than loud enough through my 4x12 for my needs but trust me, if I started gigging again my first stop would be Mesa Hollywood for a JP2C.
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Nobody around here, that I have seen, carries these Mesa's...
 
gball said:
I’m lucky in that I am close enough to the factory store in Hollywood that I can just run up there on the weekend if I need anything. Also give me the chance to try things out.
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Reminds me of the combo Felder played in Hotel California 1978 Live with the EQ panel...
 
Been playing through a 75 watt Spider and Jackson 4x12 throughout this project. Nothing else sounds good in comparison. My DSL40C sounds like an AM radio in comparison.

I think its time for the DSL40C, Attenuator and VS265 to go down the road.

I'll keep the Blackstar ID-CORE 100watt for home studio use since its so versatile.

I just leave the 4x12 in the rehearsal studio, so I don't have to worry about transportation issues...

I'm looking for one of these now...

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syscokid said:
Well, this is an interesting turn of event... :hmmm:.
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Tell me about it!

I downsized from my old Marshall SLP full stack for space considerations, but now that we have a dedicated rehearsal studio, I don't have to move the equipment and nothing beats 8X12's for tone...
 
gball said:
You do you man. If it's giving you the tone you want then it's the right tool.
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It was the engineer that suggested we make the double neck the main #1 guitar on this album because of the sound when compared to my SG, Les Paul and all the studio rentals...
 
67plexi said:
They had that amp at my local music store I'm sure they put it in the dumpster I will check some one left town and dropped it off
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For this style of metal, the Line 6 yields a more appropriate tone than anything else I currently have on hand...better than my VS265 or DSL40C...
 
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