Well, the bassist and singer got together this weekend, first time since the singer's mother passed away, and I can't believe what they've come up with.
I had sent him a few song ideas, lyrical fragments, etc., but I really tried to stay out of the writing because I always tend to inject this swampy, bayou-metal thing, most likely from my country background.
Well the stuff they came up with - seven complete songs in a weekend meeting - just blew my mind. It's like Priest and G-N-R combined, with overtones of Deep Purple and Sabbath.
From our very first meeting, I felt like this venture really had some incredible potential, despite some disappointments along the way.
Every one of us has a solid vision - heavy metal originals, with just enough covers to make it fly.
The bassist has commented favorably on my lack of effects approach and vision for the guitar tonal spectrum in general, which is a rare thing, because, quite often, as a guitarist, you are constantly asked to alter the guitar tone, make a phrase less bluesy, change this or that, and I really dig his concept; " This just needs to be in your face rock and roll - hard, fast and driving all the way..."
Even the visual impact of his spray can flat black Gibson Firebird bass and my flat black Gibson Les Paul has a real cool theme going on.
Clearly, the 1997 Marshall Valvestate VS265 2X12 Stereo Chorus Combo is the best amp for this venture as far as live performances go. The gain and tone from the 2X12 Eminence speakers really has a very early (Peace Sells) Mustaine vibe.
Plus the VS265 is really just an extra amp for me without any deep, emotional attachment, even though I have owned it since brand new. Paint the band logo on the grillecloth, no problem....something I wouldn't do with my new Blackstar or DSL40C.
Once I have an "OK" from the guys, I will post up something for you all to listen too...