A string problem would be logical. Especially the wound strings can wear fast on a guitar like this, as the Bigsby "pulls" them through the saddle slots with each use. I have heard some like to have roller bridges for that reason, but I could imagine that those are also prone to noise and rattling.It's the bridge saddles. The string angle seems to be the issue, but from the neck end, not the Bigsby. When I pluck hard, it rattles on every string, though the A and D strings are the most obvious.
That's nice. How are the adjustment screws working on these? Is it like a P- Bass, with a Foam piece pushing the PU outward and the screws pulling it towards the body?Though, wow! After playing it a bit... I've needed "this" on a lot of occasions is my first thought! I'm undecided on the bridge pickup where one of the adjustment screws don't seem to be working anyway. The P90 in the neck isn't going anywhere!
That's nice. How are the adjustment screws working on these? Is it like a P- Bass, with a Foam piece pushing the PU outward and the screws pulling it towards the body?
I have heard some like to have roller bridges for that reason, but I could imagine that those are also prone to noise and rattling.
Could be the easiest fix, as the original Bridge might not be of the highest quality.I was wondering about those when contemplating the bridge problem. I might well go for a roller if I have to replace this one. Haven't had one since my first electric.![]()
If you like feedback, you can have some fun getting close to the amp and let the body shake...it can be musical and its pretty easy to control it.
Congratulations! I hope it all settles in for you!Update: Yes, perfect. Apart from the fact the rollers dropped out of the bridge (the only other roller bridge I've had had a 'fixed' arrangement) I set it up, intonated it and... no more rattle. The trem feels a little silkier/smoother, but that could by psychosomatic. It felt pretty good from the get-go. Didn't need the new posts that came with the bridge, it was a drop-in replacement.
Unfortunately, at least two projects that won't require the guitar to be used, so just noodling around for now. The next song is a request from our drummer and he doesn't put in all that many, so I try to honor them as best I can. This is going to take a 5-string bass (I've got a P-bass...), a superstrat (I have a 'regular' Strat) and a Les Paul (pfew, at least I've got one of those) to be true to the original. I'll see what I do about the superstrat, might just wing it with a Tele. If I had a pound for everytime I've "wing'd something with a Tele", I'd be starting my private jet right now...
Ah well, let's just say that there will be some George Thorogood in the near future!