@ibmorjamn - thank you brother, means a lot to me! Can I make you a Snow White one?
Except your dwarves are gonna be, "Rocker" "Punky" "Stoner" "Surfer" "Dweeb" "Spike" "Methy" and "Jammer"
Been a few weeks since I've tooled something. Got the bug again earlier this week while cruising social media. There was a young buck anguishing on how he dearly wanted to get into a cool old school hobby like leather tooling, but couldn't because all the tools were so damn expensive and so many of them were required.
An old-timer, (even older than me I think! LOL!) chimed in with a photo example of some work I though was really cool. Wasn't a guitar strap, but a piece much smaller, but that didn't matter. His reasoning behind the example he posted was that his art utilized simply ONE single leather stamp. Not only that, but one of the least expensive, most common ones available.
I thought his idea was super creative, execution wonderful. Since he put it out there, I'm borrowing, slightly modifying his idea for a tooled guitar strap application. I do have plenty of stamps though, and sometimes of course it seems never enough! Leather stamp GAS is real!
But just like with guitars, pedals and amps, sometimes having too many choices blinds our creativity.
Before I began, I experimented with several types of the tool the old pro had, that I own. I finally chose this particular one giving the sharpest impressions. It's an older one that came to me in a kit my grandfather owned, all rolled up in oilcloth. In leatherworker lingo, it's called a "Camoflage" stamp. I have two others similar, one larger, one similar-sized but I suspect those came in an Asian kit I picked up on the cheap when I first started. Just blurry, poorly defined impressions, and would you believe the metal shafts of those china tools often bend under hammering? If you do choose to get tools, try to get the good ones!
The dude's pattern was basically large flowers about 3" across, starting from the centre, moving outward. The camoflage tool acts to form petals. I also used one other tool called a "seeder" for the centre of each flower. Here I am starting out, after a bit of practice on chunk of scrap leather.
I usually start on the back of a leather strap like this, trying new a new thing, because invariably your work flows better at it as you get further towards the nose. You want your best work to show up front. This isn't exciting work. In fact, it seemed the less I thought about it, the better it ended up looking. Perfect kind of task for the likes of me! The trickiest thinking was getting the centers spaced out properly, then aligning how the flowers crowded together where the edges of them meet.
I normally would do a stitch line before tooling, but I wanted the "art" to go right to the edge in this case. Took me about 1 hour 40 minutes of hammering to do a 46 inch main body, and a 17 inch tail strap. Arm was pretty sore at the end, as I hold it up pretty high, and I had a few miss-hits that bruised my hand pretty good. Particularly painful today, because I was smacking that stamp pretty had, wanting good deep impressions.
Very cool and rather simple texture! I call it "Bouquet."
Next up, A stitch line. This is maybe one of those expensive tools the noob was moaning about, but it's only about $16, and I picked up my first one only last year. Should have got it much earlier though. This tool bores a small channel out of the leather using the edge of your work as a guide. Once stitched, the thread sits down in this channel, being in there keeps if from getting worn through. For years and years I used a rolling screen door channel tool to do this. This boring tool is much better. Takes a little practice to use it well, I still have some trouble around corners.
Then, while the leather is still a bit damp from tooling I use an edge bevel, cuts nicer.
Note I used the stitch tool
before the bevel as you want a nice sharp edge for your guide. This bevel tool rounds it off so it's far easier to burnish later. Rounded edges won't dig into your neck. This tool takes a bit of power to drive it, but you also need to be VERY careful, 'cause if you slip, invariably it puts a nightmarish gouge right into the nicest part of your painstaking tooling design. Mine's a bit duller than it should be. Need to attend to it.
All that done, I'm going to think about what colour to dye it. I'd like it to be special. Normally I'd dye it while the leather was still wet, because it seems to take dye much more evenly, but I wanted to think about this one over the next couple days.
Happy Friday my forum bros. Hope your weekend hits the sweet spot.