P-90 guitars

A local shop sold one of these at half price last year and the guy who bought it sold it for his money back this year ($700). A nice guitar with Seymour Duncan Phat Cats and a real double-cut Les Paul Junior vibe. I did contemplate it both in the shop and when it came onto the market again but decided I didn't need another guitar like that.

 
^ Interesting guitar, Dave - you love that metrosexual stuff! :p


eed has little to do with it. It is a carefully chosen area of excess!

Haha, nicely put, Sir!

However, if I had to have just one, one like yours would be just fine. Nice choice!

Thank you; kindly stated.
Lookswise, maybe, but I doubt it'd reach your general standards for playability and sound (the new tele is probably better in both those respects; and I'd choose a lot of your options over this SG - she's just a looker, a bit shallow).
 
A handful of mine have P90s.




Those are beautiful. I really love those early Black Beauties. If I ever get a Custom, that's exactly what I would love to get.




A gold top with P-90s looks perfect. Again, another type of guitar I would love to have. I have the lumber, pickups and hardware, and the correct gold and bronze powder to build one after I get these other guitars finished.
 
All very nice! What year is that black beauty?
It's a later one, 2007. Back in '74 I bought one of the first run of reissues; that guitar later got stolen. I missed it for decades and when this came up for sale five years ago I couldn't resist. It even came with a nice purple-lined case just like the old one had.

If memory is to be trusted, the two are a bit different. This one is lighter than the other, which was quite weighty indeed. Never actually put that one on a scale but it felt really heavy to my younger & stronger self; I even got an extra wide strap to save my shoulder. The newer one is 9.3 lbs - a hair heftier than I prefer but not ridiculously massive.

Both solid mahogany - no maple cap. I think perhaps the top carve on the old one may have been dished out a bit more. The newer one also has a medium C neck profile, while I remember the other as being fairly fat. But it might just have felt big in comparison to the Strat and Jazz Bass which were my only other electrics then.

Can't be 100% positive of some details - it was a long, long time ago.
 
arise from the dead, O thread...

I don't know why this one appeared suddenly, but here it is.. The last post was in February of 2021.
I was still in Tucson then, hunkered down against the Pandemic, trying to stay alive. My wife Cindy
had died. In February of 2021, shots were available, and I was waiting for my turn.

When we moved to Tucson in 2019, we both sold lots of our stuff. She sold jewelry, artwork, fabric,
earrings, clothes, furniture... I sold tools, guns, lures, guitars, amps, books, recordings.
I sold my house, I sold my boat... we were trying to raise money for her fight with Cancer,
which she lost in 2020.
After she passed, I decided to stay another year. Tucson seemed almost safe compared with
everywhere else at that time.

There were a few of my possessions that I could not haul to Tucson in 2019, but that I could not bear
to sell. So I "fostered" two of my guitars and three amps with some of my musical friends before we
left Michigan. One of them was this:
Caledonia 23@100.jpeg
This picture is from 2022 after I came back to Michigan and got Cal'donia back from my friend.
I had been through so much, and got my shots and survived all that disease and upheaval
of those times, I'm very grateful for every day.

This is my only P-90 guitar, and I'm very fond of her. I named her Cal'donia.
It's an Epi ES-339 P-90 pro. I bought this guitar in 2015 during the great Gibson Guitar
bash-fest of that year. I found all the negativity upsetting, and this was my vote.

I replaced the Epiphone P-90s with a pair made for me by
Ken Rose. The neck p'up has a woody jazzy tone that I just love, and the bridge
pickup is pure rock an roll. The guys at Ken Rose pickups asked me about my music
and wound these p'ups for me based on my answers.
There was really nothing wrong with the Epiphone P-90s, but the Ken Rose pickups
have more soul.

I'm very happy. I asked them to wire the pickups so that the middle position would
turn the guitar into a big hum bucker, and they did this. So I play mostly in the middle
and the guitar is pretty quiet, depending on the volume settings of the two pickups.
I just love the tones I get from this instrument. It's given great service for nine years
with zero problems.

The ES-339 is a reduced size from the normal 40s/50s Jazz-Boxes...
It's about the size of a Les Paul. It has a center block made of maple, so it's quite like
Les Paul's old "Log" concept. It's not really a hollow body with that center block.
It's hollow in the two "wings" that form the upper and lower bout.
This guitar weighs about eight pounds, like my Telecaster.

Epiphones rock! ... especially with P-90s.
 
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Talk about being late to the party.

My one and only LP with P90's.


MMaHEuQ.jpg
 
This thread popping up encouraged me to play this one last night.
I put it together from a dirt cheap bare AXL husk a little over 2 years ago. Came out pretty good. The wrap around bridge intonation has the typical trade off; I have to tune the open D just a little flat or power cords sound mushy. The bridge studs screw down tight; it doesn't have that dreaded tilt some have.

It plays ok (see below), stays in tune well, and sounds pretty good with the Gibson Treble P90 pickup I picked up used a while back.
Best of the bunch of the 3 or 4 other P90 guitars that have come and gone.

Another thing I really like about these AXL guitars (I built 3 from bare husks), is the sculpted heel. Really improves upper fret access, as seen in the second pic.
The fairly round / thicker neck profile fits me really well.

*** BUT: with the truss rod turned all the way clockwise, it has a little too much relief. In the warmer months is is not really noticeable. Now in the colder / dryer months, It does affect playability / feels off to me.

Not sure what can be done. I am using 10-46, as with all my 24-3/4" scale guitars. I may try 9-42.
It would really be a winner if I could get the relief down.

20220811_193246-2.jpg
20211221_175237-2.jpg
 
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I have 3 P90 guitars never bonded with them like my PAF humbucker guitars
2016 I was dropping off amps I repaired to the music store Leo was working on a 1962 mint never been played Gibson Les Paul Special
the owner was having it routed out for humbucker pickups I offered $8500.00 to the owner to save the guitar was turned down.
 
*** BUT: with the truss rod turned all the way clockwise, it has a little too much relief. In the warmer months is is not really noticeable. Now in the colder / dryer months, It does affect playability / feels off to me.

If I understand you correctly, I believe you can remove the truss rod nut and add a washer under it to give you a little more adjustment. That's a cool guitar, man! :yesway:
 
I'm rethinking a lot of things lately and I've come to realize that I need to quit jacking around and make that Gold Top LP I've been GASing for for years a reality. I don't care if it's a Tribute, Studio, Classic, Deluxe, or something I'm not even aware of, as long as it's an archtop GT LP with P90s or mini HBs I can swap out for P90s.

Stay tuned...I have a plan. :wink:
 
I'm rethinking a lot of things lately and I've come to realize that I need to quit jacking around and make that Gold Top LP I've been GASing for for years a reality. I don't care if it's a Tribute, Studio, Classic, Deluxe, or something I'm not even aware of, as long as it's an archtop GT LP with P90s or mini HBs I can swap out for P90s.

Stay tuned...I have a plan. :wink:
Here ya go brother.
 
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