Only been through Denver but always wanted to go to boulder ever since Mork and Mindy was on TVYes Littleton was great place to grow up
But now we want to get out it is way to big for us now
Like about any pedal short of a Wah, Noise gate or Overdrive? I really don't know how to use them myself lol I just dial around until something sounds good to me. As far as chorus goes? I seem to like it in stereo to two amps, sort of a micro delay and its not really dialed heavy, just a lil bit of width. Right now, I'm using it mono in the loop and i honestly dont like it that much lol. It's cool enough, but just sounds like any chorus you'd get built into an amp. Going into the front, at the end of the chain to two amps has a fuller fatter sound to me. But again, that's just meI’m no good with chorus but always just used the Boss pedal.
Yeah, most people, especially in the 80s were leaning on the Roland Jazz Chorus JC-120 amp, ranging from The Police to Joe Satriani. Pedals like the Boss CE-2 dominated the pedal scene and then you had the rack mount stuff like the A/DA MP-1 and Yamaha SPX90 that filled the rest of the landscape. Ironically, it was Grunge that killed the Chorus-filled sound but not before, as you mentioned, Nirvana used it on Come As You Are which was probably the last time it was popular, until a rebirth in it, starting around the time of Black Label Society began gaining bigger popularity ( despite the fact Zakk had used one heavily throughout his entire career way back with Ozzy in the 80s)I remember the late '80s when it was mandatory to have a chorus on your sound. Even Nirvana took advantage of this. Dry tone was just too dull and old fashioned sounding for the times then. Stereo chorus amps where running rampant at the time as well.
Yup - you nailed it.Yeah, most people, especially in the 80s were leaning on the Roland Jazz Chorus JC-120 amp, ranging from The Police to Joe Satriani. Pedals like the Boss CE-2 dominated the pedal scene and then you had the rack mount stuff like the A/DA MP-1 and Yamaha SPX90 that filled the rest of the landscape. Ironically, it was Grunge that killed the Chorus-filled sound but not before, as you mentioned, Nirvana used it on Come As You Are which was probably the last time it was popular, until a rebirth in it, starting around the time of Black Label Society began gaining bigger popularity ( despite the fact Zakk had used one heavily throughout his entire career way back with Ozzy in the 80s)
:dood:Alright then…with the chorus plugged into the loop of your main amp:Right now, I'm using it mono in the loop
You know that isn't a bad idea at all! What you're suggesting then, if I'm correct: is using amp 1 to feed into amp 2 via the Fx Return only, basically turning amp 1 into a preamp of amp 2? I used to run that Line 6 X3 into the FX Return only of both of the amps and created a master preampAlright then…with the chorus plugged into the loop of your main amp:
Maybe try running the second output of the chorus pedal to the effects return of the second amp(as long as the second amp has a “series” effects loop, and nothing is plugged into the amps actual input).
I do it a lot lately…well some version of it. Ground loops can be an annoyance. If you get hum, there are inexpensive ways to fix it easily. Feel free to hit me up, if you have any questions or difficulties.You know that isn't a bad idea at all!
Yes. Precisely. You will be splitting the signal with the chorus…using its mono to stereo capability. It will already be carrying the preamp signal from the main amp, so…there will be no need to run it through another preamp. It will be ready to go directly into a power amp.What you're suggesting then, if I'm correct: is using amp 1 to feed into amp 2 via the Fx Return only, basically turning amp 1 into a preamp of amp 2?
On paper this will work. My DualRec has a similar type of wording, but I have not yet tried it. I don’t have its effect send and returns routed to the patchbay (that I like to use for this type of stuff) to fire it up quick, right now. But yeah, it should work fine.According to the Mode Four's paperwork, it has a parallel and series FX loop. It says that the loop becomes series as long as the FX loop control is turned to the maximum setting. So, according to this and what I used to do: should work!
My light Bulb went off in my headAlright then…with the chorus plugged into the loop of your main amp:
Maybe try running the second output of the chorus pedal to the effects return of the second amp(as long as the second amp has a “series” effects loop, and nothing is plugged into the amps actual input).
Stereo-ish. Yes. As long as the katana has a “series effects loop”.My light Bulb went off in my head
Thanks !
So i can run the 2nd out to the return of my boss katana head and have a stero out put if im reading you correctly?

Thank you so much for all the suggestions, I will give it a whirl tomorrow and I appreciate this entirely!I do it a lot lately…well some version of it. Ground loops can be an annoyance. If you get hum, there are inexpensive ways to fix it easily. Feel free to hit me up, if you have any questions or difficulties.
Yes. Precisely. You will be splitting the signal with the chorus…using its mono to stereo capability. It will already be carrying the preamp signal from the main amp, so…there will be no need to run it through another preamp. It will be ready to go directly into a power amp.
On paper this will work. My DualRec has a similar type of wording, but I have not yet tried it. I don’t have its effect send and returns routed to the patchbay (that I like to use for this type of stuff) to fire it up quick, right now. But yeah, it should work fine.
Do you have any other stereo pedals in the loop?
Do you have any other pedals in the loop that need to go after chorus?
Please reread my previous post, as I’ve edited it for clarity, and my taking for granted full prior knowledge of setup.Thank you so much for all the suggestions, I will give it a whirl tomorrow and I appreciate this entirely!
The Chorus is the only one I currently have that's stereo. In the loop, I currently just have it and a 7band EQ that's mono. So it's Fx Send to EQ-Chorus to Fx Return at the moment
Appreciate you taking the time to give out some good, informative ideas with this my friend!Please reread my previous post, as I’ve edited it for clarity, and my taking for granted full prior knowledge of setup.
When I recorded that Electric Funeral entry, for riffmasters, I used the wet/dry/wet setup with the MicroPitch feeding the wet amps. It was like falling into a guitar sound abyss. Super engulfing.Appreciate you taking the time to give out some good, informative ideas with this my friend!