Forensic listening creates all sorts of artificial anomalies.
When the U.S.S. Thresher was lost in the 1960's, search crews thought they heard tapping noises and the same scenario just happened with the loss of the Titan submersible, despite the fact that both vessels suffered catastrophic implosions, because the searchers wanted to hesr evidence that the crews survived.
I can recall recording two guitars, and listening to the tracks, back to back, trying to figure out which one sounded better.
It became a real sonic rabbit hole to say the least. Of course, there's nothing wrong with constantly changing and/or buying up new gear of you are inclined to do so, but for me it was very distracting.
But, when you fire up your gear in a live band, it just works so well. All those subtle nuances you strain to hear in a quiet room are gone. You find yourself more intrigued by the drum beat, the crowd, the energy.
You will NEVER hear subtleties in this environment:
ANYONE that tells you that they can hear the difference between a 0.22uf and a 0.33uf capacitor, cloth vs. poly jacket wiring, or any other such nonsense, in a live performance environment, is either full of

or trying to sell you something.
Everyone here has better gear than most of the world's most iconic songs were recorded with.
Plug in your gear and play it...
@smitty_p