Orange MK Ultra, Marcus King Signature

Clockworkmike

Ambassador of STACKS in WV SHACKS
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I had never heard of this young man, Marcus King, until today when a video from Orange Amps popped up on Youtube. He is a 26 year old bluesy/southern rock/ countryish musician and an incredible guitarist from what I have seen and heard and has gained a bit of a following in recent years. So much in fact, Orange made him a signature amp that was released yesterday.

This amp is unique for multiple reasons, namely it is the first American designed and built Orange Amplifier and of course, its super minimalistic control lay out.

Its a 30w , all tube nonmaster volume amp with 2 12AX7s, 2 cathode based 6L6GCs and custom US made Heyboer transformers. Most unique is its 3 control lay out with a "sing" treble boosting knob ahead of the volume in the circuit to brighten it and a "deep" bass boosting knob behind the volume in the circuit to thicken and sculpt the tone. Its not a simple Bass/treble preamp EQ. And it sounds incredible.

The pricetag of $3200 is ridiculous in my opinion but the amp is awesome and a true US custom. Pretty impressive to be so simple and plus: its named after a super controversial CIA Mind Control Experiment from the 50s/60s lol
 
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I had never heard of this young man, Marcus King, until today when a video from Orange Amps popped up on Youtube. He is a 26 year old bluesy/southern rock/ countryish musician and an incredible guitarist from what I have seen and heard and has gained a bit of a following in recent years. So much in fact, Orange made him a signature amp that was released yesterday.

This amp is unique for multiple reasons, namely it is the first American designed and built Orange Amplifier and of course, its super minimalistic control lay out.

Its a 30w , all tube nonmaster volume amp with 2 12AX7s, 2 cathode based 6L6GCs and custom US made Heyboer transformers. Most unique is its 3 control lay out with a "sing" treble boosting knob ahead of the volume in the circuit to brighten it and a "deep" bass boosting knob behind the volume in the circuit to thicken and sculpt the tone. Its not a simple Bass/treble preamp EQ. And it sounds incredible.

The pricetag of $3200 is ridiculous in my opinion but the amp is awesome and a true US custom. Pretty impressive to be so simple and plus: its named after a super controversial CIA Mind Control Experiment from the 50s/60s lol
you need to set down the metal and grab holdda da blues more often Bubba...... Dat boiy can PLAY

and oh whats this ??? Orange USA??? AMPS????
 
He's good player he usually plays a 335 or 355 .
Yeah Gibson actually built him a signature ES345 based on the one his grandpa left him, which is a 62 ES345. So he has a signature guitar and amp by the age of 26. I have failed lol

 
you need to set down the metal and grab holdda da blues more often Bubba...... Dat boiy can PLAY

and oh whats this ??? Orange USA??? AMPS????
And I also think he is the illegitimated son of ROY CLARK
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Definitely looks like a relative lol

And yeah, crazy that Orange is building in the US of all places, which is awesome in my opinion ( the UK is equally fine as its the homeland). But as for the blues thing? Might surprise you but I'm not a metal-only guy lol

I know I'll catch hell from a certain sect roaming these regions for that statement, but I started out a classic and hard rock guy and still very much hold to that rule. Hell, me and @froman5150 operated a 70s cover band in school focusing heavily on Lynyrd Sknyrd, Ted Nugent, Ac/Dc and ZZ Top lol always loved metal too and always will. But at the same time, ill go run off and play obscure blues like RL Burnside or T Model Ford.

Metal only can burn out very quickly as can anything you play exclusively
 
Because I was acquainted with the original Orange amplifiers, I always associated them with Wishbone Ash and very loud, clean amps. Had a chance to buy a couple back in the eighties, but because they were rare back then, they were also quite pricey. I don't consider anything Orange is doing these days to be true to their past. They're a completely different amp.

As for Markus, I saw him a few years ago. He's someone you'd listen to if Government Mule is way too heavy for you, and you needed something more "Lite." Like if Gov't Mule got taken over by the Eagles. Not my cup of tea, but that's just me.
 
Because I was acquainted with the original Orange amplifiers, I always associated them with Wishbone Ash and very loud, clean amps. Had a chance to buy a couple back in the eighties, but because they were rare back then, they were also quite pricey. I don't consider anything Orange is doing these days to be true to their past. They're a completely different amp.

As for Markus, I saw him a few years ago. He's someone you'd listen to if Government Mule is way too heavy for you, and you needed something more "Lite." Like if Gov't Mule got taken over by the Eagles. Not my cup of tea, but that's just me.
Love Mule.
Warren is a true guitar badass.
 
Because I was acquainted with the original Orange amplifiers, I always associated them with Wishbone Ash and very loud, clean amps. Had a chance to buy a couple back in the eighties, but because they were rare back then, they were also quite pricey. I don't consider anything Orange is doing these days to be true to their past. They're a completely different amp.

As for Markus, I saw him a few years ago. He's someone you'd listen to if Government Mule is way too heavy for you, and you needed something more "Lite." Like if Gov't Mule got taken over by the Eagles. Not my cup of tea, but that's just me.
Lol decent enough analysis!

So would you consider any of the Matamps more authentic to the old school Orange?
 
Because I was acquainted with the original Orange amplifiers, I always associated them with Wishbone Ash and very loud, clean amps. Had a chance to buy a couple back in the eighties, but because they were rare back then, they were also quite pricey. I don't consider anything Orange is doing these days to be true to their past. They're a completely different amp.

As for Markus, I saw him a few years ago. He's someone you'd listen to if Government Mule is way too heavy for you, and you needed something more "Lite." Like if Gov't Mule got taken over by the Eagles. Not my cup of tea, but that's just me.
One of my favorite jam to tracks is the Mule’s cover of Cortez the Killer. A Em-D-Am7 jam. I think it’s like a 9 Minute cover.
 
Lol decent enough analysis!

So would you consider any of the Matamps more authentic to the old school Orange?
I played a few in England about ten years ago. They are awesome to say the least. Very loud, and clean. I think everyone who is using them now are throwing a ton of pedals in front of them because they are loud. I tried them with no pedals, just using the guitar’s volume knobs. They were very responsive.
 
As for Markus, I saw him a few years ago. He's someone you'd listen to if Government Mule is way too heavy for you, and you needed something more "Lite." Like if Gov't Mule got taken over by the Eagles. Not my cup of tea, but that's just me.
Funny thing about the Gov't Mule reference: It was Warren Haynes who was partly instrumental in helping Marcus King's exposure to the masses! Warren produced MK's second album in 2016 and was quoted:
"Marcus is the first player I’ve heard since Derek Trucks to play with the maturity of a musician well beyond his age. He’s very much influenced by the blues, but also by jazz, rock, soul music, and any timeless genres of music. You can hear the influences, but it all comes through him in his own unique way. He has one of those voices that instantly draws you in, and his guitar playing is an extension of his voice and vice versa.”
- Warren Haynes
 
I have owned quite a few orange amps .... cant say a single one sucked ...all solid great sounding kit.
The current Crush 12 (yep) sounds HUGE through a Peavey 12" speaker/cab.
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If it had to be my only amp--- Id not be unhappy
wish they made a head version ...... damn thing just sounds awesome
 
The 35 RT ... with a 10" speaker ... 2 channels a tuner reverb and all analog design ... could be the best under 200.00 (used) under 300.00 (new) amp on the market

GREAT TONE
reverb
cleans
dirties
and except for Norms ....... its ORANGE....lol

wait wait BLACK is the new ORANGE BUWAHAHAHAHHAHAHHA

however I did only pay 250.00 for this
1650592035566.png
which has oranges and diezels and voxs and peaveys and marshalls and fenders and bogners and mesas and ampegs and "Z"'s and pedals galore.............
oh and a tuner
and a looper
and a drum machine
coffee maker
gives good blow jobs
has a bar out back
can do your taxes
washes your truck
makes pizza
.........................................................................................................................................................
 
RedsoxJiminator
5.0 out of 5 stars Studio | Recording | Live Guitar Rig | In “One” Compact Pedal
Reviewed in the United States on October 12, 2020

First, let me say that this Hotone (pronounced “Hot Tone”) Ampero One is a monster of a rig that is built beautifully. The design is very well thought out, and the aluminum casing with the gold back plate is just gorgeous.
I initially thought that the “One” version of this unit was a lesser entry for Hotone in comparison to its bigger and more expensive brother, the Ampero and it is in a sense but not so much in its actual performance. It’s a smaller footprint, loosing one assignable foot switch. It also lacks the balanced XLR output jacks, along with midi control on the back panel. If those are a major point in your requirements, then the “One” may not suffice for you, however if those are not major points of contention, then the Ampero One is otherwise identical in performance. In fact, you may end up preferring it as it can run from a 9v power supply instead of the 18v required for its big brother. Hotone states that internally, they step this up to 18v to give the same “headroom”.
I will not go in to each and every feature of this unit, as that would require way to many pages, but will hit on what I think are the major features and how well they perform, along with a few tips to start getting the most from this unit!
First, I suggest you download the full manual from Hotone’s web site. Included in the box is a nice “getting started” card for reference, but you really need the manual to get familiar with all that this unit can do, along with getting the software, editing and firmware updated. Which brings me to the next tip...
Update the firmware! As of this writing, my unit came with version 1 of the firmware, and they have released Version 1.1 for the Ampero One. Get it, along with the new version manual. Lot’s of good updates are included with the update, including Global EQ, moving of effects in the signal chain, changing display colors to name a few.
Upgrading the firmware was a little tricky...just be sure to read the instructions carefully and be sure you are upgrading the Ampero “One” firmware and not the original Ampero firmware.
Download the updated Editor as well from the Hotone website. Again, be aware that the editor also has different versions, depending on which unit you have.
Once this is done, you are ready to explore all the different functions, amp and cabinet models, effects and presets present, and there is a TON of them! Not only that, but you can edit just about everything to your liking and save your settings so the versatility of this unit is nearly endless.
Again, I highly recommend downloading and reading the manual and saving it for reference. Everything can be setup and edited from the unit itself, or from your computer using the free editor and USB connection to your computer.
I guess the big question is, how does it sound? In my opinion....fantastic! I have only had it a few days, so I am still learning, but I have tried a number of different configurations so far and found them all very satisfying.
Running one output (left mono) to front of amp like a regular guitar pedal works fine. You can go into global settings and shut off the cab sim for either output. Nice!
Running both outputs into two separate amps works nicely! You can run both to front of amp, or to effects loops in both amps. This gives a nice “stereo” type effect, especially using some of the delays and other modulation effects of the pedal.
Running into a interface works very nicely as well. I can run both outputs to my Scarlet 2x2, then to a mixer or PA, or computer (for DAW) without having to change or fiddle with changing drivers in my Windows 10 desktop.
I have not noticed any discernible lag, or noise. In fact, the Ampero One is very, VERY quiet!
The majority of the factory presets are very well done, and quite useable as they are, which was surprising.
You can also load in 3rd party IR’s using the editor as well!
In my opinion, if you don’t need or require balanced XLR outputs, or midi control to the unit, or you like the fact that you could run this off your normal 9V power supply from your pedal board and prefer having a smaller footprint, the Ampero One is the way to go! I have been using Bias FX-Two as my computer rig for recording, but now I am currently rethinking that. Having that same kind of power, along with great sounding amps, cabs, effects and versatility in a small floor unit is incredible. You also get a nice tuner, looper, and decent drum machine built in!
This unit pretty much has it all, along with very good sound, portability, versatility and good looks, all controlled by either foot switch (assignable) or touchscreen that’s logically layed out.
It will take awhile to really learn its many features, but I know it will be fun doing so.
So far, I have been enjoying the journey. Can’t wait to give it a go in a full rehearsal or gig, hopefully sometime soon!
In the meantime, I will be delving into getting just the right patches set up and enjoying the Ampero One’s versatile soundscapes! Highly recommended! Get “One”!
Customer imageCustomer imageCustomer image
 
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